Owner's Manual - Roland

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Effects List 52: 3D DELAY This applies a 3D effect to the delay sound. The delay sound will be positioned 90 degrees left and 90 degrees right. fig.MFX-52 L R Parameter Value Description Delay Left Delay Right Delay Center Center Feedback HF Damp Left Level Right Level Center Level Output Mode A stereo delay in which the delay time can be varied smoothly. fig.MFX-53 0–2600 ms, note -98– +98% 200–8000 Hz, BYPASS Adjusts the delay time from the direct sound until the delay sound is heard. Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS. 0–127 Output level of the delay sound SPEAKER, PHONES Adjusts the method that will be used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select SPEAKER when using speakers, or PHONES when using headphones. Low Gain -15– +15 dB Gain of the low range High Gain -15– +15 dB Gain of the high range Balance D100:0W–D0:100W Level 0–127 Output Level 53: TIME CTRL DELAY L in 3D Delay L 3D Delay C Feedback 3D Delay R Level 2-Band EQ 2-Band EQ Volume balance between the direct sound (D) and the effect sound (W) 2-Band EQ L out R out L out Parameter Value Description HF Damp A delay in which the delay time can be varied smoothly, and allowing an extended delay to be produced. fig.MFX-54 200–8000 Hz, BYPASS Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS. Low Gain -15– +15 dB Gain of the low frequency range High Gain -15– +15 dB Gain of the high frequency range Balance D100:0W– D0:100W Level 0–127 Output level 54: L in R in LONG TIME CTRL DLY (LONG TIME CONTROL DELAY) Parameter Value Description Delay Time Acceleration 0–15 0–2600 ms, note Feedback -98– +98% HF Damp 200–8000 Hz, BYPASS Volume balance between the direct sound (D) and the delay sound (W) Adjusts the time until the delay is heard. Adjusts the speed which the Delay Time changes from the current setting to a specified new setting. The rate of change for the Delay Time directly affects the rate of pitch change. Adjusts the amount of the delay that’s fed back into the effect. Negative (-) settings invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS. Pan L64–63R Stereo location of the delay Low Gain -15– +15 dB Gain of the low frequency range High Gain -15– +15 dB Gain of the high frequency range Balance D100:0W– D0:100W Balance D Time Control Delay Feedback Balance D Level 0–127 Output level 2-Band EQ Balance W Balance W 2-Band EQ L out R out Volume balance between the direct sound (D) and the delay sound (W) Time Ctrl Delay Pan L Feedback Feedback Time Ctrl Delay Pan R R in 2-Band EQ R out Parameter Value Description Delay Time Acceleration 0–15 0–1300 ms, note Feedback -98– +98% Adjusts the time until the delay is heard. Adjusts the speed which the Delay Time changes from the current setting to a specified new setting. The rate of change for the Delay Time directly affects the rate of pitch change. Adjusts the amount of the delay that’s fed back into the effect. Negative (-) settings invert the phase. 74
Effects List 55: TAPE ECHO A virtual tape echo that produces a realistic tape delay sound. This simulates the tape echo section of a <strong>Roland</strong> RE-201 Space Echo. fig.MFX-55 L in R in Parameter Value Description Mode In addition to a lo-fi effect, this adds various types of noise such as white noise and disc noise. fig.MFX-56 S, M, L, S+M, S+L, M+L, S+M+L Repeat Rate 0–127 Combination of playback heads to use Select from three different heads with different delay times. S: short, M: middle, L: long Tape speed Increasing this value will shorten the spacing of the delayed sounds. Intensity 0–127 Amount of delay repeats Bass -15– +15 dB Boost/cut for the lower range of the echo sound Treble -15– +15 dB Boost/cut for the upper range of the echo sound Head S Pan Head M Pan Head L Pan Tape Distortion 0–5 Wow/Flutter Rate Wow/Flutter Depth L64–63R 0–127 Independent panning for the short, middle, and long playback heads Amount of tape-dependent distortion to be added This simulates the slight tonal changes that can be detected by signal-analysis equipment. Increasing this value will increase the distortion. Speed of wow/flutter (complex variation in pitch caused by tape wear and rotational irregularity) 0–127 Depth of wow/flutter Echo Level 0–127 Volume of the echo sound Direct Level 0–127 Volume of the original sound Level 0–127 Output level 56: LOFI NOISE L in R in Tape Echo Lo-Fi Direct Level Direct Level Noise Gen. Lo-Fi L out Echo Level Echo Level R out 2-Band EQ 2-Band EQ L out R out Parameter Value Description W/P Noise LPF W/P Noise Level Disc Noise Type Disc Noise LPF Disc Noise Level Hum Noise Type Hum Noise LPF Hum Noise Level This is an effect that intentionally degrades the sound quality for creative purposes. fig.MFX-57 200–8000 Hz, BYPASS Center frequency of the low pass filter applied to the white/pink noise (BYPASS: no cut) 0–127 Volume of the white/pink noise LP, EP, SP, RND 200–8000 Hz, BYPASS Type of record noise The frequency at which the noise is heard depends on the selected type. Adjusts the cutoff frequency of the low pass filter applied to the record noise. If you don’t want to filter out any high frequencies, set this parameter to BYPASS. 