Owner's Manual - Roland

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Effects List 46: MODULATION DELAY Adds modulation to the delayed sound. When Feedback Mode is NORMAL: fig.MFX-46a L in R in When Feedback Mode is CROSS: fig.MFX-46b L in R in Parameter Value Description Delay Left Delay Right Feedback Mode 0–1300 ms, note NORMAL, CROSS Feedback -98– +98% HF Damp Rate 200–8000 Hz, BYPASS 0.05–10.00 Hz, note Adjusts the time until the delay sound is heard. Selects the way in which delay sound is fed back into the effect (See the figures above.) Adjusts the amount of the delay sound that’s fed back into the effect. Negative (-) settings invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to filter out any high frequencies, set this parameter to BYPASS. Frequency of modulation Depth 0–127 Depth of modulation Phase 0-180 deg Spatial spread of the sound Low Gain -15– +15 dB Gain of the low frequency range High Gain -15– +15 dB Gain of the high frequency range Balance Delay Feedback Feedback Delay Delay Feedback Feedback Delay D100:0W– D0:100W Balance D Modulation Modulation Balance D Balance D Modulation Modulation Balance D Level 0–127 Output level 2-Band EQ Balance W Balance W 2-Band EQ 2-Band EQ Balance W Balance W 2-Band EQ L out R out L out R out Volume balance between the direct sound (D) and the delay sound (W) 47: 3TAP PAN DELAY Produces three delay sounds; center, left and right. fig.MFX-47 L in R in Parameter Value Description Delay Left/ Right/Center Center Feedback HF Damp Left/Right/ Center Level This effect has four delays. fig.MFX-48a 0–2600 ms, note -98– +98% 200–8000 Hz, BYPASS Adjusts the time until the delay sound is heard. Adjusts the amount of the delay sound that’s fed back into the effect. Negative (-) settings invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS. 0–127 Volume of each delay Low Gain -15– +15 dB Gain of the low frequency range High Gain -15– +15 dB Gain of the high frequency range Balance D100:0W– D0:100W Level 0–127 Output level 48: 4TAP PAN DELAY L in R in 1 Triple Tap Delay Feedback 2 3 Feedback Left Tap Right Tap Balance D Center Tap Quadruple Tap Delay 4 Volume balance between the direct sound (D) and the delay sound (W) Delay 1 Delay 4 Balance D Delay 2 Delay 3 2-Band EQ Balance W Balance D Balance W 2-Band EQ Balance D fig.MFX-48b Stereo location of each delay L out R out L out Balance W Balance W R out L R Parameter Value Description Delay 1–4 Time Delay 1 Feedback HF Damp 0–2600 ms, note -98– +98% 200–8000 Hz, BYPASS Adjusts the time until the delay sound is heard. Adjusts the amount of the delay sound that’s fed back into the effect. Negative (-) settings invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS. Delay 1–4 Level 0–127 Volume of each delay Low Gain -15– +15 dB Gain of the low frequency range High Gain -15– +15 dB Gain of the high frequency range Balance D100:0W– D0:100W Level 0–127 Output level Volume balance between the direct sound (D) and the delay sound (W) 72
Effects List 49: MULTI TAP DELAY This effect provides four delays. Each of the Delay Time parameters can be set to a note length based on the selected tempo. You can also set the panning and level of each delay sound. fig.MFX-49 L in R in Parameter Value Description Delay 1–4 Time Delay 1 Feedback HF Damp This is a reverse delay that adds a reversed and delayed sound to the input sound. A tap delay is connected immediately after the reverse delay. fig.MFX-50 0–2600 ms, note -98– +98% 200–8000 Hz, BYPASS Adjusts the time until Delays 1–4 are heard. Adjusts the amount of the delay sound that’s fed back into the effect. Negative (-) settings invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to filter out any the high frequencies, set this parameter to BYPASS. Delay 1–4 Pan L64–63R Stereo location of Delays 1–4 Delay 1–4 Level 0–127 Output level of Delays 1–4 Low Gain -15– +15 dB Gain of the low frequency range High Gain -15– +15 dB Gain of the high frequency range Balance D100:0W– D0:100W Level 0–127 Output level 50: REVERSE DELAY L in R in Volume balance between the direct sound (D) and the effect sound (W) Parameter Range Explanation Threshold 0–127 Rev Delay Time Rev Delay Feedback Feed back Rev Delay HF Damp Rev Delay Pan Multi Tap Delay Feedback Delay 1 Delay 2 Rev. Delay 0–1300 ms, note -98– +98% 200–8000 Hz, BYPASS L64–63R Rev Delay Level 0–127 Delay 3 Delay 4 Balance D Balance D Rev D1 Delay D2 D3 2-Band EQ Balance W Balance W 2-Band EQ 2-Band EQ 2-Band EQ L out R out Volume at which the reverse delay will begin to be applied Delay time from when sound is input into the reverse delay until the delay sound is heard Proportion of the delay sound that is to be returned to the input of the reverse delay (negative values invert the phase) Frequency at which the high-frequency content of the reverse-delayed sound will be cut (BYPASS: no