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FLAME OF LOVE


FLAME OF LOVE<br />

Compiled and Edited<br />

by<br />

Roshan<br />

<strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong><br />

Pondicherry


First Edition 2 0 0 7<br />

The writings <strong>of</strong> <strong>Sri</strong> <strong>Aurobindo</strong> and the Mother<br />

are copyrighted b y the S ri A u robindo <strong>Ashram</strong> Trust<br />

and have been r eproduced with its kind permission.<br />

Cover page: " F lame <strong>of</strong> Love" by Hufreesh<br />

Price: Rs 50.00<br />

© Divyanand Kripanidhi 2007<br />

12, "A trrra rr v . iRav fs b ankar S ankul<br />

Surat - 395 001<br />

Published by Divyanand Kripanidhi<br />

Printed at <strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong> P ress<br />

Pondicherry - 605 002<br />

PRINTED IN INDIA


<strong>Sri</strong> <strong>Aurobindo</strong>


o Lord! Kindle in us the Flame <strong>of</strong>Love which<br />

will burn out all resistance and make us fit to<br />

be Thy faithful servants.<br />

The Mother<br />

In deep gratitude I <strong>of</strong>fer this compilation at<br />

the lotus-feet <strong>of</strong> <strong>Sri</strong> <strong>Aurobindo</strong> and the Mother.


The Mother<br />

Photograph given by the Mother to Motiba on 27 January 1962


Contents<br />

Preface<br />

xi<br />

Part 1. Memories <strong>of</strong> Motiba<br />

Champaklal's Dear Aunt Motiba<br />

Sweet Memories<br />

Foiba, as I Know Her<br />

Grace on Motiben<br />

"M y Water Saree"<br />

5<br />

15<br />

19<br />

24<br />

25<br />

Part 2. Memories <strong>of</strong> Bansidhar<br />

My Early Golden Days<br />

Bansidhar and Photography<br />

Our Bansimama<br />

30<br />

46<br />

48


Motiba<br />

With a bouquet <strong>of</strong> flowers she prepared for <strong>of</strong>fering to the Mother


Preface<br />

I present this compilation <strong>of</strong> sweet memories <strong>of</strong> Motiba<br />

(C h a m pa k lal ' s aunt) and Bansidhar (Champaklal's younger<br />

brother) who came to <strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong> in its early days<br />

when the <strong>Ashram</strong> had few inmates - sixty to seventy. Those<br />

were days <strong>of</strong> intense sadhana, as <strong>Sri</strong> <strong>Aurobindo</strong> and the<br />

Mother were bringing ' down the Supreme Truth, Light,<br />

Harmony, Peace and <strong>love</strong> into the earth-consciousness. Given<br />

the privilege <strong>of</strong> living in closeproximity with them, the Divine<br />

in human form, the sadhaks and sadhikas were singlemindedly<br />

concentrated on their sadhana. They were silent<br />

servitors and one in their aim to surrender to the Lord <strong>Sri</strong><br />

<strong>Aurobindo</strong> and the Mother with full faith. With a burning<br />

<strong>flame</strong> <strong>of</strong> <strong>love</strong> in their heart they came - to serve, to <strong>love</strong>,<br />

to realise the Divine. .<br />

For me, for my family, for my friends and many others,<br />

Champaklal, Kamalaben, Motiba and Bansidhar were like<br />

loving guardians. T hey were unique in their own way. This<br />

is my humble effort to express my he a rt-fe lt gratitude to them.<br />

This compilation is not biographical. It is a brief account <strong>of</strong><br />

a few events in their lives which exemplify their simplicity,<br />

sincerity, surrender and unswerving fidelity to the Divine.<br />

Those who came into contact with them learned many things<br />

from their way <strong>of</strong> living.<br />

I admire Motiba for her simplicity, receptivity and <strong>love</strong><br />

for all, qualities which were inborn in her. The Mother has<br />

said: "Simplicity is <strong>of</strong> all things the best to express harmony."<br />

Praful, an inmate staying in the <strong>Ashram</strong> building, recounted<br />

to me a significant incident about Motiba which<br />

occurred a few days before her passing away: It involved<br />

Kamalini, who looked after both Motiba and Bansidhar for


xii<br />

Preface<br />

the last ten years <strong>of</strong> their lives. "One day at midnight," Praful<br />

said, "Kamalini came running to tell me about something unusual<br />

happening to Motiba. I went there and what did I see?<br />

She was engrossed in loudly singing <strong>Sri</strong> Krishna's bhajans,<br />

and it went on until two o'clock! I was taken aback and wondered<br />

what force could make her sing like this at the age <strong>of</strong><br />

one hundred and eleven. No doubt, it was the Mother's Shakti<br />

working in her. Because she was receptive to the Mother's<br />

Force, she could receive so much."<br />

I had the interview with Motiba in 1995, when she was<br />

completing a hundred years. It is re-edited and included in<br />

this booklet.<br />

I came in contact with Bansidhar when I was working with<br />

Champaklal. My first impression <strong>of</strong> him was that <strong>of</strong> a spontaneous,<br />

straightforward, fearless and loving man. He could<br />

not tolerate injustice so he stood up and fought against it. I<br />

found him beside Champaklal like a Lakshman beside Rama,<br />

always ready to help. I quote here from Champaklal Speaks:<br />

"Speaking <strong>of</strong> the French Revolution, the Mother said: Pujalal<br />

was there. But I d id not know that Bansidhar also was there,<br />

helping me. Strange["*<br />

Sunandaben told me <strong>of</strong> an incident which took place in<br />

her presence: "Once a young lady came to Bansidhar. He<br />

was at his table writing out passes for darshan in <strong>Sri</strong><br />

<strong>Aurobindo</strong>'s room. This lady approached him and almost in<br />

tears said, 'I can't take it, I can't bear it any more. I don't<br />

want to live. I just want to die.' Bansidhar simply looked at<br />

her and after a few moments <strong>of</strong> silence said, 'Do you really<br />

want to die? Give up this life?'<br />

'Yes,' she almost wailed.<br />

* Champaklal Speaks, Third edition, p. 216.


Preface<br />

xiii<br />

'Then go out, down the steps, leave the building, turn to<br />

your left and start walking. You will come to the wall, a small<br />

one. You can climb over it. Just jump into the sea.' "<br />

Bansidhar did not like to speak or write about himself.<br />

After a- lot <strong>of</strong> insistence he wrote one article, "My Early<br />

Golden Days", which was published in The Advent in February<br />

1994. I have included it in this book.<br />

I am happy that Asha, Nayana and Sunandaben cooperated<br />

with me willingly by sharing their reminiscences.<br />

I express my sincere appreciation <strong>of</strong> the dedicated team<br />

<strong>of</strong><strong>Ashram</strong> doctors, ourYogi Dr. Datta, Dr. Salrla, Dr. Gayatri<br />

Vishvabandhu and their staff, who were ever ready to serve<br />

Motiba and Bansidhar whenever needed; to Albertbhai, a<br />

Trustee <strong>of</strong> <strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong>, and Ashokbhai, who were<br />

associated with them from the early days and were always<br />

helpful to them; and to Janardan, Vidyutlata, Shyama,<br />

Mukundbhai, Chandidas and others, who served them silently.<br />

Kamalini was chosen by the Divine to serve Motiba and<br />

Bansidhar; she considered herself fortunate, for she said, "It<br />

was by serving them that I became conscious <strong>of</strong> the Mother's<br />

way <strong>of</strong> working. I cannot forget their touch and the <strong>love</strong> they<br />

showered on me."<br />

My sincere thanks to Apurva, Bob, Ganpatibhai and<br />

Sunjoy for their valuable help in this book. I also thank the<br />

<strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong> Trust, the <strong>Ashram</strong> Archives and the<br />

<strong>Ashram</strong> Press for their cooperation.<br />

<strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong><br />

Pondicherry - 605 002<br />

January 2007<br />

ROSHAN


I: '"<br />

~<br />

£<br />

00 <<br />

c-,<br />

U3 8<br />

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..


