flame of love - Sri Aurobindo Ashram
flame of love - Sri Aurobindo Ashram
flame of love - Sri Aurobindo Ashram
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FLAME OF LOVE
FLAME OF LOVE<br />
Compiled and Edited<br />
by<br />
Roshan<br />
<strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong><br />
Pondicherry
First Edition 2 0 0 7<br />
The writings <strong>of</strong> <strong>Sri</strong> <strong>Aurobindo</strong> and the Mother<br />
are copyrighted b y the S ri A u robindo <strong>Ashram</strong> Trust<br />
and have been r eproduced with its kind permission.<br />
Cover page: " F lame <strong>of</strong> Love" by Hufreesh<br />
Price: Rs 50.00<br />
© Divyanand Kripanidhi 2007<br />
12, "A trrra rr v . iRav fs b ankar S ankul<br />
Surat - 395 001<br />
Published by Divyanand Kripanidhi<br />
Printed at <strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong> P ress<br />
Pondicherry - 605 002<br />
PRINTED IN INDIA
<strong>Sri</strong> <strong>Aurobindo</strong>
o Lord! Kindle in us the Flame <strong>of</strong>Love which<br />
will burn out all resistance and make us fit to<br />
be Thy faithful servants.<br />
The Mother<br />
In deep gratitude I <strong>of</strong>fer this compilation at<br />
the lotus-feet <strong>of</strong> <strong>Sri</strong> <strong>Aurobindo</strong> and the Mother.
The Mother<br />
Photograph given by the Mother to Motiba on 27 January 1962
Contents<br />
Preface<br />
xi<br />
Part 1. Memories <strong>of</strong> Motiba<br />
Champaklal's Dear Aunt Motiba<br />
Sweet Memories<br />
Foiba, as I Know Her<br />
Grace on Motiben<br />
"M y Water Saree"<br />
5<br />
15<br />
19<br />
24<br />
25<br />
Part 2. Memories <strong>of</strong> Bansidhar<br />
My Early Golden Days<br />
Bansidhar and Photography<br />
Our Bansimama<br />
30<br />
46<br />
48
Motiba<br />
With a bouquet <strong>of</strong> flowers she prepared for <strong>of</strong>fering to the Mother
Preface<br />
I present this compilation <strong>of</strong> sweet memories <strong>of</strong> Motiba<br />
(C h a m pa k lal ' s aunt) and Bansidhar (Champaklal's younger<br />
brother) who came to <strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong> in its early days<br />
when the <strong>Ashram</strong> had few inmates - sixty to seventy. Those<br />
were days <strong>of</strong> intense sadhana, as <strong>Sri</strong> <strong>Aurobindo</strong> and the<br />
Mother were bringing ' down the Supreme Truth, Light,<br />
Harmony, Peace and <strong>love</strong> into the earth-consciousness. Given<br />
the privilege <strong>of</strong> living in closeproximity with them, the Divine<br />
in human form, the sadhaks and sadhikas were singlemindedly<br />
concentrated on their sadhana. They were silent<br />
servitors and one in their aim to surrender to the Lord <strong>Sri</strong><br />
<strong>Aurobindo</strong> and the Mother with full faith. With a burning<br />
<strong>flame</strong> <strong>of</strong> <strong>love</strong> in their heart they came - to serve, to <strong>love</strong>,<br />
to realise the Divine. .<br />
For me, for my family, for my friends and many others,<br />
Champaklal, Kamalaben, Motiba and Bansidhar were like<br />
loving guardians. T hey were unique in their own way. This<br />
is my humble effort to express my he a rt-fe lt gratitude to them.<br />
This compilation is not biographical. It is a brief account <strong>of</strong><br />
a few events in their lives which exemplify their simplicity,<br />
sincerity, surrender and unswerving fidelity to the Divine.<br />
Those who came into contact with them learned many things<br />
from their way <strong>of</strong> living.<br />
I admire Motiba for her simplicity, receptivity and <strong>love</strong><br />
for all, qualities which were inborn in her. The Mother has<br />
said: "Simplicity is <strong>of</strong> all things the best to express harmony."<br />
Praful, an inmate staying in the <strong>Ashram</strong> building, recounted<br />
to me a significant incident about Motiba which<br />
occurred a few days before her passing away: It involved<br />
Kamalini, who looked after both Motiba and Bansidhar for
xii<br />
Preface<br />
the last ten years <strong>of</strong> their lives. "One day at midnight," Praful<br />
said, "Kamalini came running to tell me about something unusual<br />
happening to Motiba. I went there and what did I see?<br />
She was engrossed in loudly singing <strong>Sri</strong> Krishna's bhajans,<br />
and it went on until two o'clock! I was taken aback and wondered<br />
what force could make her sing like this at the age <strong>of</strong><br />
one hundred and eleven. No doubt, it was the Mother's Shakti<br />
working in her. Because she was receptive to the Mother's<br />
Force, she could receive so much."<br />
I had the interview with Motiba in 1995, when she was<br />
completing a hundred years. It is re-edited and included in<br />
this booklet.<br />
I came in contact with Bansidhar when I was working with<br />
Champaklal. My first impression <strong>of</strong> him was that <strong>of</strong> a spontaneous,<br />
straightforward, fearless and loving man. He could<br />
not tolerate injustice so he stood up and fought against it. I<br />
found him beside Champaklal like a Lakshman beside Rama,<br />
always ready to help. I quote here from Champaklal Speaks:<br />
"Speaking <strong>of</strong> the French Revolution, the Mother said: Pujalal<br />
was there. But I d id not know that Bansidhar also was there,<br />
helping me. Strange["*<br />
Sunandaben told me <strong>of</strong> an incident which took place in<br />
her presence: "Once a young lady came to Bansidhar. He<br />
was at his table writing out passes for darshan in <strong>Sri</strong><br />
<strong>Aurobindo</strong>'s room. This lady approached him and almost in<br />
tears said, 'I can't take it, I can't bear it any more. I don't<br />
want to live. I just want to die.' Bansidhar simply looked at<br />
her and after a few moments <strong>of</strong> silence said, 'Do you really<br />
want to die? Give up this life?'<br />
'Yes,' she almost wailed.<br />
* Champaklal Speaks, Third edition, p. 216.
Preface<br />
xiii<br />
'Then go out, down the steps, leave the building, turn to<br />
your left and start walking. You will come to the wall, a small<br />
one. You can climb over it. Just jump into the sea.' "<br />
Bansidhar did not like to speak or write about himself.<br />
After a- lot <strong>of</strong> insistence he wrote one article, "My Early<br />
Golden Days", which was published in The Advent in February<br />
1994. I have included it in this book.<br />
I am happy that Asha, Nayana and Sunandaben cooperated<br />
with me willingly by sharing their reminiscences.<br />
I express my sincere appreciation <strong>of</strong> the dedicated team<br />
<strong>of</strong><strong>Ashram</strong> doctors, ourYogi Dr. Datta, Dr. Salrla, Dr. Gayatri<br />
Vishvabandhu and their staff, who were ever ready to serve<br />
Motiba and Bansidhar whenever needed; to Albertbhai, a<br />
Trustee <strong>of</strong> <strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong>, and Ashokbhai, who were<br />
associated with them from the early days and were always<br />
helpful to them; and to Janardan, Vidyutlata, Shyama,<br />
Mukundbhai, Chandidas and others, who served them silently.<br />
Kamalini was chosen by the Divine to serve Motiba and<br />
Bansidhar; she considered herself fortunate, for she said, "It<br />
was by serving them that I became conscious <strong>of</strong> the Mother's<br />
way <strong>of</strong> working. I cannot forget their touch and the <strong>love</strong> they<br />
showered on me."<br />
My sincere thanks to Apurva, Bob, Ganpatibhai and<br />
Sunjoy for their valuable help in this book. I also thank the<br />
<strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong> Trust, the <strong>Ashram</strong> Archives and the<br />
<strong>Ashram</strong> Press for their cooperation.<br />
<strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong><br />
Pondicherry - 605 002<br />
January 2007<br />
ROSHAN
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£<br />
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Part 1<br />
Melllories <strong>of</strong> Motiba
o Victorious power <strong>of</strong> divine Love, Thou art the sovereign<br />
Master <strong>of</strong> this universe, Thou art its creator and its<br />
saviour, Thou hast permitted it to emerge from chaos, and<br />
now Thou leadest it to its eternal goal.<br />
There is not a thing so humble but in it I see Thee<br />
resplendent, not a being apparently so hostile to Thy will<br />
but I feel Thee live in it and act and radiate.<br />
o my sweet Master, essence <strong>of</strong>this <strong>love</strong>, I am Thy heart,<br />
and the torrents <strong>of</strong> Thy <strong>love</strong> pass through the entirety <strong>of</strong><br />
my being and flow out to awaken Thy <strong>love</strong> in all things<br />
or rather to awaken all things to the consciousness <strong>of</strong> Thy<br />
<strong>love</strong> which animates all.<br />
All those who do not recognise Thee, all those who do<br />
not know Thee, all those who try to tum away from Thy<br />