cut) Panning of the reverse delay sound Volume of the reverse delay sound L out R out Parameter Range Explanation Delay 1 – 3 Time Adds a shuffle to the delay sound, giving the sound a bouncy delay effect with a swing feel. fig.MFX-51 0–1300 ms, note Delay 3 Feedback -98– +98% Delay HF Damp Delay 1 Pan’, ‘Delay 2 Pan Delay 1 Level’, ‘Delay 2 Level Low Gain High Gain 200–8000 Hz, BYPASS L64–63R Delay time from when sound is input into the tap delay until the delay sound is heard Proportion of the delay sound that is to be returned to the input of the tap delay (negative values invert the phase) Frequency at which the low-frequency content of the tap delay sound will be cut (BYPASS: no cut) Panning of the tap delay sounds 0–127 Volume of the tap delay sounds -15– +15 dB -15– +15 dB Balance D100:0W–D0:100W Level 0–127 Output volume 51: SHUFFLE DELAY L in R in Parameter Value Description Delay Time Shuffle Rate 0–2600 ms, note 0–100% Acceleration 0–15 Feedback -98– +98% HF Damp 200–8000 Hz, BYPASS Amount of boost/cut for the lowfrequency range Amount of boost/cut for the highfrequency range Volume balance of the original sound (D) and delay sound (W) Adjusts the time until the delay sound is heard. Adjusts the ratio (as a percentage) of the time that elapses before Delay B sounds relative to the time that elapses before the Delay A sounds. When set to 100%, the delay times are the same. Adjusts the speed which the Delay Time changes from the current setting to its specified new setting. Adjusts the amount of the delay that’s fed back into the effect. Negative (-) settings invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to filter out any high frequencies, set this parameter to BYPASS. Pan A/B 0–127 Stereo location of Delay A/B Level A/B 0–127 Volume of delay A/B Low Gain -15– +15 dB Gain of the low frequency range High Gain -15– +15 dB Gain of the high frequency range Balance Feedback Delay D100:0W– D0:100W Delay A Delay B Level 0–127 Output level A B 2-Band EQ 2-Band EQ Volume balance between the direct sound (D) and the effect sound (W) L out R out 73
Page 1 and 2:
Owner’s Manual 201a Before using
Page 3 and 4:
USING THE UNIT SAFELY Used for inst
Page 5 and 6:
IMPORTANT NOTES Power Supply 301
Page 7 and 8:
Main Features The Ideal Workstation
Page 9 and 10:
Contents Deleting a Song ..........
Page 11 and 12:
Panel Descriptions 17 19 20 21 23 2
Page 13 and 14:
Introduction About the GW-8 What is
Page 15 and 16:
Introduction fig.codef.eps Cord hoo
Page 17 and 18:
Introduction Input settings for the
Page 19 and 20:
Keyboard Mode Functions Playing Sou
Page 21 and 22: Keyboard Mode Functions Viewing or
Page 23 and 24: Keyboard Mode Functions Adding Harm
Page 25 and 26: Backing Track Functions Style (Play
Page 27 and 28: Backing Track Functions Back up Use
Page 29 and 30: Backing Track Functions When you re
Page 31 and 32: Backing Track Functions USB Memory
Page 33 and 34: Backing Track Functions Editing Pla
Page 35 and 36: Performance Functions and Effects P
Page 37 and 38: Performance Functions and Effects A
Page 39 and 40: Performance Functions and Effects C
Page 41 and 42: Performance Functions and Effects P
Page 43 and 44: Using MIDI The GW-8 can transmit an
Page 45 and 46: Using MIDI Connecting to a Computer
Page 47 and 48: System Settings FILL UP The pedal w
Page 49 and 50: Using USB Memory You can save GW-8
Page 51 and 52: About V-LINK Connecting the GW-8 to
Page 53 and 54: Appendices Troubleshooting This sec
Page 55 and 56: Error Messages If an incorrect oper
Page 57 and 58: Effects List About Note Some effect
Page 59 and 60: Effects List 05: SUPER FILTER This
Page 61 and 62: Effects List 11: PHASER A phase-shi
Page 63 and 64: Effects List 18: AUTO PAN Cyclicall
Page 65 and 66: Effects List 24: FLANGER This is a
Page 67 and 68: Effects List 30: 3D FLANGER This ap
Page 69 and 70: Effects List 35: OVERDRIVE Creates
Page 71: Effects List 43: DELAY This is a st
Page 75 and 76: Effects List 55: TAPE ECHO A virtua
Page 77 and 78: Effects List 62: 2VOI PITCH SHIFTER
Page 79 and 80: Effects List 69: DISTORTION → CHO
Page 81 and 82: Effects List 77: CHORUS → FLANGER
Page 83 and 84: Effects List Reverb Parameters Thes
Page 85 and 86: Tone List No. Name Category MSB LSB
Page 93 and 94: Rhythm Set List Preset Group Preset
Page 95 and 96: Rhythm Set List Preset: Note No. 28
Page 97 and 98: Rhythm Set List Preset: Note No. 28
Page 99 and 100: Rhythm Set List Note No. 27 28 29 3
Page 101 and 102: MEMO 101
Page 103 and 104: Chord Intelligence ● = Constituen
Page 105 and 106: Specifications GW-8: Workstation (C
Page 107 and 108: Index [INTRO] .....................
Page 109 and 110: Information When you need repair se
Page 111 and 112: For EU Countries This product compl
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Owner's Manual - Roland

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