Owner's Manual - Roland

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Effects List Chorus Parameters The GW-8’s Chorus effect unit can also be used as a stereo delay unit. These settings allow you to select chorus or delay, and the characteristics of the selected effect type. Parameter Value Description Chorus Type 01: CHORUS Rate 0 (OFF), 1 (CHORUS), 2 (DELAY), 3 (GM2 CHORUS) 0.05–10.00 Hz, note Selects either Chorus or Delay. 0 (OFF): Neither Chorus or Delay is used. 1 (CHORUS): Chorus is used. 2 (DELAY): Delay is used. 3 (GM2 CHORUS): GM2 Chorus is used. Frequency of modulation Depth 0–127 Depth of modulation Pre Delay Feedback 0–127 Filter Type 0.0–100.0 ms OFF, LPF, HPF Adjusts the delay time from the direct sound until the chorus sound is heard. Adjusts the amount of the chorus sound that is fed back into the effect. Type of filter OFF: no filter is used LPF: cuts the frequency range above the Cutoff Freq HPF: cuts the frequency range below the Cutoff Freq Cutoff Freq 200–8000 Hz Basic frequency of the filter Phase 0–180˚ Spatial spread of the sound 02: DELAY Delay Left Delay Right Delay Center Center Feedback HF Damp Left Level Right Level Center Level 0–1000 ms, note -98–+98% 200–8000 Hz, BYPASS 03: GM2 CHORUS Adjusts the delay time from the direct sound until the delay sound is heard. Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BY- PASS. 0–127 Volume of each delay sound note: If you specify the delay time as a note value, slowing down the tempo will not change the delay time beyond a certain length. This is because there is an upper limit for the delay time; if the delay time is specified as a note value and you slow down the tempo until this upper limit is reached, the delay time cannot change any further. This upper limit is the maximum value that can be specified when setting the delay time as a numerical value. fig.MFX-note2.e Sixty-fourth-note triplet Sixty-fourth note Thirty-second-note triplet Thirty-second note Whole note Double note Sixteenth-note triplet Dotted thirty-second note Sixteenth note Eighth-note triplet Dotted sixteenth note Eighth note Quarter note Half note Quarter-note triplet Half-note triplet Whole-note triplet Double-note triplet Dotted eighth note Dotted quarter note Dotted half note Dotted whole note Pre-LPF 0–7 Cuts the high frequency range of the sound coming into the chorus. Higher values will cut more of the high frequencies. Level 0–127 Volume of the chorus sound Feedback 0–127 Delay 0–127 Adjusts the amount of the chorus sound that is fed back into the effect. Adjusts the delay time from the direct sound until the chorus sound is heard. Rate 0–127 Frequency of modulation Depth 0–127 Depth of modulation Send Level To Reverb 0–127 Adjusts the amount of chorus sound that will be sent to the reverb. 82
Effects List Reverb Parameters These settings allow you to select the desired type of reverb, and its characteristics. Parameter Value Description Reverb Type 01: REVERB Type Time 0–127 HF Damp Delay Feedback 0 (OFF), 1 (REVERB), 2 (SRV ROOM), 3 (SRV HALL), 4 (SRV PLATE), 5 (GM2 REVERB) ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2, DELAY, PAN-DELAY 200–8000 Hz, BYPASS 0–127 02: SRV ROOM 03: SRV HALL 04: SRV PLATE Type of reverb 0 (OFF): Reverb is not used. 1 (REVERB): Normal reverb 2 (SRV ROOM): This simulates typical room acoustic reflections. 3 (SRV HALL): This simulates typical concert hall acoustic reflections. 4 (SRV PLATE): This simulates a reverb plate, a popular type of artificial reverb unit that derives its sound from the vibration of a metallic plate. 5 (GM2 REVERB): GM2 Reverb Type of reverb/delay ROOM1: short reverb with high density ROOM2: short reverb with low density STAGE1: reverb with greater late reverberation STAGE2: reverb with strong early reflections HALL1: very clear-sounding reverb HALL2: rich reverb DELAY: conventional delay effect PAN-DELAY: delay effect with echoes that pan left and right Time length of reverberation (Type: ROOM1–HALL2) Delay time (Type: DELAY, PAN-DELAY) Adjusts the frequency above which the high-frequency content of the reverb sound will be cut, or “damped.” If you do not want to cut the high frequencies, set this parameter to BYPASS. Adjusts the amount of delay feedback when the Type setting is DELAY or PAN-DELAY. Amount of delay sound returned to the input (this setting is valid only if Type is DELAY or PAN-DELAY) Parameter Value Description 05: GM2 REVERB Character 0–7 Pre-LPF 0–7 Type of reverb 0–5: reverb 6, 7: delay Cuts the high frequency range of the sound coming into the reverb. Higher values will cut more of the high frequencies. Level 