sweet and divine law, I take into my arms <strong>of</strong> <strong>love</strong>, I cradle<br />
them in my heart <strong>of</strong> <strong>love</strong> and <strong>of</strong>fer them to Thy divine<br />
<strong>flame</strong>s, so that penetrated by Thy miraculous effluence,<br />
they may be converted in Thy beatitude.<br />
o Love, resplendent Love, Thou penetratest, Thou<br />
transfigurest all.<br />
1 June 1914 THE MarHER
Motiba and Kamala
Champaklal's Dear Aunt Motiba<br />
Every time I saw Motiba, I was reminded <strong>of</strong> my childhood<br />
days, <strong>of</strong> my grandmother's care and affection. Like<br />
her, Motiba always caressed and blessed me with all her<br />
<strong>love</strong> and affection.<br />
Every phase <strong>of</strong> life has its own charm, even old age, if<br />
one knows how to see it. It is a charm that radiates humility,<br />
tender disinterested <strong>love</strong>, dedication and surrender.<br />
Motiba was a true symbol <strong>of</strong> it. She was pure-hearted,<br />
simple, loving, caring, happy, calm and detached. She<br />
poured her <strong>love</strong> and blessings on whoever visited her. How<br />
delightful it was to see her full <strong>of</strong> joy on her birthday.<br />
Champaklal used to remember his dearest Foiba with <strong>love</strong><br />
and respect.<br />
Motiba arrived in the<strong>Ashram</strong> with Champaklal's brother<br />
Kantilal on April 4, 1926 and remained here for the rest<br />
<strong>of</strong> her life. The Mother fixed her birthday as January 27.<br />
And so January 27, 1995 marked her centenary. Even at<br />
that age she continued doing all her household work herself,<br />
and sometimes her cooking too. About her weakened<br />
eyesight and hearing, she used to say with a smile: "How<br />
can I blame my eyes and ears? They have served me so<br />
well all these years."<br />
Such was our Motiba. She was the first member <strong>of</strong> the<br />
<strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong> to complete hundred and eleven<br />
years. During the final years <strong>of</strong> her life she stayed in<br />
Champaklal's room in the <strong>Ashram</strong> with his brother<br />
Bansidharji. She has <strong>of</strong>ten spoken fondly <strong>of</strong> Bansidharji's<br />
childhood days to me. When he passed away, it was an
6 Flame <strong>of</strong>Love<br />
unbearable shock to her; she went into silence for many<br />
days.<br />
Motiba left her physical body on 21'1April 2006 very<br />
peacefully.<br />
.. Motiba's Recollections<br />
I always enjoyed asking Motiba questions about herself<br />
and her life in the <strong>Ashram</strong>. Her pet opening to her response<br />
was: " I don't remember much, my memory has faded. But<br />
I will try to tell you whatever I can." I give here some<br />
interesting selections from her replies using, as far as<br />
possible, her own words.<br />
Will you please tell m e about your childhood and<br />
early life before you came to the <strong>Ashram</strong>?<br />
My father's name was Nathuram, my mother's name was<br />
Mooriben and our surname Tarwadi. We were Modh Brahmins.<br />
My father used to read the Puranas and do Yajnas<br />
and Havans. Being a priestly family, our economic condition<br />
was quite ordinary. Our family Deity was Galleshwar<br />
Mahadev, though we also worshipped <strong>Sri</strong> Krishna. Several<br />
times our family witnessed miraculous and wonderful<br />
blessings <strong>of</strong> Galleshwar Mahadev.<br />
I lost my father at the age <strong>of</strong> six. I ·was married when<br />
I was only eight. My mother died within six months <strong>of</strong> my<br />
marriage. I went to my in-laws when I was fifteen and<br />
became a widow the next year. My husband Amthalal<br />
suddenly fell ill after returning from Bombay and died at
Champaklal 's Dear Aunt Motiba 7<br />
the age <strong>of</strong> twenty-five on Mahashivaratri. My five sisters<br />
died one after another. I was the youngest daughter <strong>of</strong> my<br />
parents. My younger brother Mafatlal passed away at the<br />
age <strong>of</strong> eighteen.<br />
I was terribly shocked by this series <strong>of</strong> untimely deaths<br />
<strong>of</strong> my near and dear ones and gradually lost all interest in<br />
life. Champaklal was very dear to me, but he had already<br />
settled in the Pondicherry <strong>Ashram</strong>.<br />
How did you decide to go to Pondicherry?<br />
After Champaklal had settled permanently in Pondicherry,<br />
I decided to go there. I wrote a letter to <strong>Sri</strong> <strong>Aurobindo</strong>,<br />
asking for hispermission to come. When I was living in<br />
Patan I had a darshan <strong>of</strong> him and the Mother in a vision.<br />
In it, I saw <strong>Sri</strong> <strong>Aurobindo</strong> walking continuously in the room<br />
where he used to walk and the Mother standing on the steps<br />
<strong>of</strong> the house's staircase. Champaklal talked to the Mother<br />
about this vision and about my wish to stay in the<strong>Ashram</strong>.<br />
I had already sent my photograph.<br />
You would find it very interesting to know how things<br />
got arranged for me. In Patan it had been decided to get<br />
Champaklal engaged to my sister-in-law. But Champaklal<br />
was firrnly against marriage and did not want to leave the<br />
<strong>Ashram</strong>. So my relatives sent me with Kantilal to explain<br />
the situation to him and take him back .to Patan - but<br />
instead I stayed back in the <strong>Ashram</strong>! First I stayed in a<br />
room in the Atelier, then in the Balcony house, and finally<br />
in the Post Office house. Now I live here in Champaklal's<br />
room.
8 Flame <strong>of</strong>Love<br />
I saw the Mother for the first time in this room itself,<br />
because in those days the Mother was staying in this rOOITl.<br />
For the first six rnonths I lived at my own expense. Then<br />
one day Mother called me and asked, "Do you want to<br />
stay here permanently?" "Yes Mother," I replied; "if you<br />
permit me." Thereafter Mother used to give me thirty<br />
rupees a month for my expenses.<br />
Did your relatives try to persuade you to go back to<br />
your house in Patan?<br />
Yes, I received many letters, messages and telegrams from<br />
them. Finally <strong>Sri</strong> <strong>Aurobindo</strong> wrote a letter to them and they<br />
never called me again. Let me show it to you.<br />
<strong>Sri</strong> <strong>Aurobindo</strong>'s Letter<br />
"Motiba is quite happy here and she is progressing very<br />
well in her sadhana. If she goes away from here, the<br />
progress will be stopped and much <strong>of</strong> what she has gained<br />
may be lost. An intensive and concentrated sadhana once<br />
begun has to be persistently continued in the right atmosphere.<br />
Ifit is kept up only for a short time and then dropped<br />
for another kind <strong>of</strong> life in which the concentration<br />
is diffused and weakened, there is no likelihood <strong>of</strong><br />
* Charnpaklal told me that Motiba's correspondence w ith <strong>Sri</strong><br />
<strong>Aurobindo</strong> and the Mother was very interesting. Unfortunately, it has<br />
not been found.
Champaklal's Dear Aunt Motiba 9<br />
fruition. For this reason we would disapprove <strong>of</strong> her departure."<br />
What work did the Mother give y o u?<br />
Initially, the ironing <strong>of</strong> <strong>Sri</strong> <strong>Aurobindo</strong>s and the Mother's<br />
clothes. I was instructed by Datta, the English lady who<br />
accompanied the Mother here. Later, I was also given the<br />
work <strong>of</strong>washing <strong>Sri</strong> <strong>Aurobindo</strong>'s and the Mother's clothes.<br />
I had the privilege <strong>of</strong> washing them twice a day and this<br />
is how I also got my Lord's darshan twice a day. First when<br />
I went to his and the Mother's bathrooms in the morning<br />
to collect the clothes, and the second time when I went to<br />
return the cleaned clothes in the evening. The Mother<br />
always gave me a sweet srriile. I went to <strong>Sri</strong> <strong>Aurobindo</strong>s<br />
room in the evening to put h is Dhoti there. At first I used<br />
to place it outside his room. Later on, the Mother permitted<br />
me to place it inside. In those days <strong>Sri</strong> <strong>Aurobindo</strong> kept<br />
walking to and fro in his room. As soon as I opened the<br />
door, he would switch on the light and I would place his<br />
Dh.oti inside. [Here, Foiba showed me the art <strong>of</strong>folding<br />
the Dhoti in a special manner.] After his accident, there<br />
were more clothes to wash every day.<br />
Once I fell ill and was sent to the Nursing Home. The<br />
Mother enquired about my health every day. When I came<br />
back from the Nursing Home, I went to see her. She blessed<br />
me and said, "You will remain like this." To me this meant<br />
that I would be active even in myoId age. And this has<br />
come true by the Mother's Grace , for I am moving around<br />
and working even today.