Part 1<br />

Melllories <strong>of</strong> Motiba


o Victorious power <strong>of</strong> divine Love, Thou art the sovereign<br />

Master <strong>of</strong> this universe, Thou art its creator and its<br />

saviour, Thou hast permitted it to emerge from chaos, and<br />

now Thou leadest it to its eternal goal.<br />

There is not a thing so humble but in it I see Thee<br />

resplendent, not a being apparently so hostile to Thy will<br />

but I feel Thee live in it and act and radiate.<br />

o my sweet Master, essence <strong>of</strong>this <strong>love</strong>, I am Thy heart,<br />

and the torrents <strong>of</strong> Thy <strong>love</strong> pass through the entirety <strong>of</strong><br />

my being and flow out to awaken Thy <strong>love</strong> in all things<br />

or rather to awaken all things to the consciousness <strong>of</strong> Thy<br />

<strong>love</strong> which animates all.<br />

All those who do not recognise Thee, all those who do<br />

not know Thee, all those who try to tum away from Thy<br />

sweet and divine law, I take into my arms <strong>of</strong> <strong>love</strong>, I cradle<br />

them in my heart <strong>of</strong> <strong>love</strong> and <strong>of</strong>fer them to Thy divine<br />

<strong>flame</strong>s, so that penetrated by Thy miraculous effluence,<br />

they may be converted in Thy beatitude.<br />

o Love, resplendent Love, Thou penetratest, Thou<br />

transfigurest all.<br />

1 June 1914 THE MarHER


Motiba and Kamala


Champaklal's Dear Aunt Motiba<br />

Every time I saw Motiba, I was reminded <strong>of</strong> my childhood<br />

days, <strong>of</strong> my grandmother's care and affection. Like<br />

her, Motiba always caressed and blessed me with all her<br />

<strong>love</strong> and affection.<br />

Every phase <strong>of</strong> life has its own charm, even old age, if<br />

one knows how to see it. It is a charm that radiates humility,<br />

tender disinterested <strong>love</strong>, dedication and surrender.<br />

Motiba was a true symbol <strong>of</strong> it. She was pure-hearted,<br />

simple, loving, caring, happy, calm and detached. She<br />

poured her <strong>love</strong> and blessings on whoever visited her. How<br />

delightful it was to see her full <strong>of</strong> joy on her birthday.<br />

Champaklal used to remember his dearest Foiba with <strong>love</strong><br />

and respect.<br />

Motiba arrived in the<strong>Ashram</strong> with Champaklal's brother<br />

Kantilal on April 4, 1926 and remained here for the rest<br />

<strong>of</strong> her life. The Mother fixed her birthday as January 27.<br />

And so January 27, 1995 marked her centenary. Even at<br />

that age she continued doing all her household work herself,<br />

and sometimes her cooking too. About her weakened<br />

eyesight and hearing, she used to say with a smile: "How<br />

can I blame my eyes and ears? They have served me so<br />

well all these years."<br />

Such was our Motiba. She was the first member <strong>of</strong> the<br />

<strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong> to complete hundred and eleven<br />

years. During the final years <strong>of</strong> her life she stayed in<br />

Champaklal's room in the <strong>Ashram</strong> with his brother<br />

Bansidharji. She has <strong>of</strong>ten spoken fondly <strong>of</strong> Bansidharji's<br />

childhood days to me. When he passed away, it was an


6 Flame <strong>of</strong>Love<br />

unbearable shock to her; she went into silence for many<br />

days.<br />

Motiba left her physical body on 21'1April 2006 very<br />

peacefully.<br />

.. Motiba's Recollections<br />

I always enjoyed asking Motiba questions about herself<br />

and her life in the <strong>Ashram</strong>. Her pet opening to her response<br />

was: " I don't remember much, my memory has faded. But<br />

I will try to tell you whatever I can." I give here some<br />

interesting selections from her replies using, as far as<br />

possible, her own words.<br />

Will you please tell m e about your childhood and<br />

early life before you came to the <strong>Ashram</strong>?<br />

My father's name was Nathuram, my mother's name was<br />

Mooriben and our surname Tarwadi. We were Modh Brahmins.<br />

My father used to read the Puranas and do Yajnas<br />

and Havans. Being a priestly family, our economic condition<br />

was quite ordinary. Our family Deity was Galleshwar<br />

Mahadev, though we also worshipped <strong>Sri</strong> Krishna. Several<br />

times our family witnessed miraculous and wonderful<br />

blessings <strong>of</strong> Galleshwar Mahadev.<br />

I lost my father at the age <strong>of</strong> six. I ·was married when<br />

I was only eight. My mother died within six months <strong>of</strong> my<br />

marriage. I went to my in-laws when I was fifteen and<br />

became a widow the next year. My husband Amthalal<br />

suddenly fell ill after returning from Bombay and died at


Champaklal 's Dear Aunt Motiba 7<br />

the age <strong>of</strong> twenty-five on Mahashivaratri. My five sisters<br />

died one after another. I was the youngest daughter <strong>of</strong> my<br />

parents. My younger brother Mafatlal passed away at the<br />

age <strong>of</strong> eighteen.<br />

I was terribly shocked by this series <strong>of</strong> untimely deaths<br />

<strong>of</strong> my near and dear ones and gradually lost all interest in<br />

life. Champaklal was very dear to me, but he had already<br />

settled in the Pondicherry <strong>Ashram</strong>.<br />

How did you decide to go to Pondicherry?<br />

After Champaklal had settled permanently in Pondicherry,<br />

I decided to go there. I wrote a letter to <strong>Sri</strong> <strong>Aurobindo</strong>,<br />

asking for hispermission to come. When I was living in<br />

Patan I had a darshan <strong>of</strong> him and the Mother in a vision.<br />

In it, I saw <strong>Sri</strong> <strong>Aurobindo</strong> walking continuously in the room<br />

where he used to walk and the Mother standing on the steps<br />

<strong>of</strong> the house's staircase. Champaklal talked to the Mother<br />

about this vision and about my wish to stay in the<strong>Ashram</strong>.<br />

I had already sent my photograph.<br />

You would find it very interesting to know how things<br />

got arranged for me. In Patan it had been decided to get<br />

Champaklal engaged to my sister-in-law. But Champaklal<br />

was firrnly against marriage and did not want to leave the<br />

<strong>Ashram</strong>. So my relatives sent me with Kantilal to explain<br />

the situation to him and take him back .to Patan - but<br />

instead I stayed back in the <strong>Ashram</strong>! First I stayed in a<br />

room in the Atelier, then in the Balcony house, and finally<br />

in the Post Office house. Now I live here in Champaklal's<br />

room.


8 Flame <strong>of</strong>Love<br />

I saw the Mother for the first time in this room itself,<br />

because in those days the Mother was staying in this rOOITl.<br />

For the first six rnonths I lived at my own expense. Then<br />

one day Mother called me and asked, "Do you want to<br />

stay here permanently?" "Yes Mother," I replied; "if you<br />

permit me." Thereafter Mother used to give me thirty<br />

rupees a month for my expenses.<br />

Did your relatives try to persuade you to go back to<br />

your house in Patan?<br />

Yes, I received many letters, messages and telegrams from<br />

them. Finally <strong>Sri</strong> <strong>Aurobindo</strong> wrote a letter to them and they<br />

never called me again. Let me show it to you.<br />

<strong>Sri</strong> <strong>Aurobindo</strong>'s Letter<br />

"Motiba is quite happy here and she is progressing very<br />

well in her sadhana. If she goes away from here, the<br />

progress will be stopped and much <strong>of</strong> what she has gained<br />

may be lost. An intensive and concentrated sadhana once<br />

begun has to be persistently continued in the right atmosphere.<br />

Ifit is kept up only for a short time and then dropped<br />

for another kind <strong>of</strong> life in which the concentration<br />

is diffused and weakened, there is no likelihood <strong>of</strong><br />

* Charnpaklal told me that Motiba's correspondence w ith <strong>Sri</strong><br />

<strong>Aurobindo</strong> and the Mother was very interesting. Unfortunately, it has<br />

not been found.


Champaklal's Dear Aunt Motiba 9<br />

fruition. For this reason we would disapprove <strong>of</strong> her departure."<br />

What work did the Mother give y o u?<br />

Initially, the ironing <strong>of</strong> <strong>Sri</strong> <strong>Aurobindo</strong>s and the Mother's<br />

clothes. I was instructed by Datta, the English lady who<br />

accompanied the Mother here. Later, I was also given the<br />

work <strong>of</strong>washing <strong>Sri</strong> <strong>Aurobindo</strong>'s and the Mother's clothes.<br />

I had the privilege <strong>of</strong> washing them twice a day and this<br />

is how I also got my Lord's darshan twice a day. First when<br />

I went to his and the Mother's bathrooms in the morning<br />

to collect the clothes, and the second time when I went to<br />

return the cleaned clothes in the evening. The Mother<br />

always gave me a sweet srriile. I went to <strong>Sri</strong> <strong>Aurobindo</strong>s<br />

room in the evening to put h is Dhoti there. At first I used<br />

to place it outside his room. Later on, the Mother permitted<br />

me to place it inside. In those days <strong>Sri</strong> <strong>Aurobindo</strong> kept<br />

walking to and fro in his room. As soon as I opened the<br />

door, he would switch on the light and I would place his<br />

Dh.oti inside. [Here, Foiba showed me the art <strong>of</strong>folding<br />

the Dhoti in a special manner.] After his accident, there<br />

were more clothes to wash every day.<br />

Once I fell ill and was sent to the Nursing Home. The<br />

Mother enquired about my health every day. When I came<br />

back from the Nursing Home, I went to see her. She blessed<br />

me and said, "You will remain like this." To me this meant<br />

that I would be active even in myoId age. And this has<br />

come true by the Mother's Grace , for I am moving around<br />

and working even today.