0–127 Output level of reverberation Time 0–127 Time length of reverberation Delay Feedback 0–127 Adjusts the amount of the delay sound that is fed back into the effect when the Reverb Character setting is 6 or 7. Pre Delay 0.0–100.0 ms Adjusts the delay time from the direct sound until the reverb sound is heard. Time 0–127 Time length of reverberation Size 1–8 Size of the simulated room or hall High Cut 160 Hz–12.5 kHz, BYPASS Density 0–127 Density of reverb Diffusion 0–127 LF Damp Freq LF Damp Gain HF Damp Freq HF Damp Gain 50–4000 Hz -36–0 dB 4000 Hz–12.5 kHz -36–0 dB Adjusts the frequency above which the highfrequency content of the reverb will be reduced. If you do not want to reduce the high frequencies, set this parameter to BYPASS. Adjusts the change in the density of the reverb over time. The higher the value, the more the density increases with time. (The effect of this setting is most pronounced with long reverb times.) Adjusts the frequency below which the low-frequency content of the reverb sound will be reduced, or “damped.” Adjusts the amount of damping applied to the frequency range selected with LF Damp. With a setting of “0,” there will be no reduction of the reverb’s low-frequency content. Adjusts the frequency above which the highfrequency content of the reverb sound will be reduced, or “damped.” Adjusts the amount of damping applied to the frequency range selected with HF Damp. With a setting of “0,” there will be no reduction of the reverb’s high-frequency content. 83
Page 1 and 2:
Owner’s Manual 201a Before using
Page 3 and 4:
USING THE UNIT SAFELY Used for inst
Page 5 and 6:
IMPORTANT NOTES Power Supply 301
Page 7 and 8:
Main Features The Ideal Workstation
Page 9 and 10:
Contents Deleting a Song ..........
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Panel Descriptions 17 19 20 21 23 2
Page 13 and 14:
Introduction About the GW-8 What is
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Introduction fig.codef.eps Cord hoo
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Introduction Input settings for the
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Keyboard Mode Functions Playing Sou
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Keyboard Mode Functions Viewing or
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Keyboard Mode Functions Adding Harm
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Backing Track Functions Style (Play
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Backing Track Functions Back up Use
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Backing Track Functions When you re
Page 31 and 32: Backing Track Functions USB Memory
Page 33 and 34: Backing Track Functions Editing Pla
Page 35 and 36: Performance Functions and Effects P
Page 37 and 38: Performance Functions and Effects A
Page 39 and 40: Performance Functions and Effects C
Page 41 and 42: Performance Functions and Effects P
Page 43 and 44: Using MIDI The GW-8 can transmit an
Page 45 and 46: Using MIDI Connecting to a Computer
Page 47 and 48: System Settings FILL UP The pedal w
Page 49 and 50: Using USB Memory You can save GW-8
Page 51 and 52: About V-LINK Connecting the GW-8 to
Page 53 and 54: Appendices Troubleshooting This sec
Page 55 and 56: Error Messages If an incorrect oper
Page 57 and 58: Effects List About Note Some effect
Page 59 and 60: Effects List 05: SUPER FILTER This
Page 61 and 62: Effects List 11: PHASER A phase-shi
Page 63 and 64: Effects List 18: AUTO PAN Cyclicall
Page 65 and 66: Effects List 24: FLANGER This is a
Page 67 and 68: Effects List 30: 3D FLANGER This ap
Page 69 and 70: Effects List 35: OVERDRIVE Creates
Page 71 and 72: Effects List 43: DELAY This is a st
Page 73 and 74: Effects List 49: MULTI TAP DELAY Th
Page 75 and 76: Effects List 55: TAPE ECHO A virtua
Page 77 and 78: Effects List 62: 2VOI PITCH SHIFTER
Page 79 and 80: Effects List 69: DISTORTION → CHO
Page 81: Effects List 77: CHORUS → FLANGER
Page 85 and 86: Tone List No. Name Category MSB LSB
Page 93 and 94: Rhythm Set List Preset Group Preset
Page 95 and 96: Rhythm Set List Preset: Note No. 28
Page 97 and 98: Rhythm Set List Preset: Note No. 28
Page 99 and 100: Rhythm Set List Note No. 27 28 29 3
Page 101 and 102: MEMO 101
Page 103 and 104: Chord Intelligence ● = Constituen
Page 105 and 106: Specifications GW-8: Workstation (C
Page 107 and 108: Index [INTRO] .....................
Page 109 and 110: Information When you need repair se
Page 111 and 112: For EU Countries This product compl
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Owner's Manual - Roland

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