10 Flame <strong>of</strong>Love<br />
Once I got a bad cough. <strong>Sri</strong> <strong>Aurobindo</strong> noticed it and<br />
told the Mother. She herself prepared a soup for me and<br />
sent it through someone. Mother knew that I might refuse<br />
to take it, so she also sent Champaklal with a tablet. I was<br />
reluctant to take the soup but when Champaklal explained<br />
why it would help me, I took the soup and tablet. With<br />
that one tablet my cough disappeared! Since then that tablet<br />
became very .p o p ular in the A shram.<br />
After <strong>Sri</strong> <strong>Aurobindo</strong>s Mahasamadhi, Champaklal did<br />
not eat for five days. The Mother herself made him drink<br />
a glass <strong>of</strong> juice.<br />
After <strong>Sri</strong> <strong>Aurobindo</strong> left his body, I was allowed to go<br />
to his room every day for meditation. Our Gracious Mother<br />
always allowed me to sit as long as I wished.<br />
What other work was given to you?<br />
We had no se r van ts in those early days. T here was only<br />
self-help. So I used to cook for B ansid har as well as myself.<br />
Sometimes I cooked for <strong>Sri</strong> <strong>Aurobindo</strong> too.<br />
What did y o u prepare for <strong>Sri</strong> <strong>Aurobindo</strong>?<br />
Bhajias (p a ko d as) made from ajwain leaves, potato-vadas<br />
and s m a ll sweet pudlas (pancakes). He liked the pudlas<br />
very much and used to eat a good number <strong>of</strong>them. Of the<br />
bhajias , potato-vadas and purrs, h e used to eat only two or<br />
three. Once he got some kidney trouble and Mother stopped<br />
his eating the s weet pudlas. So I made pudlas without sugar,<br />
but he did not like them. Every day, at about four in the
Ch.ampaklal :s Dear Aunt Motiba 11<br />
afternoon I used to take walnuts, cashews, almonds and<br />
raisins fried in ghee for him to his room.<br />
Once I presented to him a handkerchief woven by me<br />
with golden thread. He used to keep it with him on the<br />
darshan days.<br />
Didyou practise meditation when you were in Patan?<br />
Yes. I meditated, read the Gita, and the Bhagavat Purana;<br />
I also did japa. Once Lele*, the Maharashtrian yogi, visited<br />
our house. He advised me to read Bhaktiyoga, the<br />
twelfth chapter <strong>of</strong> the Gita. He never ate food prepared by<br />
other people, and usually only took fruits. But once when<br />
he was staying at our neighbour Ramlals bungalow, he<br />
said, "If Moti prepares the food, I will eat it." So that day<br />
I cooked for him. Charnpaklal and Lele took lunch together.<br />
Did you have any spiritual experience with Lele?<br />
Yes, I saw light on his head when I first met him.<br />
Any other experiences?<br />
Yes, I had many experiences, but I cannot describe them<br />
to you. My experience <strong>of</strong> seeing Light started at the age<br />
<strong>of</strong> seventeen. I saw a Light when my younger brother<br />
Mafatlal expired in Patan.<br />
* Vishnu Bhaskar Lele. See Champaklal Speaks, Third edition,<br />
pp. 31-35.
12 Flame <strong>of</strong>Love<br />
When Champaklal left his body in J antral I saw a Light<br />
and heard his voice telling me, "Foiba, I am leaving." When<br />
Bansidhar was ready to leave for Jantral, he was hesitant<br />
to break the news <strong>of</strong> Champaklal' s demise to me, but I<br />
said to him, HI know it. "<br />
I had an experience in the Playground on the day<br />
before <strong>Sri</strong> <strong>Aurobindo</strong> left his body. I had gone there to see<br />
the temple <strong>of</strong> the Mother arranged by the children, but I<br />
could not enjoy the programme. There was a constant<br />
feeling that <strong>Sri</strong> <strong>Aurobindo</strong> would leave his body soon.<br />
I used to see visions quite <strong>of</strong>ten. In meditation I <strong>of</strong>ten<br />
saw <strong>Sri</strong> <strong>Aurobindo</strong>, the Mother and Lord Krishna. Once<br />
I saw the Mother as Amba Mataji. Whenever I was unwell<br />
I always saw the Mother's hand on my head.<br />
Did you go to <strong>Sri</strong> <strong>Aurobindo</strong> and the Mother daily<br />
for Pranam?<br />
Yes, whenever I went for Pranam <strong>Sri</strong> <strong>Aurobindo</strong> put his<br />
whole hand on my head but the Mother just touched it.<br />
Why did the Mother only touch your head? Didn't<br />
she <strong>love</strong> y o u ?<br />
No, no! Mother <strong>love</strong>d me equally, as much as <strong>Sri</strong><br />
<strong>Aurobindo</strong>! She only touched my head so that my ego<br />
would not grow.<br />
Will y o u tell me about your experiences on the<br />
Darshan days?
Champaklal's Dear Aunt Motiba 13<br />
The Darshan days! [Motiba's face became suffused with<br />
joy.] How can I describe something indescribable? When<br />
<strong>Sri</strong> <strong>Aurobindo</strong> put his hand on my head, I felt a deep peace.<br />
His touch was s<strong>of</strong>t, velvety, featherlike. I did not want to<br />
raise my head!<br />
As we can see Motiba had done an intensive and concentrated<br />
sadhana throughout her life. She was for me, the<br />
ideal example <strong>of</strong> a sincere sadhika. One felt peace, light<br />
and <strong>love</strong> in her presence.<br />
My heartfelt gratitude goes to her for all the help she<br />
has been on the way.<br />
ROSHAN<br />
To be receptive is to feel the urge to give and<br />
the joy <strong>of</strong> giving to the Divine's work all one<br />
has, all one is, all one does.<br />
The Mother
Sweet Memories<br />
My earliest memories <strong>of</strong> Motiben - Foiba as I have<br />
always known her - are those <strong>of</strong> a strictly disciplined<br />
sadhika: not very communicative, very quiet and reserved,<br />
ever concentrated only on her assigned work. She always<br />
dressed in a spotlessly white <strong>Ashram</strong> sari, draped in her<br />
native Gujarati style and cowling her head.<br />
In the last two decades, I found her completely mel-<br />
lowed down - at all times she would be full <strong>of</strong> <strong>love</strong> and<br />
aff ection . But most apparent was her unshakable faith, <strong>love</strong><br />
and adoration for <strong>Sri</strong> <strong>Aurobindo</strong> and the Mother. She would<br />
te II us that <strong>of</strong>ten <strong>Sri</strong> <strong>Aurobindo</strong> and the Mother, and sometimes<br />
<strong>Sri</strong> Krishna, came and talked to her. This was, she<br />
said, mainly because she was living in the room that Mother<br />
herselfhad once occupied. I remember her telling me once<br />
that <strong>Sri</strong> <strong>Aurobindo</strong> had come that morning and enquired<br />
after her health. Sometimes, however, people around her<br />
would see her gesticulating angrily, as if at some invisible<br />
being, ordering it to go away. Who were those beings or<br />
forces has never been known, because she never responded<br />
to questions on that subject.<br />
Foiba had her own way <strong>of</strong> showering her blessings and<br />
<strong>of</strong>fering guidance. For instance, she always told us to do<br />
japa <strong>of</strong> <strong>Sri</strong> <strong>Aurobindo</strong> and the Mother. "Never forget them<br />
even for a moment," she would emphasize. "F or, one day<br />
we shall have to leave everything in this world and go, and<br />
at that time they alone will be with us. Always remember<br />
them and pray for their guidance and protection."<br />
Foiba possessed a deep and vast w isdom which gave
Sweet Memories 17<br />
her an inner eye to know and comprehend all who came<br />
to her. She would catch the person's vibrations and thoughts<br />
but kept a perfect control over her own reactions to them;<br />
nothing in her conversations or expressions revealed what<br />
she had seen or understood.<br />
She was wont to burst into devotional songs, <strong>of</strong>ten<br />
singing her bhajans for hours together. Even at a hundred<br />
and eleven, her memory, I must say, was just fantastic. The<br />
atmosphere created by her pure and unalloyed bhakti has<br />
turned me into a lifelong devotee <strong>of</strong>Foiba. I gratefully bow<br />
to her boundless faith and her immeasurable inner development.<br />
There is another thing I recall with great pleasure.<br />
Although Foiba never asked anyone for anything, there<br />
would appear an unforgettable sparkle in her eyes when<br />
she was presented with something she liked or needed.<br />
'Thank you, thank you, thank you very much," she would<br />
say. It was a sparkle that thrilled us to the very core and<br />
made us grateful for the opportunity <strong>of</strong> witnessing it.<br />
I bow down once again to the great souls who <strong>of</strong>fered<br />
themselves so absolutely to <strong>Sri</strong> <strong>Aurobindo</strong> and the Mother.<br />
I pray to the Mother and <strong>Sri</strong> <strong>Aurobindo</strong> to grant us the<br />
strength, courage, and complete faith to be able to follow<br />
their luminous footsteps to reach the Goal.<br />
ASHA KOTHARI
Four brothers<br />
Kantilal. Sunderlal, Champaklal. Bunsidhar, 28 February 1932
Foiba, as I Know Her<br />
If you have the power <strong>of</strong> observation you can find this<br />
world full <strong>of</strong> enthralling personalities and circumstances.<br />
There are those who want to be forever basking in the<br />
blessed innocence <strong>of</strong> children; there are those who prefer<br />
the fragrant ambience <strong>of</strong> beautiful flowers - <strong>of</strong> all-absorbing<br />
nature; there are those who choose always the<br />
invigorating company <strong>of</strong> the youth, their brilliant creative<br />
talents; and finally, there are those who seek the boundless<br />
peace and purifying presence <strong>of</strong> the spiritually advanced.<br />
I have been very fortunate to discover the place where<br />
all these sought-after things, in fact, everything you really<br />
need, exist together, at the same time. It is <strong>Sri</strong> <strong>Aurobindo</strong>'s<br />
<strong>Ashram</strong> at Pondicherry - a creation <strong>of</strong>the Divine Mother.<br />
And here, I have found a most extraordinary personage,<br />
and that is Foiba (the paternal aunt) <strong>of</strong> Champaklalbhai.<br />
and Bansidharbhai. Of the hundred and eleven years that<br />
she passed on earth, I was in contact with her only in the<br />
last forty-five during which I had many an interesting experience<br />
<strong>of</strong> her nature and attainments, and she became<br />
my Foiba also.<br />
The most significant <strong>of</strong> the Divine Mother's messages<br />
that Foiba tirelessly reiterated to us children taking their<br />
first faltering steps on the long and difficult path <strong>of</strong> the<br />
Integral Yoga was, to put it in her Gujarati,<br />
Jeevan-ma apan-ne matra ekaj vastunijaroor baniraho<br />
- Prabhu-no sakshatkara. "Let there be only one need in<br />
our life: the realisation <strong>of</strong> the Divine."