10 Flame <strong>of</strong>Love<br />

Once I got a bad cough. <strong>Sri</strong> <strong>Aurobindo</strong> noticed it and<br />

told the Mother. She herself prepared a soup for me and<br />

sent it through someone. Mother knew that I might refuse<br />

to take it, so she also sent Champaklal with a tablet. I was<br />

reluctant to take the soup but when Champaklal explained<br />

why it would help me, I took the soup and tablet. With<br />

that one tablet my cough disappeared! Since then that tablet<br />

became very .p o p ular in the A shram.<br />

After <strong>Sri</strong> <strong>Aurobindo</strong>s Mahasamadhi, Champaklal did<br />

not eat for five days. The Mother herself made him drink<br />

a glass <strong>of</strong> juice.<br />

After <strong>Sri</strong> <strong>Aurobindo</strong> left his body, I was allowed to go<br />

to his room every day for meditation. Our Gracious Mother<br />

always allowed me to sit as long as I wished.<br />

What other work was given to you?<br />

We had no se r van ts in those early days. T here was only<br />

self-help. So I used to cook for B ansid har as well as myself.<br />

Sometimes I cooked for <strong>Sri</strong> <strong>Aurobindo</strong> too.<br />

What did y o u prepare for <strong>Sri</strong> <strong>Aurobindo</strong>?<br />

Bhajias (p a ko d as) made from ajwain leaves, potato-vadas<br />

and s m a ll sweet pudlas (pancakes). He liked the pudlas<br />

very much and used to eat a good number <strong>of</strong>them. Of the<br />

bhajias , potato-vadas and purrs, h e used to eat only two or<br />

three. Once he got some kidney trouble and Mother stopped<br />

his eating the s weet pudlas. So I made pudlas without sugar,<br />

but he did not like them. Every day, at about four in the


Ch.ampaklal :s Dear Aunt Motiba 11<br />

afternoon I used to take walnuts, cashews, almonds and<br />

raisins fried in ghee for him to his room.<br />

Once I presented to him a handkerchief woven by me<br />

with golden thread. He used to keep it with him on the<br />

darshan days.<br />

Didyou practise meditation when you were in Patan?<br />

Yes. I meditated, read the Gita, and the Bhagavat Purana;<br />

I also did japa. Once Lele*, the Maharashtrian yogi, visited<br />

our house. He advised me to read Bhaktiyoga, the<br />

twelfth chapter <strong>of</strong> the Gita. He never ate food prepared by<br />

other people, and usually only took fruits. But once when<br />

he was staying at our neighbour Ramlals bungalow, he<br />

said, "If Moti prepares the food, I will eat it." So that day<br />

I cooked for him. Charnpaklal and Lele took lunch together.<br />

Did you have any spiritual experience with Lele?<br />

Yes, I saw light on his head when I first met him.<br />

Any other experiences?<br />

Yes, I had many experiences, but I cannot describe them<br />

to you. My experience <strong>of</strong> seeing Light started at the age<br />

<strong>of</strong> seventeen. I saw a Light when my younger brother<br />

Mafatlal expired in Patan.<br />

* Vishnu Bhaskar Lele. See Champaklal Speaks, Third edition,<br />

pp. 31-35.


12 Flame <strong>of</strong>Love<br />

When Champaklal left his body in J antral I saw a Light<br />

and heard his voice telling me, "Foiba, I am leaving." When<br />

Bansidhar was ready to leave for Jantral, he was hesitant<br />

to break the news <strong>of</strong> Champaklal' s demise to me, but I<br />

said to him, HI know it. "<br />

I had an experience in the Playground on the day<br />

before <strong>Sri</strong> <strong>Aurobindo</strong> left his body. I had gone there to see<br />

the temple <strong>of</strong> the Mother arranged by the children, but I<br />

could not enjoy the programme. There was a constant<br />

feeling that <strong>Sri</strong> <strong>Aurobindo</strong> would leave his body soon.<br />

I used to see visions quite <strong>of</strong>ten. In meditation I <strong>of</strong>ten<br />

saw <strong>Sri</strong> <strong>Aurobindo</strong>, the Mother and Lord Krishna. Once<br />

I saw the Mother as Amba Mataji. Whenever I was unwell<br />

I always saw the Mother's hand on my head.<br />

Did you go to <strong>Sri</strong> <strong>Aurobindo</strong> and the Mother daily<br />

for Pranam?<br />

Yes, whenever I went for Pranam <strong>Sri</strong> <strong>Aurobindo</strong> put his<br />

whole hand on my head but the Mother just touched it.<br />

Why did the Mother only touch your head? Didn't<br />

she <strong>love</strong> y o u ?<br />

No, no! Mother <strong>love</strong>d me equally, as much as <strong>Sri</strong><br />

<strong>Aurobindo</strong>! She only touched my head so that my ego<br />

would not grow.<br />

Will y o u tell me about your experiences on the<br />

Darshan days?


Champaklal's Dear Aunt Motiba 13<br />

The Darshan days! [Motiba's face became suffused with<br />

joy.] How can I describe something indescribable? When<br />

<strong>Sri</strong> <strong>Aurobindo</strong> put his hand on my head, I felt a deep peace.<br />

His touch was s<strong>of</strong>t, velvety, featherlike. I did not want to<br />

raise my head!<br />

As we can see Motiba had done an intensive and concentrated<br />

sadhana throughout her life. She was for me, the<br />

ideal example <strong>of</strong> a sincere sadhika. One felt peace, light<br />

and <strong>love</strong> in her presence.<br />

My heartfelt gratitude goes to her for all the help she<br />

has been on the way.<br />

ROSHAN<br />

To be receptive is to feel the urge to give and<br />

the joy <strong>of</strong> giving to the Divine's work all one<br />

has, all one is, all one does.<br />

The Mother


Sweet Memories<br />

My earliest memories <strong>of</strong> Motiben - Foiba as I have<br />

always known her - are those <strong>of</strong> a strictly disciplined<br />

sadhika: not very communicative, very quiet and reserved,<br />

ever concentrated only on her assigned work. She always<br />

dressed in a spotlessly white <strong>Ashram</strong> sari, draped in her<br />

native Gujarati style and cowling her head.<br />

In the last two decades, I found her completely mel-­<br />

lowed down - at all times she would be full <strong>of</strong> <strong>love</strong> and<br />

aff ection . But most apparent was her unshakable faith, <strong>love</strong><br />

and adoration for <strong>Sri</strong> <strong>Aurobindo</strong> and the Mother. She would<br />

te II us that <strong>of</strong>ten <strong>Sri</strong> <strong>Aurobindo</strong> and the Mother, and sometimes<br />

<strong>Sri</strong> Krishna, came and talked to her. This was, she<br />

said, mainly because she was living in the room that Mother<br />

herselfhad once occupied. I remember her telling me once<br />

that <strong>Sri</strong> <strong>Aurobindo</strong> had come that morning and enquired<br />

after her health. Sometimes, however, people around her<br />

would see her gesticulating angrily, as if at some invisible<br />

being, ordering it to go away. Who were those beings or<br />

forces has never been known, because she never responded<br />

to questions on that subject.<br />

Foiba had her own way <strong>of</strong> showering her blessings and<br />

<strong>of</strong>fering guidance. For instance, she always told us to do<br />

japa <strong>of</strong> <strong>Sri</strong> <strong>Aurobindo</strong> and the Mother. "Never forget them<br />

even for a moment," she would emphasize. "F or, one day<br />

we shall have to leave everything in this world and go, and<br />

at that time they alone will be with us. Always remember<br />

them and pray for their guidance and protection."<br />

Foiba possessed a deep and vast w isdom which gave


Sweet Memories 17<br />

her an inner eye to know and comprehend all who came<br />

to her. She would catch the person's vibrations and thoughts<br />

but kept a perfect control over her own reactions to them;<br />

nothing in her conversations or expressions revealed what<br />

she had seen or understood.<br />

She was wont to burst into devotional songs, <strong>of</strong>ten<br />

singing her bhajans for hours together. Even at a hundred<br />

and eleven, her memory, I must say, was just fantastic. The<br />

atmosphere created by her pure and unalloyed bhakti has<br />

turned me into a lifelong devotee <strong>of</strong>Foiba. I gratefully bow<br />

to her boundless faith and her immeasurable inner development.<br />

There is another thing I recall with great pleasure.<br />

Although Foiba never asked anyone for anything, there<br />

would appear an unforgettable sparkle in her eyes when<br />

she was presented with something she liked or needed.<br />

'Thank you, thank you, thank you very much," she would<br />

say. It was a sparkle that thrilled us to the very core and<br />

made us grateful for the opportunity <strong>of</strong> witnessing it.<br />

I bow down once again to the great souls who <strong>of</strong>fered<br />

themselves so absolutely to <strong>Sri</strong> <strong>Aurobindo</strong> and the Mother.<br />

I pray to the Mother and <strong>Sri</strong> <strong>Aurobindo</strong> to grant us the<br />

strength, courage, and complete faith to be able to follow<br />

their luminous footsteps to reach the Goal.<br />

ASHA KOTHARI


Four brothers<br />

Kantilal. Sunderlal, Champaklal. Bunsidhar, 28 February 1932


Foiba, as I Know Her<br />

If you have the power <strong>of</strong> observation you can find this<br />

world full <strong>of</strong> enthralling personalities and circumstances.<br />

There are those who want to be forever basking in the<br />

blessed innocence <strong>of</strong> children; there are those who prefer<br />

the fragrant ambience <strong>of</strong> beautiful flowers - <strong>of</strong> all-absorbing<br />

nature; there are those who choose always the<br />

invigorating company <strong>of</strong> the youth, their brilliant creative<br />

talents; and finally, there are those who seek the boundless<br />

peace and purifying presence <strong>of</strong> the spiritually advanced.<br />

I have been very fortunate to discover the place where<br />

all these sought-after things, in fact, everything you really<br />

need, exist together, at the same time. It is <strong>Sri</strong> <strong>Aurobindo</strong>'s<br />

<strong>Ashram</strong> at Pondicherry - a creation <strong>of</strong>the Divine Mother.<br />

And here, I have found a most extraordinary personage,<br />

and that is Foiba (the paternal aunt) <strong>of</strong> Champaklalbhai.<br />

and Bansidharbhai. Of the hundred and eleven years that<br />

she passed on earth, I was in contact with her only in the<br />

last forty-five during which I had many an interesting experience<br />

<strong>of</strong> her nature and attainments, and she became<br />

my Foiba also.<br />

The most significant <strong>of</strong> the Divine Mother's messages<br />

that Foiba tirelessly reiterated to us children taking their<br />

first faltering steps on the long and difficult path <strong>of</strong> the<br />

Integral Yoga was, to put it in her Gujarati,<br />

Jeevan-ma apan-ne matra ekaj vastunijaroor baniraho<br />

- Prabhu-no sakshatkara. "Let there be only one need in<br />

our life: the realisation <strong>of</strong> the Divine."


