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Owner's Manual - Roland

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Effects List<br />

49: MULTI TAP DELAY<br />

This effect provides four delays. Each of the Delay Time parameters<br />

can be set to a note length based on the selected tempo. You can also<br />

set the panning and level of each delay sound.<br />

fig.MFX-49<br />

L in<br />

R in<br />

Parameter Value Description<br />

Delay 1–4 Time<br />

Delay 1<br />

Feedback<br />

HF Damp<br />

This is a reverse delay that adds a reversed and delayed sound to the<br />

input sound. A tap delay is connected immediately after the reverse<br />

delay.<br />

fig.MFX-50<br />

0–2600 ms,<br />

note<br />

-98– +98%<br />

200–8000 Hz,<br />

BYPASS<br />

Adjusts the time until Delays 1–4 are<br />

heard.<br />

Adjusts the amount of the delay sound<br />

that’s fed back into the effect. Negative (-)<br />

settings invert the phase.<br />

Adjusts the frequency above which sound<br />

fed back to the effect is filtered out. If you<br />

don’t want to filter out any the high frequencies,<br />

set this parameter to BYPASS.<br />

Delay 1–4 Pan L64–63R Stereo location of Delays 1–4<br />

Delay 1–4 Level 0–127 Output level of Delays 1–4<br />

Low Gain -15– +15 dB Gain of the low frequency range<br />

High Gain -15– +15 dB Gain of the high frequency range<br />

Balance<br />

D100:0W–<br />

D0:100W<br />

Level 0–127 Output level<br />

50: REVERSE DELAY<br />

L in<br />

R in<br />

Volume balance between the direct sound<br />

(D) and the effect sound (W)<br />

Parameter Range Explanation<br />

Threshold 0–127<br />

Rev Delay Time<br />

Rev Delay<br />

Feedback<br />

Feed<br />

back<br />

Rev Delay HF<br />

Damp<br />

Rev Delay Pan<br />

Multi Tap Delay<br />

Feedback<br />

Delay 1<br />

Delay 2<br />

Rev. Delay<br />

0–1300 ms, note<br />

-98– +98%<br />

200–8000 Hz,<br />

BYPASS<br />

L64–63R<br />

Rev Delay Level 0–127<br />

Delay 3<br />

Delay 4<br />

Balance D<br />

Balance D<br />

Rev<br />

D1<br />

Delay<br />

D2<br />

D3<br />

2-Band<br />

EQ<br />

Balance W<br />

Balance W<br />

2-Band<br />

EQ<br />

2-Band<br />

EQ<br />

2-Band<br />

EQ<br />

L out<br />

R out<br />

Volume at which the reverse delay<br />

will begin to be applied<br />

Delay time from when sound is<br />

input into the reverse delay until<br />

the delay sound is heard<br />

Proportion of the delay sound<br />

that is to be returned to the input<br />

of the reverse delay (negative<br />

values invert the phase)<br />

Frequency at which the high-frequency<br />

content of the reverse-delayed<br />

sound will be cut (BYPASS:<br />

no cut)<br />

Panning of the reverse delay<br />

sound<br />

Volume of the reverse delay<br />

sound<br />

L out<br />

R out<br />

Parameter Range Explanation<br />

Delay 1 – 3 Time<br />

Adds a shuffle to the delay sound, giving the sound a bouncy delay<br />

effect with a swing feel.<br />

fig.MFX-51<br />

0–1300 ms, note<br />

Delay 3 Feedback -98– +98%<br />

Delay HF Damp<br />

Delay 1 Pan’,<br />

‘Delay 2 Pan<br />

Delay 1 Level’,<br />

‘Delay 2 Level<br />

Low Gain<br />

High Gain<br />

200–8000 Hz, BYPASS<br />

L64–63R<br />

Delay time from when sound is<br />

input into the tap delay until the<br />

delay sound is heard<br />

Proportion of the delay sound<br />

that is to be returned to the input<br />

of the tap delay (negative values<br />

invert the phase)<br />

Frequency at which the low-frequency<br />

content of the tap delay<br />

sound will be cut (BYPASS: no<br />

cut)<br />

Panning of the tap delay sounds<br />

0–127 Volume of the tap delay sounds<br />

-15– +15 dB<br />

-15– +15 dB<br />

Balance D100:0W–D0:100W<br />

Level 0–127 Output volume<br />

51: SHUFFLE DELAY<br />

L in<br />

R in<br />

Parameter Value Description<br />

Delay Time<br />

Shuffle<br />

Rate<br />

0–2600 ms,<br />

note<br />

0–100%<br />

Acceleration 0–15<br />

Feedback -98– +98%<br />

HF Damp<br />

200–8000 Hz,<br />

BYPASS<br />

Amount of boost/cut for the lowfrequency<br />

range<br />

Amount of boost/cut for the highfrequency<br />

range<br />

Volume balance of the original<br />

sound (D) and delay sound (W)<br />

Adjusts the time until the delay sound is<br />

heard.<br />

Adjusts the ratio (as a percentage) of the<br />

time that elapses before Delay B sounds relative<br />

to the time that elapses before the Delay<br />

A sounds.<br />

When set to 100%, the delay times are<br />

the same.<br />

Adjusts the speed which the Delay Time<br />

changes from the current setting to its specified<br />

new setting.<br />

Adjusts the amount of the delay that’s fed<br />

back into the effect. Negative (-) settings invert<br />

the phase.<br />

Adjusts the frequency above which sound<br />

fed back to the effect is filtered out. If you<br />

don’t want to filter out any high frequencies,<br />

set this parameter to BYPASS.<br />

Pan A/B 0–127 Stereo location of Delay A/B<br />

Level A/B 0–127 Volume of delay A/B<br />

Low Gain -15– +15 dB Gain of the low frequency range<br />

High Gain -15– +15 dB Gain of the high frequency range<br />

Balance<br />

Feedback<br />

Delay<br />

D100:0W–<br />

D0:100W<br />

Delay A<br />

Delay B<br />

Level 0–127 Output level<br />

A<br />

B<br />

2-Band<br />

EQ<br />

2-Band<br />

EQ<br />

Volume balance between the direct sound<br />

(D) and the effect sound (W)<br />

L out<br />

R out<br />

73

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