20 Flame <strong>of</strong>Love<br />
Foiba was "Great", I cannot find words adequate enough<br />
to describe her. So many times Foiba and I have communicated<br />
with each other without words. And we reached<br />
so much understanding because <strong>of</strong>the transparency <strong>of</strong><strong>love</strong><br />
and understanding that grew between us. Of course, she<br />
was always perfectly spontaneous with everyone, living<br />
at every moment in her true self. But by the Divine<br />
Mother's Grace she gave me a special place not only in<br />
her home but also in her heart and life.<br />
Foiba's words used to come to me like Arjuns arrows,<br />
always hitting the right spot. Forceful words that always<br />
reached where they had to reach. Haven't you felt an arrow<br />
<strong>of</strong> her quiver flying out with all her <strong>love</strong> from her bow?<br />
Once, in my early days, in 1960, I told her, "Foiba, I<br />
don't like Pondicherry, but I am so happy that I have seen<br />
the Divine Mother and I am here. I have all around me<br />
<strong>love</strong> from my family, as well as from you and your family;<br />
and what is most important is that the Mother has<br />
received me with so much <strong>love</strong> and has blessed me. I feel<br />
like ' a fish in the water', for there is nothing which is<br />
missing in life. In short, I am very happy in spite o f all the<br />
other troubles that are there. Why?"<br />
Then she told me one <strong>of</strong> her experiences: HI had come<br />
here only to find out why Champaklal was not returning<br />
home; why he continued to be in Pondicherry. But so great<br />
was my feeling after seeing <strong>Sri</strong> <strong>Aurobindo</strong> that I could<br />
never go back."<br />
I said, " F o ib a, you must have felt this place as I am now<br />
feeling it - Paradise on Earth. But then, after experiencing<br />
such a l<strong>of</strong>ty Joy, why are these troubles still bothering
Foiba, as I Know Her 21<br />
me? They should not!" Then she sang two lines <strong>of</strong>a popular<br />
Bhajan <strong>of</strong> poet Preetam:<br />
Hari-no maarag chche shoorano,<br />
nahi kayara-nu kaam jone<br />
Partham pahela mastaq mooki<br />
varati lejo naam jone.<br />
"The path leading to the Lord is for the warrior; no place<br />
in it for cowards;<br />
Offer up your head at his feet first, if you wish to utter<br />
his name effectively."<br />
Most people here know that Foiba had a lucid memory.<br />
Up to the very end she remained clear-headed, graceful<br />
and strong. Above all she <strong>love</strong>d singing Bhajans. Whenever<br />
she spoke or sang, the truth behind her words leaped<br />
out and reached where it had to reach and served its purpose<br />
very welL She always gave me the feeling that she could<br />
clearly see my inner being and how I needed her unselfish<br />
<strong>love</strong> to progress in life.<br />
Foiba used to have many experiences, visions and<br />
dreams. And <strong>of</strong>ten she would narrate them to me. She liked<br />
me to read to her from certain books and I enjoyed reading<br />
them to her. During that time we would both forget the<br />
passage <strong>of</strong> time. We enjoyed those satsangs and always I<br />
returned from her room with an immense joy, filled with<br />
a nourishing food for my soul.<br />
A recent incident has left a deep impression on me. It<br />
shall remain vibrantly alive in my memory. I shall try to
22 Flame <strong>of</strong>Love<br />
narrate the whole episode exactly as it happened, but I am<br />
not sure if I will succeed in expressing it fully. However,<br />
1 am very happy to share my experience with others. 1 am<br />
sure there are people on this earth endowed with the insight<br />
to understand properly the language <strong>of</strong>Love and Faith<br />
for which words are not the true medium. The following<br />
narration is just an attempt at expressing them.<br />
Once, while Foiba was thinking <strong>of</strong> Lord Rama,<br />
Hanuman came and sat beside her on her cot. After sometime<br />
<strong>Sri</strong> <strong>Aurobindo</strong> also came and stood in front <strong>of</strong> her.<br />
Then Hanuman was asked to leave and he went away.<br />
While relating this experience, Foiba seemed overwhelmed<br />
with happiness, for she had had the darshan <strong>of</strong><br />
the Lord. Whenever she talked about <strong>Sri</strong> <strong>Aurobindo</strong> one<br />
could see how everything was vibrantly alive in her - Joy,<br />
Force, Health, etc. She lived in Eternity and was rejuvenated<br />
by the Darshan <strong>of</strong> her Majestic Master. After hearing<br />
her experience 1 took the liberty <strong>of</strong> asking her, "Why<br />
did Hanuman have to leave after the coming <strong>of</strong> <strong>Sri</strong><br />
<strong>Aurobindo</strong>? If they both were there with you, you would<br />
have been happier, isn't it?" She was engrossed in her experience<br />
and did not answer but 1 persisted, "Why was<br />
Hanuman asked to leave when <strong>Sri</strong> <strong>Aurobindo</strong> came?" Since<br />
1 stuck to my question, she was forced to answer.<br />
She told me with firmness and politeness the words that<br />
<strong>Sri</strong> <strong>Aurobindo</strong> had uttered, Hoon chchu ne? "I am with<br />
you always."<br />
Only three words but how powerful and forceful!<br />
There are many other incidents and conversations which<br />
may sound like common-place happenings, but when
Foiba, as I Know Her 23<br />
understood deeply were pr<strong>of</strong>ound and great experiences,<br />
powerful enough to quench one's thirst for the higher life<br />
<strong>of</strong> <strong>love</strong>, truth, purity, dedication, totality, in all the activities<br />
<strong>of</strong> one's daily life.<br />
I consider myself very fortunate that I was closely<br />
associated with Foiba. Practice, thorough and integral,<br />
was the aim <strong>of</strong> her life. Never could one feel uncomfortable<br />
with her.<br />
NAYANA ZAVERI<br />
Grant, I implore Thee: that all in my being may be<br />
identified with Thee. May I be nothing else any more<br />
than a<strong>flame</strong> <strong>of</strong>Love utterly awakened to a supreme<br />
realisation <strong>of</strong> Thee.<br />
The Mother
Grace on Motiben *<br />
Mother said to me this morning: HIf I give the Bulletin to<br />
Motiben will she like it? Do you think she will be happy?<br />
I will give it for the pictures; she can see them." Mother<br />
knew that my aunt does not know English.<br />
C: "Mother, as you are giving, you can give her the Hindi<br />
edition."<br />
Mother: "I don't have it but I will ask Jayantilal,"!<br />
Later, when Mother came for <strong>Sri</strong><strong>Aurobindo</strong>s lunch, she<br />
informed him: "Motiben has <strong>of</strong>fered a very pretty silver<br />
fork for you. Today is her birthday."<br />
<strong>Sri</strong> <strong>Aurobindo</strong> smiled and said: HOh!"<br />
Then Mother asked Chinrnayee to bring that fork. But<br />
pointing to the one which was already there, Chinmayee<br />
said: "Mother, this one also is <strong>of</strong> silver."<br />
Mother: "Yes. But the new one is pretty and today is<br />
her birthday; bring that."<br />
Thus Chinmayee was obliged to bring the fork <strong>of</strong>fered<br />
by Motiben. Mother placed it in <strong>Sri</strong> <strong>Aurobindo</strong>'s hand. He<br />
took it with a smile and said: HOh ... oh!"<br />
It was a treat for me to watch how the Grace worked.<br />
27 January 1950 CHAMPAKLAL<br />
* Champaklal Speaks, Third edition, p . 198.<br />
1. Jayantilal Parekh (1913-99) studied art in Shantiniketan before<br />
j oi ning the <strong>Ashram</strong> in 1938. He served the <strong>Ashram</strong> in various capacities<br />
before the Mother entrusted h im with the responsibility <strong>of</strong> setting up and<br />
organising the <strong>Ashram</strong>'s Archives and Research Library. See Mothe r India<br />
1999, p. 442; and Mother India 2000, pp. 224-25, 295-98, 383-86.