20 Flame <strong>of</strong>Love<br />

Foiba was "Great", I cannot find words adequate enough<br />

to describe her. So many times Foiba and I have communicated<br />

with each other without words. And we reached<br />

so much understanding because <strong>of</strong>the transparency <strong>of</strong><strong>love</strong><br />

and understanding that grew between us. Of course, she<br />

was always perfectly spontaneous with everyone, living<br />

at every moment in her true self. But by the Divine<br />

Mother's Grace she gave me a special place not only in<br />

her home but also in her heart and life.<br />

Foiba's words used to come to me like Arjuns arrows,<br />

always hitting the right spot. Forceful words that always<br />

reached where they had to reach. Haven't you felt an arrow<br />

<strong>of</strong> her quiver flying out with all her <strong>love</strong> from her bow?<br />

Once, in my early days, in 1960, I told her, "Foiba, I<br />

don't like Pondicherry, but I am so happy that I have seen<br />

the Divine Mother and I am here. I have all around me<br />

<strong>love</strong> from my family, as well as from you and your family;<br />

and what is most important is that the Mother has<br />

received me with so much <strong>love</strong> and has blessed me. I feel<br />

like ' a fish in the water', for there is nothing which is<br />

missing in life. In short, I am very happy in spite o f all the<br />

other troubles that are there. Why?"<br />

Then she told me one <strong>of</strong> her experiences: HI had come<br />

here only to find out why Champaklal was not returning<br />

home; why he continued to be in Pondicherry. But so great<br />

was my feeling after seeing <strong>Sri</strong> <strong>Aurobindo</strong> that I could<br />

never go back."<br />

I said, " F o ib a, you must have felt this place as I am now<br />

feeling it - Paradise on Earth. But then, after experiencing<br />

such a l<strong>of</strong>ty Joy, why are these troubles still bothering


Foiba, as I Know Her 21<br />

me? They should not!" Then she sang two lines <strong>of</strong>a popular<br />

Bhajan <strong>of</strong> poet Preetam:<br />

Hari-no maarag chche shoorano,<br />

nahi kayara-nu kaam jone<br />

Partham pahela mastaq mooki<br />

varati lejo naam jone.<br />

"The path leading to the Lord is for the warrior; no place<br />

in it for cowards;<br />

Offer up your head at his feet first, if you wish to utter<br />

his name effectively."<br />

Most people here know that Foiba had a lucid memory.<br />

Up to the very end she remained clear-headed, graceful<br />

and strong. Above all she <strong>love</strong>d singing Bhajans. Whenever<br />

she spoke or sang, the truth behind her words leaped<br />

out and reached where it had to reach and served its purpose<br />

very welL She always gave me the feeling that she could<br />

clearly see my inner being and how I needed her unselfish<br />

<strong>love</strong> to progress in life.<br />

Foiba used to have many experiences, visions and<br />

dreams. And <strong>of</strong>ten she would narrate them to me. She liked<br />

me to read to her from certain books and I enjoyed reading<br />

them to her. During that time we would both forget the<br />

passage <strong>of</strong> time. We enjoyed those satsangs and always I<br />

returned from her room with an immense joy, filled with<br />

a nourishing food for my soul.<br />

A recent incident has left a deep impression on me. It<br />

shall remain vibrantly alive in my memory. I shall try to


22 Flame <strong>of</strong>Love<br />

narrate the whole episode exactly as it happened, but I am<br />

not sure if I will succeed in expressing it fully. However,<br />

1 am very happy to share my experience with others. 1 am<br />

sure there are people on this earth endowed with the insight<br />

to understand properly the language <strong>of</strong>Love and Faith<br />

for which words are not the true medium. The following<br />

narration is just an attempt at expressing them.<br />

Once, while Foiba was thinking <strong>of</strong> Lord Rama,<br />

Hanuman came and sat beside her on her cot. After sometime<br />

<strong>Sri</strong> <strong>Aurobindo</strong> also came and stood in front <strong>of</strong> her.<br />

Then Hanuman was asked to leave and he went away.<br />

While relating this experience, Foiba seemed overwhelmed<br />

with happiness, for she had had the darshan <strong>of</strong><br />

the Lord. Whenever she talked about <strong>Sri</strong> <strong>Aurobindo</strong> one<br />

could see how everything was vibrantly alive in her - Joy,<br />

Force, Health, etc. She lived in Eternity and was rejuvenated<br />

by the Darshan <strong>of</strong> her Majestic Master. After hearing<br />

her experience 1 took the liberty <strong>of</strong> asking her, "Why<br />

did Hanuman have to leave after the coming <strong>of</strong> <strong>Sri</strong><br />

<strong>Aurobindo</strong>? If they both were there with you, you would<br />

have been happier, isn't it?" She was engrossed in her experience<br />

and did not answer but 1 persisted, "Why was<br />

Hanuman asked to leave when <strong>Sri</strong> <strong>Aurobindo</strong> came?" Since<br />

1 stuck to my question, she was forced to answer.<br />

She told me with firmness and politeness the words that<br />

<strong>Sri</strong> <strong>Aurobindo</strong> had uttered, Hoon chchu ne? "I am with<br />

you always."<br />

Only three words but how powerful and forceful!<br />

There are many other incidents and conversations which<br />

may sound like common-place happenings, but when


Foiba, as I Know Her 23<br />

understood deeply were pr<strong>of</strong>ound and great experiences,<br />

powerful enough to quench one's thirst for the higher life<br />

<strong>of</strong> <strong>love</strong>, truth, purity, dedication, totality, in all the activities<br />

<strong>of</strong> one's daily life.<br />

I consider myself very fortunate that I was closely<br />

associated with Foiba. Practice, thorough and integral,<br />

was the aim <strong>of</strong> her life. Never could one feel uncomfortable<br />

with her.<br />

NAYANA ZAVERI<br />

Grant, I implore Thee: that all in my being may be<br />

identified with Thee. May I be nothing else any more<br />

than a<strong>flame</strong> <strong>of</strong>Love utterly awakened to a supreme<br />

realisation <strong>of</strong> Thee.<br />

The Mother


Grace on Motiben *<br />

Mother said to me this morning: HIf I give the Bulletin to<br />

Motiben will she like it? Do you think she will be happy?<br />

I will give it for the pictures; she can see them." Mother<br />

knew that my aunt does not know English.<br />

C: "Mother, as you are giving, you can give her the Hindi<br />

edition."<br />

Mother: "I don't have it but I will ask Jayantilal,"!<br />

Later, when Mother came for <strong>Sri</strong><strong>Aurobindo</strong>s lunch, she<br />

informed him: "Motiben has <strong>of</strong>fered a very pretty silver<br />

fork for you. Today is her birthday."<br />

<strong>Sri</strong> <strong>Aurobindo</strong> smiled and said: HOh!"<br />

Then Mother asked Chinrnayee to bring that fork. But<br />

pointing to the one which was already there, Chinmayee<br />

said: "Mother, this one also is <strong>of</strong> silver."<br />

Mother: "Yes. But the new one is pretty and today is<br />

her birthday; bring that."<br />

Thus Chinmayee was obliged to bring the fork <strong>of</strong>fered<br />

by Motiben. Mother placed it in <strong>Sri</strong> <strong>Aurobindo</strong>'s hand. He<br />

took it with a smile and said: HOh ... oh!"<br />

It was a treat for me to watch how the Grace worked.<br />

27 January 1950 CHAMPAKLAL<br />

* Champaklal Speaks, Third edition, p . 198.<br />

1. Jayantilal Parekh (1913-99) studied art in Shantiniketan before<br />

j oi ning the <strong>Ashram</strong> in 1938. He served the <strong>Ashram</strong> in various capacities<br />

before the Mother entrusted h im with the responsibility <strong>of</strong> setting up and<br />

organising the <strong>Ashram</strong>'s Archives and Research Library. See Mothe r India<br />

1999, p. 442; and Mother India 2000, pp. 224-25, 295-98, 383-86.


