Owner's Manual - Roland

More documents

Recommendations

Info

Effects List 58: LOFI RADIO In addition to a Lo-Fi effect, this effect also generates radio noise. fig.MFX-58 L in R in Parameter Value Description LoFi Type 1–9 Filter Type OFF, LPF, HPF Degrades the sound quality. The sound quality grows poorer as this value is increased. Type of filter OFF: no filter is used LPF: cuts the frequency range above the Cutoff HPF: cuts the frequency range below the Cutoff Filter Cutoff 200–8000 Hz Basic frequency of the Post Filter Radio Detune Radio Noise Level Balance Radio 0–127 Lo-Fi Lo-Fi Simulates the tuning noise of a radio. As this value is raised, the tuning drifts further. 0–127 Volume of the radio noise D100:0W– D0:100W Level 0–127 Output level 2-Band EQ 2-Band EQ L out R out Volume balance between the direct sound (D) and the effect sound (W) Parameter Value Description Signal Distortion Frequency Range Disc Type Scratch Noise Level Dust Noise Level Hiss Noise Level Total Noise Level 0–127 Depth of distortion 0–127 LP, EP, SP 0–127 Frequency response of the playback system Decreasing this value will produce the impression of an old system with a poor frequency response. Rotational speed of the turntable This will affect the frequency of the scratch noise. Amount of noise due to scratches on the record 0–127 Volume of noise due to dust on the record 0–127 Volume of continuous “hiss” 0–127 Volume of overall noise Wow 0–127 Depth of long-cycle rotational irregularity Flutter 0–127 Depth of short-cycle rotational irregularity Random 0–127 Total Wow/ Flutter Balance Depth of indefinite-cycle rotational irregularity 0–127 Depth of overall rotational irregularity D100:0W– D0:100W Level 0–127 Output level 61: PITCH SHIFTER (Feedback Pitch Shifter) Volume balance between the direct sound (D) and the effect sound (W) A stereo pitch shifter. 59: TELEPHONE fig.MFX-61 L in 2-Band EQ L out fig.MFX-59 L in Telephone L out Pitch Shifter Pitch Shifter R in Telephone R out R in 2-Band EQ R out Parameter Value Description Voice Quality Simulates a sound recorded on an analog record and played back on a record player. This effect also simulates the various types of noise that are typical of a record, and even the rotational irregularities of an old turntable. fig.MFX-60 0–15 Audio quality of the telephone voice Treble -15– +15 dB Bandwidth of the telephone voice Balance D100:0– D0:100W Level 0–127 Output level 60: PHONOGRAPH L in Balance D Volume balance between the direct sound (D) and the effect sound (W) L out Parameter Value Description Coarse Fine Delay Time -24– +12 semi -100– +100 cent 0–1300 ms, note Feedback -98– +98% Adjusts the pitch of the pitch shifted sound in semitone steps. Adjusts the pitch of the pitch shifted sound in 2-cent steps. Adjusts the delay time from the direct sound until the pitch shifted sound is heard. Adjusts the proportion of the pitch shifted sound that is fed back into the effect. Negative (-) settings will invert the phase. Low Gain -15– +15 dB Gain of the low range High Gain -15– +15 dB Gain of the high range Balance D100:0W–D0:100W Level 0–127 Output Level Volume balance between the direct sound (D) and the pitch shifted sound (W) Phonograph Phonograph Balance W Balance W R in Balance D R out 76
Effects List 62: 2VOI PITCH SHIFTER (2VOICE PITCH SHIFTER) Shifts the pitch of the original sound. This 2-voice pitch shifter has two pitch shifters, and can add two pitch shifted sounds to the original sound. fig.MFX-62 L in R in Parameter Value Description Pitch 1: Coarse Pitch 1:Fine Pitch 1:Delay A pitch shifter in which the amount of pitch shift is varied by a 16-step sequence. fig.MFX-63 -24-+12 semi -100-+100 cent 0–1300 ms, note Pitch 1:Feedback -98– +98% Pitch 1:Pan L64-63R Adjusts the pitch of Pitch Shift 1 in semitone steps. Adjusts the pitch of Pitch Shift Pitch 1 in 2-cent steps. Adjusts the delay time from the direct sound until the Pitch Shift 1 sound is heard. Adjusts the proportion of the pitch shifted sound that is fed back into the effect. Negative (-) settings will invert the phase. Stereo location of the Pitch Shift 1 sound Pitch 1:Level 0–127 Volume of the Pitch Shift1 sound Pitch 2: Coarse Pitch 2:Fine Pitch 2:Delay -24-+12 semi -100-+100 cent 0–1300 ms, note Pitch 2:Feedback -98– +98% Pitch 2:Pan L64-63R Pitch 2:Level 0–127 Settings of the Pitch Shift 2 sound. The parameters are the same as for the Pitch Shift 1 sound. Low Gain -15– +15 dB Gain of the low range High Gain -15– +15 dB Gain of the high range Level Balance Balance A100:0B-A0:100B D100:0W-D0:100W Level 0-127 Output Level 63: STEP PITCH SHIFTER L in R in Level 1 Pan 1 R 2Voice Pitch Shifter Pan 2 L Level 1 Step Pitch Shifter Step Pitch Shifter Balance D Pan 1 L Pan 2 R Balance D L out Balance W Balance W R out Volume balance between the Pitch Shift 1 and Pitch Shift 2 sounds Volume balance between the