''My Water Saree"<br />
Long back, Foiba had <strong>of</strong>fered a very light-weight golden<br />
tissue saree to the Mother. It was one <strong>of</strong> her own sarees<br />
that had been used by her. It was s<strong>of</strong>t and woven with white<br />
horizontal lines across the length <strong>of</strong> the saree.<br />
The Mother liked it very much and wore it quite <strong>of</strong>ten.<br />
As we know, the Mother stopped wearing sarees after<br />
1950. But later in 1955, She was <strong>of</strong>fered a Ruby Crown<br />
and She wore once again a saree for the special Puja<br />
Darshan.<br />
Whenever She selected the saree for a particular<br />
day, She preferred a light weight, s<strong>of</strong>t and delicate one,<br />
but <strong>of</strong>course, She would also wear any which was <strong>of</strong>fered<br />
lovingly.<br />
It seems, She wore Foiba's saree at least two or<br />
three times between 1955 and 1958. And every time She<br />
had specially asked for it. Lovingly She would caress the<br />
saree and called it, "My Water Saree".<br />
SUNANDA<br />
Fill our hearts with the delight <strong>of</strong> Thy <strong>love</strong>.<br />
Flood our minds w ith the splendour <strong>of</strong> Thy light.<br />
Grant that we may effectuate Thy victory!<br />
The Mother
Part 2<br />
Memories <strong>of</strong> Bansidhar
Painting given by the Mother to Bansidhar<br />
on his birthday, 21 February 1949
Like a <strong>flame</strong> that burns in silence, like a perfume that rises<br />
straight upward without wavering, my <strong>love</strong> goes to Thee;<br />
and like the child who does not reason and has no care,<br />
I trust myself to Thee that Thy Will may be done, that Thy<br />
Light may manifest, Thy Peace radiate, Thy Love cover<br />
the world. When Thou willest I shall be in Thee, Thyself,<br />
and there shall be no more any distinction; I await that<br />
blessed hour without impatience <strong>of</strong>any kind, letting myself<br />
flow irresistibly toward it as a peaceful stream flows toward<br />
the boundless ocean.<br />
Thy Peace is in me, and in that Peace I see Thee alone<br />
present in everything, with the calm <strong>of</strong> Eternity.<br />
7 December 1912 THE MarHER
My Early Golden Days *<br />
My father was a Purani, a Brahmin whose pr<strong>of</strong>ession was<br />
to read from the Puranas, our mythological scriptures and<br />
teach them to others. In the evenings, after our supper, we<br />
used to sit in the verandah <strong>of</strong> our house. My elder brother<br />
and I had to recite the multiplication table as was our<br />
custom. After that ritual was over, my father related to us<br />
stories from the Puranas. Thus I got acquainted w ith th e<br />
stories from the Mahabharata and the Ramayana. Of all .<br />
the stories that I listened to, I liked most the stories <strong>of</strong><br />
Dhruva and Prahlad, and so like them I aspired to have the<br />
realisation <strong>of</strong> God.<br />
When I was studying at the school my thoughts <strong>of</strong>ten<br />
turned to Dhruva and Prahlad. I wondered about their not<br />
being educated and yet having realisation <strong>of</strong> God. I al so<br />
believed that all studies were <strong>of</strong> no use, unless one could<br />
realise God. The only Truth seemed to lie there.<br />
When I was young, I was aware that one <strong>of</strong> my elder<br />
brothers, Champaklal, lived at Pondicherry with <strong>Sri</strong><br />
<strong>Aurobindo</strong>, As I grew up a little more and went to High<br />
School, I could clearly understand that my brother<br />
Champaklal, living at Pondicherry with <strong>Sri</strong> <strong>Aurobindo</strong>, was<br />
pursuing Yoga Sadhana for the realisation <strong>of</strong> God. About<br />
the time, I learned that my elder brother Kantilal and my<br />
aunt (Father's sister) Motiben were to go to Pondicherry.<br />
Since I was attending school, I was unable to express my<br />
* Bansidhar's own reminiscence s. Bansidhar was Champaklal's<br />
youngest brother. Born on 21 January 1908 a t Patan, Gujarat, he left<br />
hi s phy sical body on 25 September 2005.
Bansidhar
My Early Golden Days 31<br />
wish to go to Pondicherry! After about six months, a man<br />
named Vadilal, who was a close friend <strong>of</strong>rny elder brother<br />
Sunderlal, came to our place from Bombay. Vadilalbhai<br />
had a great affection for me. I told him that I wanted to<br />
g o to Bombay with him and asked him whether he would<br />
take me there with him. He said it would be his pleasure<br />
to do so.<br />
After getting things arranged for going to Bombay, I<br />
had to obtain permission to do so from my parents. I was.<br />
the youngest <strong>of</strong> four brothers and they all had a great<br />
affection for me. Since I was the pet child, everyone wanted<br />
to keep me happy. This is why I got the permission to go<br />
to Bombay. I did reach Bombay, but my main interest lay<br />
in going to Pondicherry. So I immediately wrote to my<br />
brother Kantilal about my wish to go to Pondicherry. I g o t<br />
the permission and arrived at Pondicherry on 8 November<br />
1927.<br />
During those days the Mother used to call a few sadhaks<br />
to the Prosperity room for meditation. After the meditation<br />
was over she passed through Champaklal's room on<br />
the way to her room upstairs. So I had a Darshan <strong>of</strong> the<br />
Mother on the very day <strong>of</strong> my arrival in Champaklal's<br />
room. I saw in her the form <strong>of</strong> the Divine Mother. I w a s<br />
greatly delighted.<br />
During those days the Mother, Champaklal and about<br />
three or four s ad hak s used to stroll on the terrace during<br />
the e a rl y morning hours. After moving about a bit,<br />
Haradhan used to blow his conch as a signal to the sadhaks<br />
living in the houses around that the Mother had come<br />
downstairs and it was meditation time. In the beginning I
32 Flame <strong>of</strong>Love<br />
had no permission to participate in the meditation session.<br />
So, after <strong>of</strong>fering my pranams to the Mother, having her<br />
Darshan and receiving a flower from her, I used to return<br />
to my room. After a few days Champaklal told me that <strong>Sri</strong><br />
<strong>Aurobindo</strong> would give his Darshan for the first time on<br />
the 24th <strong>of</strong> November and the Mother had given her permission<br />
for me to stay till then.<br />
At that time there were about thirty to thirty-five sadhaks<br />
in the <strong>Ashram</strong>. All the names were listed and each one had<br />
to go for Darshan in his turn. Everyone was told not to<br />
take more than fi ve minutes for the Darshan. A copy <strong>of</strong><br />
the list <strong>of</strong> the sadhaks was kept with <strong>Sri</strong> <strong>Aurobindo</strong>, so<br />
that he knew who would come in what order for the<br />
Darshan.<br />
Some days after the Darshan, Champaklal told me that<br />
I had to go back home. I broke into tears at this news.<br />
Champaklal told the Mother about this. Hearing about my<br />
crying the Mother gave her permission for me to stay on<br />
and also to work with Champaklal in the mornings and<br />
with Kantibhai in the garden in the evenings.<br />
I was very delighted at the good fortune <strong>of</strong> getting<br />
permission to stay and having been allotted work. But my<br />
human nature raised its head after a few months! I did like<br />
the work in the garden, but questions arose in my mind:<br />
"Even after coming to the <strong>Ashram</strong>, only this work <strong>of</strong><br />
watering th e trees in the g arden has been given to me!<br />
Would it not be better to render some personal se r vice to<br />
the Mother? It would be the fulfilment <strong>of</strong> my dreams if I<br />
could do some personal work for the Mother." Somehow,<br />
either as a result <strong>of</strong> my aspiration or the Grace <strong>of</strong> the
My Early Golden Days 33<br />
Mother, there arose a vacancy. Haradhan,* who was working<br />
in Mother's room and her bathroom, went back to<br />
Bengal. Through the Grace <strong>of</strong> the Mother Kantibhai got<br />
to work in the bathroom and I was given work in the<br />
Mother's room. Thus the Mother fulfilled my wish.<br />
There are many other incidents <strong>of</strong> the Mother fulfilling<br />
my wishes. Do you want to know how some <strong>of</strong> my<br />
wishes were fulfilled by the Mother? I will give a few<br />
instances. I wanted very much to <strong>of</strong>fer flowers to the<br />
Mother. How did this come to be arranged? I used to stand<br />
in Champaklal's room when the Mother returned from the<br />
Prosperity to her room via his room. Well, one day I was<br />
standing there and when she passed through the room<br />
I started <strong>of</strong>fering flowers to the Mother. She accepted<br />
them with great <strong>love</strong> and the practice continued from that<br />
day.<br />
Again, I had a great desire to work for <strong>Sri</strong> <strong>Aurobindo</strong>.<br />
The Mother used to distribute soup to all the sadhaks in<br />
the evening. <strong>Sri</strong> <strong>Aurobindo</strong> also took soup in his room.<br />
This soup was being prepared by Champaklal, but the work<br />
<strong>of</strong>cleaning and cutting the vegetables for making the soup<br />
for <strong>Sri</strong> <strong>Aurobindo</strong> was given to me. I may mention that the<br />
vegetables cooked for <strong>Sri</strong> <strong>Aurobindo</strong> and the sadhaks were<br />
purchased from Madras. Cabbage, leek, celery and carrots<br />
were being received in a parcel from Madras. A bill<br />
also came along with the parcel. I used to check the bill.<br />
* Haradhan B akshi from Chandemagore (B en g al ) first came to<br />
Pondicherry fo r a short visit in 1916. He was a soldier in the First World<br />
War ( 19 14- 19 18) . H e settled in the <strong>Ashram</strong> on 30 December 1930. (See<br />
M other India, 1996, "Haradhan-da" , pp. 55-59.)