''My Water Saree"<br />

Long back, Foiba had <strong>of</strong>fered a very light-weight golden<br />

tissue saree to the Mother. It was one <strong>of</strong> her own sarees<br />

that had been used by her. It was s<strong>of</strong>t and woven with white<br />

horizontal lines across the length <strong>of</strong> the saree.<br />

The Mother liked it very much and wore it quite <strong>of</strong>ten.<br />

As we know, the Mother stopped wearing sarees after<br />

1950. But later in 1955, She was <strong>of</strong>fered a Ruby Crown<br />

and She wore once again a saree for the special Puja<br />

Darshan.<br />

Whenever She selected the saree for a particular<br />

day, She preferred a light weight, s<strong>of</strong>t and delicate one,<br />

but <strong>of</strong>course, She would also wear any which was <strong>of</strong>fered<br />

lovingly.<br />

It seems, She wore Foiba's saree at least two or<br />

three times between 1955 and 1958. And every time She<br />

had specially asked for it. Lovingly She would caress the<br />

saree and called it, "My Water Saree".<br />

SUNANDA<br />

Fill our hearts with the delight <strong>of</strong> Thy <strong>love</strong>.<br />

Flood our minds w ith the splendour <strong>of</strong> Thy light.<br />

Grant that we may effectuate Thy victory!<br />

The Mother


Part 2<br />

Memories <strong>of</strong> Bansidhar


Painting given by the Mother to Bansidhar<br />

on his birthday, 21 February 1949


Like a <strong>flame</strong> that burns in silence, like a perfume that rises<br />

straight upward without wavering, my <strong>love</strong> goes to Thee;<br />

and like the child who does not reason and has no care,<br />

I trust myself to Thee that Thy Will may be done, that Thy<br />

Light may manifest, Thy Peace radiate, Thy Love cover<br />

the world. When Thou willest I shall be in Thee, Thyself,<br />

and there shall be no more any distinction; I await that<br />

blessed hour without impatience <strong>of</strong>any kind, letting myself<br />

flow irresistibly toward it as a peaceful stream flows toward<br />

the boundless ocean.<br />

Thy Peace is in me, and in that Peace I see Thee alone<br />

present in everything, with the calm <strong>of</strong> Eternity.<br />

7 December 1912 THE MarHER


My Early Golden Days *<br />

My father was a Purani, a Brahmin whose pr<strong>of</strong>ession was<br />

to read from the Puranas, our mythological scriptures and<br />

teach them to others. In the evenings, after our supper, we<br />

used to sit in the verandah <strong>of</strong> our house. My elder brother<br />

and I had to recite the multiplication table as was our<br />

custom. After that ritual was over, my father related to us<br />

stories from the Puranas. Thus I got acquainted w ith th e<br />

stories from the Mahabharata and the Ramayana. Of all .<br />

the stories that I listened to, I liked most the stories <strong>of</strong><br />

Dhruva and Prahlad, and so like them I aspired to have the<br />

realisation <strong>of</strong> God.<br />

When I was studying at the school my thoughts <strong>of</strong>ten<br />

turned to Dhruva and Prahlad. I wondered about their not<br />

being educated and yet having realisation <strong>of</strong> God. I al so<br />

believed that all studies were <strong>of</strong> no use, unless one could<br />

realise God. The only Truth seemed to lie there.<br />

When I was young, I was aware that one <strong>of</strong> my elder<br />

brothers, Champaklal, lived at Pondicherry with <strong>Sri</strong><br />

<strong>Aurobindo</strong>, As I grew up a little more and went to High<br />

School, I could clearly understand that my brother<br />

Champaklal, living at Pondicherry with <strong>Sri</strong> <strong>Aurobindo</strong>, was<br />

pursuing Yoga Sadhana for the realisation <strong>of</strong> God. About<br />

the time, I learned that my elder brother Kantilal and my<br />

aunt (Father's sister) Motiben were to go to Pondicherry.<br />

Since I was attending school, I was unable to express my<br />

* Bansidhar's own reminiscence s. Bansidhar was Champaklal's<br />

youngest brother. Born on 21 January 1908 a t Patan, Gujarat, he left<br />

hi s phy sical body on 25 September 2005.


Bansidhar


My Early Golden Days 31<br />

wish to go to Pondicherry! After about six months, a man<br />

named Vadilal, who was a close friend <strong>of</strong>rny elder brother<br />

Sunderlal, came to our place from Bombay. Vadilalbhai<br />

had a great affection for me. I told him that I wanted to<br />

g o to Bombay with him and asked him whether he would<br />

take me there with him. He said it would be his pleasure<br />

to do so.<br />

After getting things arranged for going to Bombay, I<br />

had to obtain permission to do so from my parents. I was.<br />

the youngest <strong>of</strong> four brothers and they all had a great<br />

affection for me. Since I was the pet child, everyone wanted<br />

to keep me happy. This is why I got the permission to go<br />

to Bombay. I did reach Bombay, but my main interest lay<br />

in going to Pondicherry. So I immediately wrote to my<br />

brother Kantilal about my wish to go to Pondicherry. I g o t<br />

the permission and arrived at Pondicherry on 8 November<br />

1927.<br />

During those days the Mother used to call a few sadhaks<br />

to the Prosperity room for meditation. After the meditation<br />

was over she passed through Champaklal's room on<br />

the way to her room upstairs. So I had a Darshan <strong>of</strong> the<br />

Mother on the very day <strong>of</strong> my arrival in Champaklal's<br />

room. I saw in her the form <strong>of</strong> the Divine Mother. I w a s<br />

greatly delighted.<br />

During those days the Mother, Champaklal and about<br />

three or four s ad hak s used to stroll on the terrace during<br />

the e a rl y morning hours. After moving about a bit,<br />

Haradhan used to blow his conch as a signal to the sadhaks<br />

living in the houses around that the Mother had come<br />

downstairs and it was meditation time. In the beginning I


32 Flame <strong>of</strong>Love<br />

had no permission to participate in the meditation session.<br />

So, after <strong>of</strong>fering my pranams to the Mother, having her<br />

Darshan and receiving a flower from her, I used to return<br />

to my room. After a few days Champaklal told me that <strong>Sri</strong><br />

<strong>Aurobindo</strong> would give his Darshan for the first time on<br />

the 24th <strong>of</strong> November and the Mother had given her permission<br />

for me to stay till then.<br />

At that time there were about thirty to thirty-five sadhaks<br />

in the <strong>Ashram</strong>. All the names were listed and each one had<br />

to go for Darshan in his turn. Everyone was told not to<br />

take more than fi ve minutes for the Darshan. A copy <strong>of</strong><br />

the list <strong>of</strong> the sadhaks was kept with <strong>Sri</strong> <strong>Aurobindo</strong>, so<br />

that he knew who would come in what order for the<br />

Darshan.<br />

Some days after the Darshan, Champaklal told me that<br />

I had to go back home. I broke into tears at this news.<br />

Champaklal told the Mother about this. Hearing about my<br />

crying the Mother gave her permission for me to stay on<br />

and also to work with Champaklal in the mornings and<br />

with Kantibhai in the garden in the evenings.<br />

I was very delighted at the good fortune <strong>of</strong> getting<br />

permission to stay and having been allotted work. But my<br />

human nature raised its head after a few months! I did like<br />

the work in the garden, but questions arose in my mind:<br />

"Even after coming to the <strong>Ashram</strong>, only this work <strong>of</strong><br />

watering th e trees in the g arden has been given to me!<br />

Would it not be better to render some personal se r vice to<br />

the Mother? It would be the fulfilment <strong>of</strong> my dreams if I<br />

could do some personal work for the Mother." Somehow,<br />

either as a result <strong>of</strong> my aspiration or the Grace <strong>of</strong> the


My Early Golden Days 33<br />

Mother, there arose a vacancy. Haradhan,* who was working<br />

in Mother's room and her bathroom, went back to<br />

Bengal. Through the Grace <strong>of</strong> the Mother Kantibhai got<br />

to work in the bathroom and I was given work in the<br />

Mother's room. Thus the Mother fulfilled my wish.<br />

There are many other incidents <strong>of</strong> the Mother fulfilling<br />

my wishes. Do you want to know how some <strong>of</strong> my<br />

wishes were fulfilled by the Mother? I will give a few<br />

instances. I wanted very much to <strong>of</strong>fer flowers to the<br />

Mother. How did this come to be arranged? I used to stand<br />

in Champaklal's room when the Mother returned from the<br />

Prosperity to her room via his room. Well, one day I was<br />

standing there and when she passed through the room<br />

I started <strong>of</strong>fering flowers to the Mother. She accepted<br />

them with great <strong>love</strong> and the practice continued from that<br />

day.<br />

Again, I had a great desire to work for <strong>Sri</strong> <strong>Aurobindo</strong>.<br />

The Mother used to distribute soup to all the sadhaks in<br />

the evening. <strong>Sri</strong> <strong>Aurobindo</strong> also took soup in his room.<br />

This soup was being prepared by Champaklal, but the work<br />

<strong>of</strong>cleaning and cutting the vegetables for making the soup<br />

for <strong>Sri</strong> <strong>Aurobindo</strong> was given to me. I may mention that the<br />

vegetables cooked for <strong>Sri</strong> <strong>Aurobindo</strong> and the sadhaks were<br />

purchased from Madras. Cabbage, leek, celery and carrots<br />

were being received in a parcel from Madras. A bill<br />

also came along with the parcel. I used to check the bill.<br />

* Haradhan B akshi from Chandemagore (B en g al ) first came to<br />

Pondicherry fo r a short visit in 1916. He was a soldier in the First World<br />

War ( 19 14- 19 18) . H e settled in the <strong>Ashram</strong> on 30 December 1930. (See<br />

M other India, 1996, "Haradhan-da" , pp. 55-59.)