0–127 Volume of the record noise 50 Hz, 60 Hz Frequency of the hum noise 200–8000 Hz, BYPASS Center frequency of the low pass filter applied to the hum noise (BYPASS: no cut) 0–127 Volume of the hum noise Low Gain -15– +15 dB Gain of the low range High Gain -15– +15 dB Gain of the high range Balance D100:0W– D0:100W Level 0–127 Output level 57: LOFI COMPRESS L in R in Parameter Value Description Pre Filter Type 1–6 LoFi Type 1–9 Post Filter Type Post Filter Cutoff OFF, LPF, HPF Volume balance between the direct sound (D) and the effect sound (W) Selects the type of filter applied to the sound before it passes through the Lo-Fi effect. 1: Compressor off 2–6: Compressor on Degrades the sound quality. The sound quality grows poorer as this value is increased. Type of filter OFF: no filter is used LPF: cuts the frequency range above the Cutoff HPF: cuts the frequency range below the Cutoff 200–8000 Hz Basic frequency of the Post Filter Low Gain -15– +15 dB Gain of the low range High Gain -15– +15 dB Gain of the high range Balance Compressor Compressor D100:0W– D0:100W Lo-Fi Lo-Fi Level 0–127 Output level 2-Band EQ 2-Band EQ L out R out Volume balance between the direct sound (D) and the effect sound (W) Parameter Value Description LoFi Type 1–9 Filter Type OFF, LPF, HPF Degrades the sound quality. The sound quality grows poorer as this value is increased. Type of filter OFF: no filter is used LPF: cuts the frequency range above the Cutoff HPF: cuts the frequency range below the Cutoff Filter Cutoff 200–8000 Hz Center frequency of the filter W/P Noise Type WHITE, PINK Switch between white noise and pink noise. 75
Page 1 and 2:
Owner’s Manual 201a Before using
Page 3 and 4:
USING THE UNIT SAFELY Used for inst
Page 5 and 6:
IMPORTANT NOTES Power Supply 301
Page 7 and 8:
Main Features The Ideal Workstation
Page 9 and 10:
Contents Deleting a Song ..........
Page 11 and 12:
Panel Descriptions 17 19 20 21 23 2
Page 13 and 14:
Introduction About the GW-8 What is
Page 15 and 16:
Introduction fig.codef.eps Cord hoo
Page 17 and 18:
Introduction Input settings for the
Page 19 and 20:
Keyboard Mode Functions Playing Sou
Page 21 and 22:
Keyboard Mode Functions Viewing or
Page 23 and 24: Keyboard Mode Functions Adding Harm
Page 25 and 26: Backing Track Functions Style (Play
Page 27 and 28: Backing Track Functions Back up Use
Page 29 and 30: Backing Track Functions When you re
Page 31 and 32: Backing Track Functions USB Memory
Page 33 and 34: Backing Track Functions Editing Pla
Page 35 and 36: Performance Functions and Effects P
Page 37 and 38: Performance Functions and Effects A
Page 39 and 40: Performance Functions and Effects C
Page 41 and 42: Performance Functions and Effects P
Page 43 and 44: Using MIDI The GW-8 can transmit an
Page 45 and 46: Using MIDI Connecting to a Computer
Page 47 and 48: System Settings FILL UP The pedal w
Page 49 and 50: Using USB Memory You can save GW-8
Page 51 and 52: About V-LINK Connecting the GW-8 to
Page 53 and 54: Appendices Troubleshooting This sec
Page 55 and 56: Error Messages If an incorrect oper
Page 57 and 58: Effects List About Note Some effect
Page 59 and 60: Effects List 05: SUPER FILTER This
Page 61 and 62: Effects List 11: PHASER A phase-shi
Page 63 and 64: Effects List 18: AUTO PAN Cyclicall
Page 65 and 66: Effects List 24: FLANGER This is a
Page 67 and 68: Effects List 30: 3D FLANGER This ap
Page 69 and 70: Effects List 35: OVERDRIVE Creates
Page 71 and 72: Effects List 43: DELAY This is a st
Page 73: Effects List 49: MULTI TAP DELAY Th
Page 77 and 78: Effects List 62: 2VOI PITCH SHIFTER
Page 79 and 80: Effects List 69: DISTORTION → CHO
Page 81 and 82: Effects List 77: CHORUS → FLANGER
Page 83 and 84: Effects List Reverb Parameters Thes
Page 85 and 86: Tone List No. Name Category MSB LSB
Page 93 and 94: Rhythm Set List Preset Group Preset
Page 95 and 96: Rhythm Set List Preset: Note No. 28
Page 97 and 98: Rhythm Set List Preset: Note No. 28
Page 99 and 100: Rhythm Set List Note No. 27 28 29 3
Page 101 and 102: MEMO 101
Page 103 and 104: Chord Intelligence ● = Constituen
Page 105 and 106: Specifications GW-8: Workstation (C
Page 107 and 108: Index [INTRO] .....................
Page 109 and 110: Information When you need repair se
Page 111 and 112: For EU Countries This product compl
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Owner's Manual - Roland

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