34 Flame <strong>of</strong>Love<br />
Now there was a shop here where the shopkeeper used get<br />
all his vegetables from Bangalore. I found that the cabbages<br />
from Bangalore were cheaper than the cabbages from<br />
Madras. I told this to the Mother. Afterwards, under her<br />
instructions I used to go to the local bazaar every week<br />
and purchase all the vegetables needed. The vegetables<br />
were shown to the Mother, who examined them with great<br />
interest. The payment was done by Dyuman.<br />
I was very fond <strong>of</strong> taking a long walk every day. I used<br />
to go for a walk every evening. Even while walking I<br />
continuously remembered the Mother. I considered this a<br />
part <strong>of</strong> my sadhana. Once when I was just starting for a<br />
walk, the Mother's car carne from behind. The Mother saw<br />
me, and had the car stopped. I <strong>of</strong>fered my Pranams to her.<br />
She asked me where I was going. "For a walk," I replied,<br />
and told her where. The Mother told Champaklal that I<br />
was going rather a very long distance for a walk. I then<br />
<strong>of</strong>fered some flowers to the Mother. Seeing the flowers<br />
the Mother asked me "Do you want all this?" I nodded in<br />
assent. The Mother told me "I will give you ALL THIS but<br />
not the flowers." I understood with my modest intelligence<br />
that the Mother would give me all that was signified by<br />
the flowers but not the flowers themselves. I was greatly<br />
delighted.<br />
In those days unlike now, the <strong>Ashram</strong> was under financial<br />
stringency. There were some difficulties on that account.<br />
I wondered how I could be <strong>of</strong> help to the <strong>Ashram</strong><br />
in this matter. During those days all the sadhaks had alarm<br />
clocks. When anything went wrong with them, they were<br />
sent to the bazaar for repair. I felt that if I learned watch
My Early Golden Days 35<br />
repairing. I could be useful to the <strong>Ashram</strong>. I told this to<br />
the Mother. She then spoke to Amrita who arranged for<br />
me to learn watch-repairing from a watch repairer in the<br />
bazaar. After that, all the watch repairs in the <strong>Ashram</strong> were<br />
done by me. The Mother got repairing tools from France<br />
for my use. Now. <strong>of</strong> course. this work is being done by<br />
other sadhaks.<br />
As mentioned, after Haradhan left for Bengal. I was<br />
given work in the Mother's room. I was doing the work<br />
with great joy. A few days after starting to work. a significant<br />
event took place. As you know. biscuit boxes are<br />
wrapped in special paper to prevent moisture from creeping<br />
in and also to give the box a good appearance. One<br />
day, such a piece <strong>of</strong> wrapping paper was lying on the<br />
Mother's table. The paperhad not been folded, but simply<br />
kept there after removing it from the box. While cleaning<br />
the room. I thought, "What is the use <strong>of</strong> keeping such<br />
paper? The Mother has many other better papers." So I<br />
threw the paper into the wastepaper basket. In those days<br />
the Mother used to see some sadhaks in the mornings, in<br />
the Darshan Room. When she returned from the Darshan<br />
Room and asked me about that piece <strong>of</strong> paper, I told her<br />
that I had thrown it into the wastepaper basket. Hearing<br />
this the Mother got displeased, almost like Kali. She told<br />
me, "If it has to be thrown away, I know where to throw<br />
it and when to throw it away." I felt very sad, and even<br />
started crying. But that is how I learnt that however useless<br />
a thing might seem. it should not be thrown away.<br />
There is always a use for it somewhere.<br />
While I was working for the Mother in her room. a lady
36 Flame <strong>of</strong>Love<br />
named Datta,* who had come with the Mother from Europe,<br />
was working in her dressing room. Once Datta fell<br />
sick, so the Mother entrusted her work to me. I was very<br />
happy and started doing the work with enthusiasm.<br />
There is a kind <strong>of</strong> bottle in which the base is not attached<br />
to the cover. I had never seen such a bottle. Once<br />
I picked up one <strong>of</strong> these bottles and the cover remained<br />
in my hand while the big bottle fell down and broke into<br />
pieces. The bottle contained perfume imported from<br />
France, which spilled all over the place. The whole room<br />
was filled with the scent <strong>of</strong> the perfume. The Mother was<br />
giving Darshan to the sadhaks in the adjacent room. I was<br />
afraid that ifthe Mother would get annoyed like the wrathful<br />
Kali for throwing away a piece <strong>of</strong> paper, what would<br />
happen to me now? I got very depressed, took out my<br />
handkerchief and wiped away the traces <strong>of</strong> the scent as far<br />
as I could. But the scent must have reached the Mother,<br />
and soon she came. She asked me, "What happened?" I<br />
told her quite candidly. She replied, "Doesn't matter <br />
nothing to worry about; sometimes these things happen<br />
while working." The Mother gave me a beautiful Mahalaxmi<br />
smile and left the place. She didn't simply go away,<br />
but sent a message through Champaklal saying, "Tell<br />
Bansidhar not to worry. At times such things can happen<br />
* Datta (Entirely self-given), is the name given by <strong>Sri</strong> <strong>Aurobindo</strong><br />
to Dorothy Hodgson, an Englishwoman. Even in Europe she was a<br />
companion to the Mother and travelled with her to several countries<br />
including Japan. The Mother once remarked, "The very sight <strong>of</strong> this<br />
lady was indeed a pleasure; she seemed to us a pure white flower<br />
consecrated to the Di vine."
My Early Golden Days 37<br />
in the course <strong>of</strong> the work:' What a Grace! She had already<br />
told me not to worry and then she conveyed the same<br />
message through Champaklal. My devotion for the Mother<br />
increased tremendously and I got a firm beliefin her being<br />
the Divine Mother.<br />
In those days no question arose about how many hours'<br />
work one was doing. Only one aim - to do as much work<br />
as possible. The whole day passed doing something or the<br />
other. Not only me but all the sadhaks were interested in<br />
doing as much work as we could for <strong>Sri</strong> <strong>Aurobindo</strong> and<br />
the Mother. One did not know how the day passed. While<br />
doing the work, numerous occasions arose for meeting the<br />
Mother. In the early morning the Mother herself served us<br />
breakfast, so even at that time we had her Darshan. Then<br />
I had Darshan when I went to her room for work. Then<br />
at about four in the afternoon when the Mother went for<br />
a drive in her car, we had her Darshan. When she returned<br />
from her drive, there was yet another occasion for her<br />
Darshan. But I couldn't be present then, because the time<br />
<strong>of</strong>her return varied and I had to go for work in the garden.<br />
Of course, the garden was very near. It was situated at the<br />
Atelier where the cars are kept and repaired at present. The<br />
first to work in that garden was ChampaklaI. At that time<br />
the garden had great importance because the sadhaks who<br />
went for Darshan <strong>of</strong> the Mother took flowers from there.<br />
Also the Mother used to distribute flowers to the sadhaks<br />
after the meditation. She had given significances to the<br />
various flowers; so the sadhaks were interested in receiving<br />
them. Every Sadhak usually got a particular flower,<br />
but sometimes she gave the same kind <strong>of</strong> flower to all. To
38 Flame <strong>of</strong>Love<br />
me she gave the flower named "Disinterested work" almost<br />
every time.<br />
By the Mother's Grace and Champaklal's help I had the<br />
opportunity <strong>of</strong>doing another satisfying work. I was given<br />
the work <strong>of</strong> cleaning the dishes used by the Mother and<br />
<strong>Sri</strong> <strong>Aurobindo</strong>. <strong>Sri</strong> <strong>Aurobindo</strong> used to take tea at night and<br />
I would collect the d ishes sometime in the morning.<br />
Motiben prepared pancakes (malpuwa) for <strong>Sri</strong> <strong>Aurobindo</strong><br />
for taking with his tea. The dishes sent by Motiben included<br />
the bowl in which he used to keep a portion <strong>of</strong> the pancakes<br />
for us as Prasad. Motiben cut the pancakes into small<br />
pieces so we could all receive a small share <strong>of</strong>the Prasad.<br />
I may say something more about the Prasad. In those<br />
days <strong>Sri</strong> <strong>Aurobindo</strong>'s younger brother Barin-da* used to<br />
cook for him. After <strong>Sri</strong> <strong>Aurobindo</strong> had his lunch, the leftovers<br />
were brought downstairs. F rom them Barin-da used<br />
to take a portion and the rest was sent to Haradhan as<br />
Prasad. Haradhan used to stay in the room where Madhav<br />
Pandit's books are displayed at present. Haradhan would<br />
distribute what he received as Prasad to a few sadhaks who<br />
would gather in his room to receive it. One Bengali sadhak<br />
used to send cooked food for <strong>Sri</strong> <strong>Aurobindo</strong>. Sometimes<br />
my brother Kantibhai and I would also lend our hand in<br />
preparing it. Dara " has taken photographs <strong>of</strong> that<br />
* Barindra Kumar Ghose, <strong>Sri</strong> <strong>Aurobindo</strong>s younger brother. Sentenced<br />
to imprisonment in the Alipore Bomb Case in 1908, he w as<br />
released from the Andamans in 1920. He came to stay in Pondicherry<br />
in 1923 and remained until 25 December 1929.<br />
** Dara is the name given by <strong>Sri</strong> <strong>Aurobindo</strong> to Aga Syed Ibrahim<br />
from Hyderabad. From a well-to-do Arab Muslim family, hejoined the<br />
<strong>Ashram</strong> in 1927.