34 Flame <strong>of</strong>Love<br />

Now there was a shop here where the shopkeeper used get<br />

all his vegetables from Bangalore. I found that the cabbages<br />

from Bangalore were cheaper than the cabbages from<br />

Madras. I told this to the Mother. Afterwards, under her<br />

instructions I used to go to the local bazaar every week<br />

and purchase all the vegetables needed. The vegetables<br />

were shown to the Mother, who examined them with great<br />

interest. The payment was done by Dyuman.<br />

I was very fond <strong>of</strong> taking a long walk every day. I used<br />

to go for a walk every evening. Even while walking I<br />

continuously remembered the Mother. I considered this a<br />

part <strong>of</strong> my sadhana. Once when I was just starting for a<br />

walk, the Mother's car carne from behind. The Mother saw<br />

me, and had the car stopped. I <strong>of</strong>fered my Pranams to her.<br />

She asked me where I was going. "For a walk," I replied,<br />

and told her where. The Mother told Champaklal that I<br />

was going rather a very long distance for a walk. I then<br />

<strong>of</strong>fered some flowers to the Mother. Seeing the flowers<br />

the Mother asked me "Do you want all this?" I nodded in<br />

assent. The Mother told me "I will give you ALL THIS but<br />

not the flowers." I understood with my modest intelligence<br />

that the Mother would give me all that was signified by<br />

the flowers but not the flowers themselves. I was greatly<br />

delighted.<br />

In those days unlike now, the <strong>Ashram</strong> was under financial<br />

stringency. There were some difficulties on that account.<br />

I wondered how I could be <strong>of</strong> help to the <strong>Ashram</strong><br />

in this matter. During those days all the sadhaks had alarm<br />

clocks. When anything went wrong with them, they were<br />

sent to the bazaar for repair. I felt that if I learned watch


My Early Golden Days 35<br />

repairing. I could be useful to the <strong>Ashram</strong>. I told this to<br />

the Mother. She then spoke to Amrita who arranged for<br />

me to learn watch-repairing from a watch repairer in the<br />

bazaar. After that, all the watch repairs in the <strong>Ashram</strong> were<br />

done by me. The Mother got repairing tools from France<br />

for my use. Now. <strong>of</strong> course. this work is being done by<br />

other sadhaks.<br />

As mentioned, after Haradhan left for Bengal. I was<br />

given work in the Mother's room. I was doing the work<br />

with great joy. A few days after starting to work. a significant<br />

event took place. As you know. biscuit boxes are<br />

wrapped in special paper to prevent moisture from creeping<br />

in and also to give the box a good appearance. One<br />

day, such a piece <strong>of</strong> wrapping paper was lying on the<br />

Mother's table. The paperhad not been folded, but simply<br />

kept there after removing it from the box. While cleaning<br />

the room. I thought, "What is the use <strong>of</strong> keeping such<br />

paper? The Mother has many other better papers." So I<br />

threw the paper into the wastepaper basket. In those days<br />

the Mother used to see some sadhaks in the mornings, in<br />

the Darshan Room. When she returned from the Darshan<br />

Room and asked me about that piece <strong>of</strong> paper, I told her<br />

that I had thrown it into the wastepaper basket. Hearing<br />

this the Mother got displeased, almost like Kali. She told<br />

me, "If it has to be thrown away, I know where to throw<br />

it and when to throw it away." I felt very sad, and even<br />

started crying. But that is how I learnt that however useless<br />

a thing might seem. it should not be thrown away.<br />

There is always a use for it somewhere.<br />

While I was working for the Mother in her room. a lady


36 Flame <strong>of</strong>Love<br />

named Datta,* who had come with the Mother from Europe,<br />

was working in her dressing room. Once Datta fell<br />

sick, so the Mother entrusted her work to me. I was very<br />

happy and started doing the work with enthusiasm.<br />

There is a kind <strong>of</strong> bottle in which the base is not attached<br />

to the cover. I had never seen such a bottle. Once<br />

I picked up one <strong>of</strong> these bottles and the cover remained<br />

in my hand while the big bottle fell down and broke into<br />

pieces. The bottle contained perfume imported from<br />

France, which spilled all over the place. The whole room<br />

was filled with the scent <strong>of</strong> the perfume. The Mother was<br />

giving Darshan to the sadhaks in the adjacent room. I was<br />

afraid that ifthe Mother would get annoyed like the wrathful<br />

Kali for throwing away a piece <strong>of</strong> paper, what would<br />

happen to me now? I got very depressed, took out my<br />

handkerchief and wiped away the traces <strong>of</strong> the scent as far<br />

as I could. But the scent must have reached the Mother,<br />

and soon she came. She asked me, "What happened?" I<br />

told her quite candidly. She replied, "Doesn't matter ­<br />

nothing to worry about; sometimes these things happen<br />

while working." The Mother gave me a beautiful Mahalaxmi<br />

smile and left the place. She didn't simply go away,<br />

but sent a message through Champaklal saying, "Tell<br />

Bansidhar not to worry. At times such things can happen<br />

* Datta (Entirely self-given), is the name given by <strong>Sri</strong> <strong>Aurobindo</strong><br />

to Dorothy Hodgson, an Englishwoman. Even in Europe she was a<br />

companion to the Mother and travelled with her to several countries<br />

including Japan. The Mother once remarked, "The very sight <strong>of</strong> this<br />

lady was indeed a pleasure; she seemed to us a pure white flower<br />

consecrated to the Di vine."


My Early Golden Days 37<br />

in the course <strong>of</strong> the work:' What a Grace! She had already<br />

told me not to worry and then she conveyed the same<br />

message through Champaklal. My devotion for the Mother<br />

increased tremendously and I got a firm beliefin her being<br />

the Divine Mother.<br />

In those days no question arose about how many hours'<br />

work one was doing. Only one aim - to do as much work<br />

as possible. The whole day passed doing something or the<br />

other. Not only me but all the sadhaks were interested in<br />

doing as much work as we could for <strong>Sri</strong> <strong>Aurobindo</strong> and<br />

the Mother. One did not know how the day passed. While<br />

doing the work, numerous occasions arose for meeting the<br />

Mother. In the early morning the Mother herself served us<br />

breakfast, so even at that time we had her Darshan. Then<br />

I had Darshan when I went to her room for work. Then<br />

at about four in the afternoon when the Mother went for<br />

a drive in her car, we had her Darshan. When she returned<br />

from her drive, there was yet another occasion for her<br />

Darshan. But I couldn't be present then, because the time<br />

<strong>of</strong>her return varied and I had to go for work in the garden.<br />

Of course, the garden was very near. It was situated at the<br />

Atelier where the cars are kept and repaired at present. The<br />

first to work in that garden was ChampaklaI. At that time<br />

the garden had great importance because the sadhaks who<br />

went for Darshan <strong>of</strong> the Mother took flowers from there.<br />

Also the Mother used to distribute flowers to the sadhaks<br />

after the meditation. She had given significances to the<br />

various flowers; so the sadhaks were interested in receiving<br />

them. Every Sadhak usually got a particular flower,<br />

but sometimes she gave the same kind <strong>of</strong> flower to all. To


38 Flame <strong>of</strong>Love<br />

me she gave the flower named "Disinterested work" almost<br />

every time.<br />

By the Mother's Grace and Champaklal's help I had the<br />

opportunity <strong>of</strong>doing another satisfying work. I was given<br />

the work <strong>of</strong> cleaning the dishes used by the Mother and<br />

<strong>Sri</strong> <strong>Aurobindo</strong>. <strong>Sri</strong> <strong>Aurobindo</strong> used to take tea at night and<br />

I would collect the d ishes sometime in the morning.<br />

Motiben prepared pancakes (malpuwa) for <strong>Sri</strong> <strong>Aurobindo</strong><br />

for taking with his tea. The dishes sent by Motiben included<br />

the bowl in which he used to keep a portion <strong>of</strong> the pancakes<br />

for us as Prasad. Motiben cut the pancakes into small<br />

pieces so we could all receive a small share <strong>of</strong>the Prasad.<br />

I may say something more about the Prasad. In those<br />

days <strong>Sri</strong> <strong>Aurobindo</strong>'s younger brother Barin-da* used to<br />

cook for him. After <strong>Sri</strong> <strong>Aurobindo</strong> had his lunch, the leftovers<br />

were brought downstairs. F rom them Barin-da used<br />

to take a portion and the rest was sent to Haradhan as<br />

Prasad. Haradhan used to stay in the room where Madhav<br />

Pandit's books are displayed at present. Haradhan would<br />

distribute what he received as Prasad to a few sadhaks who<br />

would gather in his room to receive it. One Bengali sadhak<br />

used to send cooked food for <strong>Sri</strong> <strong>Aurobindo</strong>. Sometimes<br />

my brother Kantibhai and I would also lend our hand in<br />

preparing it. Dara " has taken photographs <strong>of</strong> that<br />

* Barindra Kumar Ghose, <strong>Sri</strong> <strong>Aurobindo</strong>s younger brother. Sentenced<br />

to imprisonment in the Alipore Bomb Case in 1908, he w as<br />

released from the Andamans in 1920. He came to stay in Pondicherry<br />

in 1923 and remained until 25 December 1929.<br />

** Dara is the name given by <strong>Sri</strong> <strong>Aurobindo</strong> to Aga Syed Ibrahim<br />

from Hyderabad. From a well-to-do Arab Muslim family, hejoined the<br />

<strong>Ashram</strong> in 1927.


