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Owner's Manual - Roland

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Effects List<br />

52: 3D DELAY<br />

This applies a 3D effect to the delay sound. The delay sound will be<br />

positioned 90 degrees left and 90 degrees right.<br />

fig.MFX-52<br />

L<br />

R<br />

Parameter Value Description<br />

Delay Left<br />

Delay Right<br />

Delay Center<br />

Center<br />

Feedback<br />

HF Damp<br />

Left Level<br />

Right Level<br />

Center Level<br />

Output Mode<br />

A stereo delay in which the delay time can be varied smoothly.<br />

fig.MFX-53<br />

0–2600 ms, note<br />

-98– +98%<br />

200–8000 Hz, BYPASS<br />

Adjusts the delay time from the<br />

direct sound until the delay<br />

sound is heard.<br />

Adjusts the proportion of the delay<br />

sound that is fed back into the<br />

effect. Negative (-) settings will<br />

invert the phase.<br />

Adjusts the frequency above<br />

which sound fed back to the effect<br />

will be cut. If you do not want<br />

to cut the high frequencies, set<br />

this parameter to BYPASS.<br />

0–127 Output level of the delay sound<br />

SPEAKER, PHONES<br />

Adjusts the method that will be<br />

used to hear the sound that is output<br />

to the OUTPUT jacks. The optimal<br />

3D effect will be achieved if<br />

you select SPEAKER when using<br />

speakers, or PHONES when using<br />

headphones.<br />

Low Gain -15– +15 dB Gain of the low range<br />

High Gain -15– +15 dB Gain of the high range<br />

Balance D100:0W–D0:100W<br />

Level 0–127 Output Level<br />

53: TIME CTRL DELAY<br />

L in<br />

3D Delay L<br />

3D Delay C<br />

Feedback<br />

3D Delay R<br />

Level<br />

2-Band<br />

EQ<br />

2-Band<br />

EQ<br />

Volume balance between the direct<br />

sound (D) and the effect sound (W)<br />

2-Band EQ<br />

L out<br />

R out<br />

L out<br />

Parameter Value Description<br />

HF Damp<br />

A delay in which the delay time can be varied smoothly, and allowing<br />

an extended delay to be produced.<br />

fig.MFX-54<br />

200–8000 Hz,<br />

BYPASS<br />

Adjusts the frequency above which<br />

sound fed back to the effect is filtered<br />

out. If you do not want to filter<br />

out any high frequencies, set this<br />

parameter to BYPASS.<br />

Low Gain -15– +15 dB Gain of the low frequency range<br />

High Gain -15– +15 dB Gain of the high frequency range<br />

Balance<br />

D100:0W–<br />

D0:100W<br />

Level 0–127 Output level<br />

54:<br />

L in<br />

R in<br />

LONG TIME CTRL DLY<br />

(LONG TIME CONTROL DELAY)<br />

Parameter Value Description<br />

Delay Time<br />

Acceleration 0–15<br />

0–2600 ms,<br />

note<br />

Feedback -98– +98%<br />

HF Damp<br />

200–8000 Hz,<br />

BYPASS<br />

Volume balance between the direct<br />

sound (D) and the delay sound (W)<br />

Adjusts the time until the delay is heard.<br />

Adjusts the speed which the Delay Time<br />

changes from the current setting to a specified<br />

new setting.<br />

The rate of change for the Delay Time directly<br />

affects the rate of pitch change.<br />

Adjusts the amount of the delay that’s fed<br />

back into the effect. Negative (-) settings invert<br />

the phase.<br />

Adjusts the frequency above which sound<br />

fed back to the effect is filtered out. If you do<br />

not want to filter out any high frequencies,<br />

set this parameter to BYPASS.<br />

Pan L64–63R Stereo location of the delay<br />

Low Gain -15– +15 dB Gain of the low frequency range<br />

High Gain -15– +15 dB Gain of the high frequency range<br />

Balance<br />

D100:0W–<br />

D0:100W<br />

Balance D<br />

Time Control Delay<br />

Feedback<br />

Balance D<br />

Level 0–127 Output level<br />

2-Band<br />

EQ<br />

Balance W<br />

Balance W<br />

2-Band<br />

EQ<br />

L out<br />

R out<br />

Volume balance between the direct sound<br />

(D) and the delay sound (W)<br />

Time Ctrl Delay<br />

Pan L<br />

Feedback<br />

Feedback<br />

Time Ctrl Delay<br />

Pan R<br />

R in<br />

2-Band EQ<br />

R out<br />

Parameter Value Description<br />

Delay Time<br />

Acceleration 0–15<br />

0–1300 ms, note<br />

Feedback -98– +98%<br />

Adjusts the time until the delay is<br />

heard.<br />

Adjusts the speed which the Delay Time<br />

changes from the current setting to a<br />

specified new setting.<br />

The rate of change for the Delay Time<br />

directly affects the rate of pitch change.<br />

Adjusts the amount of the delay<br />

that’s fed back into the effect. Negative<br />

(-) settings invert the phase.<br />

74

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