My Early Golden Days 39<br />
occassion. He gave me some. He was fond <strong>of</strong> photography<br />
and cooking. When it pleased him, Dara also did some<br />
cooking himself. He always prepared something new.<br />
Those days were feast days for the sadhaks <strong>of</strong>the <strong>Ashram</strong>.<br />
He was always very generous and jolly. He was a permanent<br />
sadhak <strong>of</strong> the <strong>Ashram</strong>.<br />
My brother Champaklal had great <strong>love</strong> for me. I have<br />
been deeply benefited by his good feelings towards me.<br />
He used to prepare orange juice for <strong>Sri</strong> <strong>Aurobindo</strong> and on<br />
many occasions he let me carry thatjuice to <strong>Sri</strong> Aurobirido.<br />
I cherish those invaluable moments <strong>of</strong> my life. Champaklal<br />
used to prepare tea for <strong>Sri</strong> <strong>Aurobindo</strong> and took it himself<br />
to the Mother, who then gave it to <strong>Sri</strong> <strong>Aurobindo</strong>. After<br />
some time this privilege was given to me. I had to prepare<br />
the tea by 8.00 in the everring. When I opened the door <strong>of</strong><br />
the passage, the Mother used to come there and take the<br />
tea pot from me. <strong>Sri</strong> A urobindo added sugar and milk<br />
. before drinking it. At -n ig h t he used to write replies to the<br />
letters sent by sadhaks and then he took his tea. I believe<br />
the tea used at that time was Chinese because it came in<br />
Chinese boxes; later on it was the turn <strong>of</strong> the Indian tea.<br />
In the morning I would bring back the tea-pot with the<br />
dishes to be used for breakfast.<br />
It was Nolini-da who <strong>of</strong>ten returned the letters <strong>of</strong> the<br />
sadhaks with <strong>Sri</strong> <strong>Aurobindo</strong>s replies. But there was an<br />
exception. Dyuman used to send his notebook to <strong>Sri</strong><br />
<strong>Aurobindo</strong> regularly in the evening. After <strong>Sri</strong> <strong>Aurobindo</strong><br />
had seen and recorded his remarks, this note-book would<br />
be kept on the breakfast tray, and I took it back to Dyuman.<br />
Hutaben used to write letters to the Mother and most
40 Flame <strong>of</strong>Love<br />
<strong>of</strong> the replies were sent back through Champaklal. Later<br />
on, after consulting the Mother the replies were given to<br />
me for handing over to Hutaben, which I did. In this way,<br />
when replies were written by the Mother, the letters were<br />
given to me for handing over to the concerned persons.<br />
When I went to the sadhaks with the divine letters, they<br />
sometimes insisted on my taking refreshments which I<br />
politely but firmly declined. Champaklal told the Mother<br />
about this and the Mother was glad to take note <strong>of</strong> it.<br />
Perhaps this is why the work remained with me for a long<br />
time.<br />
I have already said earlier that I was fond <strong>of</strong> going for<br />
a walk. Once when I went for a walk it started raining. I<br />
should have returned, but I did not. Due to the cold at night<br />
and the rain, I caught fever. Champaklal informed the<br />
Mother. She said, "Those who are working here for the<br />
Divine have no right to fall sick." Fortunately I got well<br />
in a few days and resumed my work.<br />
I would like to say what a pleasure it was to do the<br />
Mother's work during those times. I used to <strong>love</strong> to play<br />
tennis. I would go to play tennis daily. One day Charnpaklal<br />
told me that when the Mother sees sadhaks in the morning,<br />
I should sit on the terrace and send the sadhaks to the<br />
Mother in the order <strong>of</strong> the list he gave me each day. In<br />
spite <strong>of</strong>-my interest in tennis I gave it up with pleasure<br />
and, so long as the Mother continued the routine <strong>of</strong> seeing<br />
the sadhaks in this way, I sat each morning on the terrace<br />
and sent the sadhaks to her.<br />
I have mentioned that Champaklal had great affection<br />
for me and I have been greatly benefited as a result.
Champaklal and Bansidhar, 1986
42 Flame <strong>of</strong>Love<br />
Whenever Champaklal had any work for <strong>Sri</strong> <strong>Aurobindo</strong> or<br />
the Mother, he would entrust it to me rather than to someone<br />
else. Champaklal used to carry hot water for <strong>Sri</strong><br />
<strong>Aurobindo</strong>'s bath. After <strong>Sri</strong> <strong>Aurobindo</strong>'s accident,<br />
Champaklal entrusted that work to me. I had to carry two<br />
big buckets <strong>of</strong> water upstairs from the boiler room. I<br />
wonder now sometimes, how I could carry two big buckets<br />
and climb all those steps. I guess it was because I had<br />
great enthusiasm for the work. It gave me the opportunity<br />
<strong>of</strong> having Darshan <strong>of</strong> <strong>Sri</strong> <strong>Aurobindo</strong> when I reached his<br />
room with the buckets. <strong>Sri</strong> <strong>Aurobindo</strong> used to give me a<br />
smile then and also when I returned for the buckets. At<br />
that time <strong>Sri</strong> <strong>Aurobindo</strong> was engrossed in writing Savitri<br />
and still he would spare a moment to smile at me. This<br />
gave me immense joy.<br />
Did I have the opportunity to listen to <strong>Sri</strong> <strong>Aurobindo</strong>'s<br />
voice?Yes, many times. Champaklal used to wind the clock<br />
in his room before I had learned watch-repairing work. But<br />
after I learned watch-repairing that work was entrusted to<br />
me. The clock stood at some distance from where <strong>Sri</strong><br />
<strong>Aurobindo</strong> used to .sit and he couldn't see the dial clearly<br />
during later years. So very <strong>of</strong>ten he would ask me the exact<br />
time. There was a radio installed in Pavitra's room during<br />
the War so that <strong>Sri</strong><strong>Aurobindo</strong> could listen to it. Sometimes<br />
he would ask me to switch it on for him.<br />
The photographs <strong>of</strong> <strong>Sri</strong> <strong>Aurobindo</strong> and the Mother that<br />
we see these days were the result <strong>of</strong>Champaklal's efforts.<br />
Somehow or other he succeeded in getting permission from<br />
the Mother. He also got permission to make copies <strong>of</strong> the<br />
photographs. The Mother refused to give her permission
My Early Golden Days 43<br />
to make copies <strong>of</strong> her photographs. At first Champaklal<br />
got her permission to make copies on the condition that<br />
the photographer should do no retouching work on them.<br />
Champaklal told the Mother that the photographer would<br />
prepare two copies <strong>of</strong> each <strong>of</strong> the photographs, one without<br />
retouching and the other with it. The Mother agreed.<br />
I had two copies made by the photographer Latour, a<br />
devotee <strong>of</strong> the Mother, who lived in the town. Latour<br />
worked a great deal on <strong>Sri</strong> <strong>Aurobindo</strong>'s photograph, carefully<br />
retouching one copy but not the other. Champaklal<br />
showed both copies to the Mother. The Mother looked<br />
closely at the retouched photo and observed, "I am seeing<br />
such work done in India for the first time." The Mother<br />
appreciated that photograph very much and permitted<br />
copies <strong>of</strong> it to be made. After that all the photographs were<br />
prepared. In those days I used to have prints made and<br />
would sell them to the devotees. I charged two rupees for<br />
cabinet-size photographs, from which I paid one rupee to<br />
the photographer and one to the Mother. But first the<br />
Mother took these photographs to <strong>Sri</strong> <strong>Aurobindo</strong> for his<br />
signature and then returned them to me. Sometimes I<br />
received the signed photographs back directly from his<br />
hands. Later I also had smaller locket photographs made.<br />
I got the lockets made and gave the pr<strong>of</strong>it on their sale to<br />
the Mother. You might say that the Mother didn't receive<br />
much that way. But in those days every pice (one-sixty<br />
fourth <strong>of</strong> a rupee) was valuable for the <strong>Ashram</strong>. For example,<br />
the water which I used to spray in the garden was<br />
partially drawn up from the well by hand so that our water<br />
expenses might be reduced. In those days our service was
<strong>Sri</strong> <strong>Aurobindo</strong><br />
(Touched-up photograph)
44 Flame <strong>of</strong>Love<br />
a source <strong>of</strong> great joy. We took no notice <strong>of</strong> the time while<br />
working.<br />
After his food <strong>Sri</strong> <strong>Aurobindo</strong> was given a cold drink<br />
and sometimes ice-cream. The Mother used to be present<br />
at that time whenever she could. But sometimes she was<br />
late due to her other responsibilities. Then after <strong>Sri</strong><br />
<strong>Aurobindo</strong>'s dinner, the opportunity to give cold drink<br />
came to me. I would sit near the door till his dinner was<br />
over and then bring a cold drink from the nearby frigidaire.<br />
Sometimes when the Mother came very late, <strong>Sri</strong> <strong>Aurobindo</strong> .<br />
would tell Champaklal to convey to the sadhaks downstairs<br />
that the day's meditation was cancelled because the Mother<br />
would not be there. She used to give this meditation after<br />
<strong>Sri</strong> <strong>Aurobindo</strong>s dinner was over. But however long our<br />
duty lasted, we took no notice <strong>of</strong> time. To do work for the<br />
Mother was a pleasure. However late it might be,<br />
Champaklal, I, and Nirod-da waited in the passage for the<br />
Mother's return. And when she returned, she gave us a<br />
smile and that exhilarated us.<br />
BANSJDHAR<br />
Acc ep t the ardent <strong>flame</strong> <strong>of</strong> m y g ra tit ude and m y<br />
j oy ous and fully confident adherenc e.<br />
The Mother
Bansidhar and Photography*<br />
In those days the art <strong>of</strong>photography had not developed in<br />
the <strong>Ashram</strong>. Mother gave Bansidhar some <strong>of</strong> her pre<br />
Pondicherry photographs for reprinting. She insisted that<br />
while making new negatives the old copies must not be<br />
touched up.<br />
Bansidhar entrusted the work to Latour, son <strong>of</strong> the<br />
photographer who had taken <strong>Sri</strong> <strong>Aurobindo</strong>'s photographs<br />
in the early years. He told him: "Make one negative without<br />
touching it up and one after touching up the old one.<br />
We shall show prints <strong>of</strong> both <strong>of</strong> them one after another to<br />
the Mother and order the required number <strong>of</strong> copies <strong>of</strong>the<br />
one Mother chooses."<br />
After seeing the touched-up copy intently and also from<br />
several angles, Mother liked it very much and said: "Very<br />
good, especially the eyes. He has touched it up a lot, but<br />
it is done very skilfully. It is the first time that I see such<br />
remarkable work in India."And she took it to <strong>Sri</strong><strong>Aurobindo</strong><br />
who also liked it.<br />
B: "Mother, Latour studied photography in France."<br />
Mother: "Hmm.... Beautiful work. Really good. You<br />
may order more copies <strong>of</strong> the touched up one."<br />
B: "Mother, others also would like to have copies."<br />
With Mother's permission, Bansidhar ordered more<br />
copies and sold them to those who wanted them. Needless<br />
to say, whatever money came from the sale was <strong>of</strong>fered<br />
to the Mother.<br />
* Champaklal Speaks, Third edition, p. 118.