My Early Golden Days 39<br />

occassion. He gave me some. He was fond <strong>of</strong> photography<br />

and cooking. When it pleased him, Dara also did some<br />

cooking himself. He always prepared something new.<br />

Those days were feast days for the sadhaks <strong>of</strong>the <strong>Ashram</strong>.<br />

He was always very generous and jolly. He was a permanent<br />

sadhak <strong>of</strong> the <strong>Ashram</strong>.<br />

My brother Champaklal had great <strong>love</strong> for me. I have<br />

been deeply benefited by his good feelings towards me.<br />

He used to prepare orange juice for <strong>Sri</strong> <strong>Aurobindo</strong> and on<br />

many occasions he let me carry thatjuice to <strong>Sri</strong> Aurobirido.<br />

I cherish those invaluable moments <strong>of</strong> my life. Champaklal<br />

used to prepare tea for <strong>Sri</strong> <strong>Aurobindo</strong> and took it himself<br />

to the Mother, who then gave it to <strong>Sri</strong> <strong>Aurobindo</strong>. After<br />

some time this privilege was given to me. I had to prepare<br />

the tea by 8.00 in the everring. When I opened the door <strong>of</strong><br />

the passage, the Mother used to come there and take the<br />

tea pot from me. <strong>Sri</strong> A urobindo added sugar and milk<br />

. before drinking it. At -n ig h t he used to write replies to the<br />

letters sent by sadhaks and then he took his tea. I believe<br />

the tea used at that time was Chinese because it came in<br />

Chinese boxes; later on it was the turn <strong>of</strong> the Indian tea.<br />

In the morning I would bring back the tea-pot with the<br />

dishes to be used for breakfast.<br />

It was Nolini-da who <strong>of</strong>ten returned the letters <strong>of</strong> the<br />

sadhaks with <strong>Sri</strong> <strong>Aurobindo</strong>s replies. But there was an<br />

exception. Dyuman used to send his notebook to <strong>Sri</strong><br />

<strong>Aurobindo</strong> regularly in the evening. After <strong>Sri</strong> <strong>Aurobindo</strong><br />

had seen and recorded his remarks, this note-book would<br />

be kept on the breakfast tray, and I took it back to Dyuman.<br />

Hutaben used to write letters to the Mother and most


40 Flame <strong>of</strong>Love<br />

<strong>of</strong> the replies were sent back through Champaklal. Later<br />

on, after consulting the Mother the replies were given to<br />

me for handing over to Hutaben, which I did. In this way,<br />

when replies were written by the Mother, the letters were<br />

given to me for handing over to the concerned persons.<br />

When I went to the sadhaks with the divine letters, they<br />

sometimes insisted on my taking refreshments which I<br />

politely but firmly declined. Champaklal told the Mother<br />

about this and the Mother was glad to take note <strong>of</strong> it.<br />

Perhaps this is why the work remained with me for a long<br />

time.<br />

I have already said earlier that I was fond <strong>of</strong> going for<br />

a walk. Once when I went for a walk it started raining. I<br />

should have returned, but I did not. Due to the cold at night<br />

and the rain, I caught fever. Champaklal informed the<br />

Mother. She said, "Those who are working here for the<br />

Divine have no right to fall sick." Fortunately I got well<br />

in a few days and resumed my work.<br />

I would like to say what a pleasure it was to do the<br />

Mother's work during those times. I used to <strong>love</strong> to play<br />

tennis. I would go to play tennis daily. One day Charnpaklal<br />

told me that when the Mother sees sadhaks in the morning,<br />

I should sit on the terrace and send the sadhaks to the<br />

Mother in the order <strong>of</strong> the list he gave me each day. In<br />

spite <strong>of</strong>-my interest in tennis I gave it up with pleasure<br />

and, so long as the Mother continued the routine <strong>of</strong> seeing<br />

the sadhaks in this way, I sat each morning on the terrace<br />

and sent the sadhaks to her.<br />

I have mentioned that Champaklal had great affection<br />

for me and I have been greatly benefited as a result.


Champaklal and Bansidhar, 1986


42 Flame <strong>of</strong>Love<br />

Whenever Champaklal had any work for <strong>Sri</strong> <strong>Aurobindo</strong> or<br />

the Mother, he would entrust it to me rather than to someone<br />

else. Champaklal used to carry hot water for <strong>Sri</strong><br />

<strong>Aurobindo</strong>'s bath. After <strong>Sri</strong> <strong>Aurobindo</strong>'s accident,<br />

Champaklal entrusted that work to me. I had to carry two<br />

big buckets <strong>of</strong> water upstairs from the boiler room. I<br />

wonder now sometimes, how I could carry two big buckets<br />

and climb all those steps. I guess it was because I had<br />

great enthusiasm for the work. It gave me the opportunity<br />

<strong>of</strong> having Darshan <strong>of</strong> <strong>Sri</strong> <strong>Aurobindo</strong> when I reached his<br />

room with the buckets. <strong>Sri</strong> <strong>Aurobindo</strong> used to give me a<br />

smile then and also when I returned for the buckets. At<br />

that time <strong>Sri</strong> <strong>Aurobindo</strong> was engrossed in writing Savitri<br />

and still he would spare a moment to smile at me. This<br />

gave me immense joy.<br />

Did I have the opportunity to listen to <strong>Sri</strong> <strong>Aurobindo</strong>'s<br />

voice?Yes, many times. Champaklal used to wind the clock<br />

in his room before I had learned watch-repairing work. But<br />

after I learned watch-repairing that work was entrusted to<br />

me. The clock stood at some distance from where <strong>Sri</strong><br />

<strong>Aurobindo</strong> used to .sit and he couldn't see the dial clearly<br />

during later years. So very <strong>of</strong>ten he would ask me the exact<br />

time. There was a radio installed in Pavitra's room during<br />

the War so that <strong>Sri</strong><strong>Aurobindo</strong> could listen to it. Sometimes<br />

he would ask me to switch it on for him.<br />

The photographs <strong>of</strong> <strong>Sri</strong> <strong>Aurobindo</strong> and the Mother that<br />

we see these days were the result <strong>of</strong>Champaklal's efforts.<br />

Somehow or other he succeeded in getting permission from<br />

the Mother. He also got permission to make copies <strong>of</strong> the<br />

photographs. The Mother refused to give her permission


My Early Golden Days 43<br />

to make copies <strong>of</strong> her photographs. At first Champaklal<br />

got her permission to make copies on the condition that<br />

the photographer should do no retouching work on them.<br />

Champaklal told the Mother that the photographer would<br />

prepare two copies <strong>of</strong> each <strong>of</strong> the photographs, one without<br />

retouching and the other with it. The Mother agreed.<br />

I had two copies made by the photographer Latour, a<br />

devotee <strong>of</strong> the Mother, who lived in the town. Latour<br />

worked a great deal on <strong>Sri</strong> <strong>Aurobindo</strong>'s photograph, carefully<br />

retouching one copy but not the other. Champaklal<br />

showed both copies to the Mother. The Mother looked<br />

closely at the retouched photo and observed, "I am seeing<br />

such work done in India for the first time." The Mother<br />

appreciated that photograph very much and permitted<br />

copies <strong>of</strong> it to be made. After that all the photographs were<br />

prepared. In those days I used to have prints made and<br />

would sell them to the devotees. I charged two rupees for<br />

cabinet-size photographs, from which I paid one rupee to<br />

the photographer and one to the Mother. But first the<br />

Mother took these photographs to <strong>Sri</strong> <strong>Aurobindo</strong> for his<br />

signature and then returned them to me. Sometimes I<br />

received the signed photographs back directly from his<br />

hands. Later I also had smaller locket photographs made.<br />

I got the lockets made and gave the pr<strong>of</strong>it on their sale to<br />

the Mother. You might say that the Mother didn't receive<br />

much that way. But in those days every pice (one-sixty<br />

fourth <strong>of</strong> a rupee) was valuable for the <strong>Ashram</strong>. For example,<br />

the water which I used to spray in the garden was<br />

partially drawn up from the well by hand so that our water<br />

expenses might be reduced. In those days our service was


<strong>Sri</strong> <strong>Aurobindo</strong><br />

(Touched-up photograph)


44 Flame <strong>of</strong>Love<br />

a source <strong>of</strong> great joy. We took no notice <strong>of</strong> the time while<br />

working.<br />

After his food <strong>Sri</strong> <strong>Aurobindo</strong> was given a cold drink<br />

and sometimes ice-cream. The Mother used to be present<br />

at that time whenever she could. But sometimes she was<br />

late due to her other responsibilities. Then after <strong>Sri</strong><br />

<strong>Aurobindo</strong>'s dinner, the opportunity to give cold drink<br />

came to me. I would sit near the door till his dinner was<br />

over and then bring a cold drink from the nearby frigidaire.<br />

Sometimes when the Mother came very late, <strong>Sri</strong> <strong>Aurobindo</strong> .<br />

would tell Champaklal to convey to the sadhaks downstairs<br />

that the day's meditation was cancelled because the Mother<br />

would not be there. She used to give this meditation after<br />

<strong>Sri</strong> <strong>Aurobindo</strong>s dinner was over. But however long our<br />

duty lasted, we took no notice <strong>of</strong> time. To do work for the<br />