direct sound (D) and the pitch shifted sound (W) 2-Band EQ 2-Band EQ L out R out Parameter Range Explanation Attack 0–127 Gate Time 0–127 Fine Delay Time Adds reverberation to the sound, simulating an acoustic space. fig.MFX-64 -100– +100 cent 0–1300 ms, note Feedback -98– +98% Low Gain High Gain -15– +15 dB -15– +15 dB Balance D100:0W–D0:100W Speed at which the amount of pitch shift changes between steps Duration of the pitch shifted sound at each step Pitch shift adjustment for all steps (2-cent units) Delay time from the original sound until the pitch-shifted sound is heard Level 0–127 Output volume 64: REVERB L in R in Parameter Value Description Type Pre Delay ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2 0.0–100.0 ms Proportion of the pitch-shifted sound that is to be returned to the input (negative values invert the phase) Amount of boost/cut for the lowfrequency range Amount of boost/cut for the highfrequency range Volume balance of the original sound (D) and pitch-shifted sound (W) Type of reverb ROOM1: dense reverb with short decay ROOM2: sparse reverb with short decay STAGE1: reverb with greater late reverberation STAGE2: reverb with strong early reflections HALL1: reverb with clear reverberance HALL2: reverb with rich reverberance Adjusts the delay time from the direct sound until the reverb sound is heard. Time 0–127 Time length of reverberation HF Damp Balance D Reverb Balance D 200–8000 Hz, BYPASS Adjusts the frequency above which the reverberant sound will be cut. As the frequency is set lower, more of the high frequencies will be cut, resulting in a softer and more muted reverberance. If you do not want to cut the high frequencies, set this parameter to BYPASS. Low Gain -15– +15 dB Gain of the low range High Gain -15– +15 dB Gain of the high range Balance D100:0W–D0:100W 2-Band EQ Balance W Balance W 2-Band EQ Level 0–127 Output Level L out R out Volume balance between the direct sound (D) and the reverb sound (W) Parameter Range Explanation Step 01–16 Rate -24–+12 semi 0.05–10.00 Hz, note Amount of pitch shift at each step (semitone units) Rate at which the 16-step sequence will cycle 77
Page 1 and 2:
Owner’s Manual 201a Before using
Page 3 and 4:
USING THE UNIT SAFELY Used for inst
Page 5 and 6:
IMPORTANT NOTES Power Supply 301
Page 7 and 8:
Main Features The Ideal Workstation
Page 9 and 10:
Contents Deleting a Song ..........
Page 11 and 12:
Panel Descriptions 17 19 20 21 23 2
Page 13 and 14:
Introduction About the GW-8 What is
Page 15 and 16:
Introduction fig.codef.eps Cord hoo
Page 17 and 18:
Introduction Input settings for the
Page 19 and 20:
Keyboard Mode Functions Playing Sou
Page 21 and 22:
Keyboard Mode Functions Viewing or
Page 23 and 24:
Keyboard Mode Functions Adding Harm
Page 25 and 26: Backing Track Functions Style (Play
Page 27 and 28: Backing Track Functions Back up Use
Page 29 and 30: Backing Track Functions When you re
Page 31 and 32: Backing Track Functions USB Memory
Page 33 and 34: Backing Track Functions Editing Pla
Page 35 and 36: Performance Functions and Effects P
Page 37 and 38: Performance Functions and Effects A
Page 39 and 40: Performance Functions and Effects C
Page 41 and 42: Performance Functions and Effects P
Page 43 and 44: Using MIDI The GW-8 can transmit an
Page 45 and 46: Using MIDI Connecting to a Computer
Page 47 and 48: System Settings FILL UP The pedal w
Page 49 and 50: Using USB Memory You can save GW-8
Page 51 and 52: About V-LINK Connecting the GW-8 to
Page 53 and 54: Appendices Troubleshooting This sec
Page 55 and 56: Error Messages If an incorrect oper
Page 57 and 58: Effects List About Note Some effect
Page 59 and 60: Effects List 05: SUPER FILTER This
Page 61 and 62: Effects List 11: PHASER A phase-shi
Page 63 and 64: Effects List 18: AUTO PAN Cyclicall
Page 65 and 66: Effects List 24: FLANGER This is a
Page 67 and 68: Effects List 30: 3D FLANGER This ap
Page 69 and 70: Effects List 35: OVERDRIVE Creates
Page 71 and 72: Effects List 43: DELAY This is a st
Page 73 and 74: Effects List 49: MULTI TAP DELAY Th
Page 75: Effects List 55: TAPE ECHO A virtua
Page 79 and 80: Effects List 69: DISTORTION → CHO
Page 81 and 82: Effects List 77: CHORUS → FLANGER
Page 83 and 84: Effects List Reverb Parameters Thes
Page 85 and 86: Tone List No. Name Category MSB LSB
Page 93 and 94: Rhythm Set List Preset Group Preset
Page 95 and 96: Rhythm Set List Preset: Note No. 28
Page 97 and 98: Rhythm Set List Preset: Note No. 28
Page 99 and 100: Rhythm Set List Note No. 27 28 29 3
Page 101 and 102: MEMO 101
Page 103 and 104: Chord Intelligence ● = Constituen
Page 105 and 106: Specifications GW-8: Workstation (C
Page 107 and 108: Index [INTRO] .....................
Page 109 and 110: Information When you need repair se
Page 111 and 112: For EU Countries This product compl
show all

Owner's Manual - Roland

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?