Bansidhar and Photography 47<br />
Later Bansidhar wrote a letter to Mother requesting her<br />
pennission to learn photography. <strong>Sri</strong> <strong>Aurobindo</strong>'s reply<br />
came: "We are not planning to start a photography studio<br />
in the <strong>Ashram</strong>. It is not necessary to learn." Yet today we<br />
not only have studios but the art too has been highly<br />
developed. However, since Mother's time I have been<br />
getting all my photography work done by Latour.<br />
I relate this episode also to illustrate the fact that it does<br />
not make sense to say that <strong>Sri</strong> <strong>Aurobindo</strong> said this or that,<br />
just in order to fulfil one's desire or belief.<br />
23 July 1944 CHAMPAKLAL<br />
o Love, divine Love, spread abroad in the world,<br />
regenerate life, enlighten the intelligence, break<br />
the barriers <strong>of</strong> egoism, scatter the obstacles <strong>of</strong><br />
ignorance, shine resplendent as sovereign Master<br />
<strong>of</strong> the earth.<br />
The Mother
Our Bansimama<br />
Bansidhar-ji - Bansimama as I have always known him<br />
since my childhood - was a close friend and well-wisher<br />
<strong>of</strong> Vaidya Kesarimalji, my grandmother's brother who<br />
was a disciple <strong>of</strong> Punamchandbhai, one <strong>of</strong> the early<br />
disciples <strong>of</strong> <strong>Sri</strong> <strong>Aurobindo</strong>. My grandmother asked<br />
Punamchandbhai, way back in the 1920s, to take her only<br />
son, my father, to <strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong>. That, I have<br />
learned, was how our family was introduced to the Mother<br />
and <strong>Sri</strong> <strong>Aurobindo</strong>. And this is how both Kesarimalji and<br />
Bansidharji had always been our mamas, maternal uncles,<br />
to us five children.<br />
When our mother fell seriously ill and had to go to<br />
Calcutta for a long treatment, the Mother asked Bansimama<br />
to become our guardian. I have always found him a very<br />
loving person. He used to buy lots <strong>of</strong> mangoes for us in<br />
the season, and, on our birthdays, bought us rings with the<br />
Mother's symbol and also books <strong>of</strong> <strong>Sri</strong> <strong>Aurobindo</strong> or the<br />
Mother signed by the Mother and given by Her to us when<br />
we went up to Her. Bansimama would always be there<br />
working in silent obedience behind Champakmama. I bow<br />
down with gratitude to both <strong>of</strong> them for this privilege<br />
bestowed upon us.<br />
Bansimama stood by us in all our difficult periods and<br />
gave the best advice possible in such circumstances, that<br />
is, to pray to the Divine Mother. He also taught us many<br />
Sanskrit shlokas, talked to us about <strong>Sri</strong> <strong>Aurobindo</strong> and the<br />
Mother and encouraged us to meditate regularly.<br />
I would to recall an incident <strong>of</strong> 1989 concerning my
Our Bansimama 49<br />
factory at Ariyankuppam. The place was infested with<br />
snakes and practically every afternoon staff girls would<br />
suddenly start screaming and running around because<br />
a snake was seen in some corner or the other. Now,<br />
Bansimama used to visit the factory whenever he could<br />
find time, in order to encourage me and give me strength<br />
to face the adversities that had then heaped on my head.<br />
I requested him to inform Champakmama about this<br />
problem and invoke the Mother's blessings and protection.<br />
Champakmama then called me and wanted to know<br />
everything in detail. After hearing all I had to say, he<br />
meditated for some time and wrote on a piece <strong>of</strong><br />
paper, "Henceforth none <strong>of</strong> this will happen." Along with<br />
that he gave me a blessings packet. From that day, to our<br />
happy surprise, we never saw any snake in the premises!<br />
It was only when I was vacating the building after the<br />
closure <strong>of</strong> the factory, that a cobra came in the garden,<br />
stopped at the main entrance, and coiled itself in its wellknown<br />
way, its hood held high. But after some time it<br />
quietly slipped away. I have <strong>of</strong>ten wondered what<br />
Champakmama had done....<br />
Champakmama had also come and visited my sister<br />
Chetana in Bombay, a few weeks before she passed away<br />
there in 1984. She was suffering from brain cancer and<br />
had been pleading with our father to bring her back to<br />
Pondicherry. It was in that circumstance that Champakmama<br />
had turned up. His presence, his touch, brought to<br />
her the Mother's blessings and peace and smoothened her<br />
passage to the other world.<br />
Yes, both Champakmama and Bansimama were ex-
50 Flame <strong>of</strong>Love<br />
tremely helpful. Would we ever have such loving elders<br />
again? I pay my respects to them for paving a path for us<br />
with their selfless <strong>love</strong>, devotion and faith.<br />
ASHA KarHARI<br />
To live in <strong>love</strong>, by <strong>love</strong>, for <strong>love</strong>, indissolubly united<br />
to Thy highest manifestation. . . .<br />
Always more light, more beauty, more truth!<br />
The Mother
FLAME OF LOVE<br />
This book contains <strong>of</strong> reminiscences <strong>of</strong> Motiba<br />
(Charnpaklals aunt) and Bansidhar (Champaklal's<br />
younger brother). They came to <strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong> in<br />
its early days when the <strong>Ashram</strong> had few inmates - sixty to<br />
seventy. Those were days <strong>of</strong> intense sadhana, for <strong>Sri</strong><br />
<strong>Aurobindo</strong> and the Mother were bringing down the<br />
Supreme Truth, Light, Harmony, Peace and Love into the<br />
earth-consciousness. Given the privilege <strong>of</strong>living in close<br />
proximity with them, the Divine in human form, the<br />
sadhaks and sadhikas were single-mindedly concentrated<br />
OlL their sadhana. They were silent servitors and one in<br />
their aim to surrender to the Lord <strong>Sri</strong> <strong>Aurobindo</strong> and the<br />
Mother with full faith. With a burning <strong>flame</strong> <strong>of</strong><strong>love</strong> in their<br />
heart they came - to serve, to <strong>love</strong>, to realise the Divine.<br />
(From the Preface)
FLAME OF LOVE<br />
This book contains <strong>of</strong> reminiscences <strong>of</strong> Motiba<br />
(Champaklal's aunt) and Bansidhar (Champaklal's<br />
younger brother). They came to <strong>Sri</strong> <strong>Aurobindo</strong> <strong>Ashram</strong> in<br />
its early days when the<strong>Ashram</strong> had few inmates- sixty to<br />
seventy. Those were days <strong>of</strong> intense sadhana, for <strong>Sri</strong><br />
<strong>Aurobindo</strong> and the Mother were bringing down the<br />
Supreme Truth, Light, Harmony, Peace and Love into the<br />
earth-consciousness. Given the privilege <strong>of</strong>living in close<br />
proximity with them, the Divine in human form, the<br />
sadhaks and sadhikas were single-mindedly concentrated<br />
on their sadhana. They were silent servitors and one in<br />
their aim to surrender to the Lord <strong>Sri</strong> <strong>Aurobindo</strong> and the<br />
Mother with full faith. With a burning <strong>flame</strong> <strong>of</strong><strong>love</strong> in their<br />
heart they carne- to serve, to <strong>love</strong>, to realise the Divine.<br />
(From the Preface)<br />
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