Mother was a pleasure. However late it might be,<br />

Champaklal, I, and Nirod-da waited in the passage for the<br />

Mother's return. And when she returned, she gave us a<br />

smile and that exhilarated us.<br />

BANSJDHAR<br />

Acc ep t the ardent <strong>flame</strong> <strong>of</strong> m y g ra tit ude and m y<br />

j oy ous and fully confident adherenc e.<br />

The Mother


Bansidhar and Photography*<br />

In those days the art <strong>of</strong>photography had not developed in<br />

the <strong>Ashram</strong>. Mother gave Bansidhar some <strong>of</strong> her pre­<br />

Pondicherry photographs for reprinting. She insisted that<br />

while making new negatives the old copies must not be<br />

touched up.<br />

Bansidhar entrusted the work to Latour, son <strong>of</strong> the<br />

photographer who had taken <strong>Sri</strong> <strong>Aurobindo</strong>'s photographs<br />

in the early years. He told him: "Make one negative without<br />

touching it up and one after touching up the old one.<br />

We shall show prints <strong>of</strong> both <strong>of</strong> them one after another to<br />

the Mother and order the required number <strong>of</strong> copies <strong>of</strong>the<br />

one Mother chooses."<br />

After seeing the touched-up copy intently and also from<br />

several angles, Mother liked it very much and said: "Very<br />

good, especially the eyes. He has touched it up a lot, but<br />

it is done very skilfully. It is the first time that I see such<br />

remarkable work in India."And she took it to <strong>Sri</strong><strong>Aurobindo</strong><br />

who also liked it.<br />

B: "Mother, Latour studied photography in France."<br />

Mother: "Hmm.... Beautiful work. Really good. You<br />

may order more copies <strong>of</strong> the touched up one."<br />

B: "Mother, others also would like to have copies."<br />

With Mother's permission, Bansidhar ordered more<br />

copies and sold them to those who wanted them. Needless<br />

to say, whatever money came from the sale was <strong>of</strong>fered<br />

to the Mother.<br />

* Champaklal Speaks, Third edition, p. 118.


Bansidhar and Photography 47<br />

Later Bansidhar wrote a letter to Mother requesting her<br />

pennission to learn photography. <strong>Sri</strong> <strong>Aurobindo</strong>'s reply<br />

came: "We are not planning to start a photography studio<br />

in the <strong>Ashram</strong>. It is not necessary to learn." Yet today we<br />

not only have studios but the art too has been highly<br />

developed. However, since Mother's time I have been<br />

getting all my photography work done by Latour.<br />

I relate this episode also to illustrate the fact that it does<br />

not make sense to say that <strong>Sri</strong> <strong>Aurobindo</strong> said this or that,<br />

just in order to fulfil one's desire or belief.<br />

23 July 1944 CHAMPAKLAL<br />

o Love, divine Love, spread abroad in the world,<br />

regenerate life, enlighten the intelligence, break<br />

the barriers <strong>of</strong> egoism, scatter the obstacles <strong>of</strong><br />

ignorance, shine resplendent as sovereign Master<br />

<strong>of</strong> the earth.<br />

The Mother


Our Bansimama<br />

Bansidhar-ji - Bansimama as I have always known him<br />

since my childhood - was a close friend and well-wisher<br />

<strong>of</strong> Vaidya Kesarimalji, my grandmother's brother who<br />

was a disciple <strong>of</strong> Punamchandbhai, one <strong>of</strong> the early<br />

disciples <strong>of</strong> <strong>Sri</strong> <strong>Aurobindo</strong>. My grandmother asked<br />

Punamchandbhai, way back in the 1920s, to take her only<br />

son, my father, to <strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong>. That, I have<br />

learned, was how our family was introduced to the Mother<br />

and <strong>Sri</strong> <strong>Aurobindo</strong>. And this is how both Kesarimalji and<br />

Bansidharji had always been our mamas, maternal uncles,<br />

to us five children.<br />

When our mother fell seriously ill and had to go to<br />

Calcutta for a long treatment, the Mother asked Bansimama<br />

to become our guardian. I have always found him a very<br />

loving person. He used to buy lots <strong>of</strong> mangoes for us in<br />

the season, and, on our birthdays, bought us rings with the<br />

Mother's symbol and also books <strong>of</strong> <strong>Sri</strong> <strong>Aurobindo</strong> or the<br />

Mother signed by the Mother and given by Her to us when<br />

we went up to Her. Bansimama would always be there<br />

working in silent obedience behind Champakmama. I bow<br />

down with gratitude to both <strong>of</strong> them for this privilege<br />

bestowed upon us.<br />

Bansimama stood by us in all our difficult periods and<br />

gave the best advice possible in such circumstances, that<br />

is, to pray to the Divine Mother. He also taught us many<br />

Sanskrit shlokas, talked to us about <strong>Sri</strong> <strong>Aurobindo</strong> and the<br />

Mother and encouraged us to meditate regularly.<br />

I would to recall an incident <strong>of</strong> 1989 concerning my


Our Bansimama 49<br />

factory at Ariyankuppam. The place was infested with<br />

snakes and practically every afternoon staff girls would<br />

suddenly start screaming and running around because<br />

a snake was seen in some corner or the other. Now,<br />

Bansimama used to visit the factory whenever he could<br />

find time, in order to encourage me and give me strength<br />

to face the adversities that had then heaped on my head.<br />

I requested him to inform Champakmama about this<br />

problem and invoke the Mother's blessings and protection.<br />

Champakmama then called me and wanted to know<br />

everything in detail. After hearing all I had to say, he<br />

meditated for some time and wrote on a piece <strong>of</strong><br />

paper, "Henceforth none <strong>of</strong> this will happen." Along with<br />

that he gave me a blessings packet. From that day, to our<br />

happy surprise, we never saw any snake in the premises!<br />

It was only when I was vacating the building after the<br />

closure <strong>of</strong> the factory, that a cobra came in the garden,<br />

stopped at the main entrance, and coiled itself in its wellknown<br />

way, its hood held high. But after some time it<br />

quietly slipped away. I have <strong>of</strong>ten wondered what<br />

Champakmama had done....<br />

Champakmama had also come and visited my sister<br />

Chetana in Bombay, a few weeks before she passed away<br />

there in 1984. She was suffering from brain cancer and<br />

had been pleading with our father to bring her back to<br />

Pondicherry. It was in that circumstance that Champakmama<br />

had turned up. His presence, his touch, brought to<br />

her the Mother's blessings and peace and smoothened her<br />

passage to the other world.<br />

Yes, both Champakmama and Bansimama were ex-


50 Flame <strong>of</strong>Love<br />

tremely helpful. Would we ever have such loving elders<br />

again? I pay my respects to them for paving a path for us<br />

with their selfless <strong>love</strong>, devotion and faith.<br />

ASHA KarHARI<br />

To live in <strong>love</strong>, by <strong>love</strong>, for <strong>love</strong>, indissolubly united<br />

to Thy highest manifestation. . . .<br />

Always more light, more beauty, more truth!<br />

The Mother


FLAME OF LOVE<br />

This book contains <strong>of</strong> reminiscences <strong>of</strong> Motiba<br />

(Charnpaklals aunt) and Bansidhar (Champaklal's<br />

younger brother). They came to <strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong> in<br />

its early days when the <strong>Ashram</strong> had few inmates - sixty to<br />

seventy. Those were days <strong>of</strong> intense sadhana, for <strong>Sri</strong><br />

<strong>Aurobindo</strong> and the Mother were bringing down the<br />

Supreme Truth, Light, Harmony, Peace and Love into the<br />

earth-consciousness. Given the privilege <strong>of</strong>living in close<br />

proximity with them, the Divine in human form, the<br />

sadhaks and sadhikas were single-mindedly concentrated<br />

OlL their sadhana. They were silent servitors and one in<br />

their aim to surrender to the Lord <strong>Sri</strong> <strong>Aurobindo</strong> and the<br />

Mother with full faith. With a burning <strong>flame</strong> <strong>of</strong><strong>love</strong> in their<br />

heart they came - to serve, to <strong>love</strong>, to realise the Divine.<br />

(From the Preface)


FLAME OF LOVE<br />

This book contains <strong>of</strong> reminiscences <strong>of</strong> Motiba<br />

(Champaklal's aunt) and Bansidhar (Champaklal's<br />

younger brother). They came to <strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong> in<br />

its early days when the<strong>Ashram</strong> had few inmates- sixty to<br />

seventy. Those were days <strong>of</strong> intense sadhana, for <strong>Sri</strong><br />

<strong>Aurobindo</strong> and the Mother were bringing down the<br />

Supreme Truth, Light, Harmony, Peace and Love into the<br />

earth-consciousness. Given the privilege <strong>of</strong>living in close<br />

proximity with them, the Divine in human form, the<br />

sadhaks and sadhikas were single-mindedly concentrated<br />

on their sadhana. They were silent servitors and one in<br />

their aim to surrender to the Lord <strong>Sri</strong> <strong>Aurobindo</strong> and the<br />

Mother with full faith. With a burning <strong>flame</strong> <strong>of</strong><strong>love</strong> in their<br />

heart they carne- to serve, to <strong>love</strong>, to realise the Divine.<br />

(From the Preface)<br />

Rs.50.00

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