26.11.2014 Views

Owner's Manual - Roland

Owner's Manual - Roland

Owner's Manual - Roland

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Effects List<br />

43: DELAY<br />

This is a stereo delay.<br />

When Feedback Mode is NORMAL:<br />

fig.MFX-43a<br />

L in<br />

R in<br />

Delay<br />

Feedback<br />

Feedback<br />

Delay<br />

Balance D<br />

Balance D<br />

2-Band<br />

EQ<br />

Balance W<br />

Balance W<br />

2-Band<br />

EQ<br />

L out<br />

R out<br />

Parameter Range Explanation<br />

Feedback -98– +98%<br />

HF Damp<br />

200–8000 Hz,<br />

BYPASS<br />

Proportion of the delay sound<br />

that is to be returned to the input<br />

(negative values invert the phase)<br />

Frequency at which the high-frequency<br />

content of the delayed<br />

sound will be cut (BYPASS: no<br />

cut)<br />

Pan L64–63R Panning of the delay sound<br />

Low Gain<br />

High Gain<br />

-15– +15 dB<br />

-15– +15 dB<br />

Balance D100:0W–D0:100W<br />

Level 0–127 Output volume<br />

Amount of boost/cut for the highfrequency<br />

range<br />

Amount of boost/cut for the highfrequency<br />

range<br />

Volume balance of the original<br />

sound (D) and delay sound (W)<br />

When Feedback Mode is CROSS:<br />

fig.MFX-43b<br />

Balance D<br />

L in<br />

Delay<br />

2-Band<br />

EQ<br />

Balance W<br />

L out<br />

45: SERIAL DELAY<br />

This delay connects two delay units in series. Feedback can be<br />

applied independently to each delay unit, allowing you to produce<br />

complex delay sounds.<br />

R in<br />

Parameter Value Description<br />

Delay Left<br />

Delay Right<br />

Phase Left<br />

Phase Right<br />

Feedback<br />

Mode<br />

A delay that provides a long delay time.<br />

fig.MFX-44<br />

0–1300 ms,<br />

note<br />

NORMAL,<br />

INVERSE<br />

NORMAL,<br />

CROSS<br />

Feedback -98– +98%<br />

HF Damp<br />

200–8000 Hz,<br />

BYPASS<br />

Adjusts the time until the delay sound is<br />

heard.<br />

Phase of the delay sound<br />

Selects the way in which delay sound is fed<br />

back into the effect. (See the figures above.)<br />

Adjusts the amount of the delay sound that’s<br />

fed back into the effect. Negative<br />

(-) settings invert the phase.<br />

Adjusts the frequency above which sound fed<br />

back to the effect is filtered out. If you don’t<br />

want to filter out any high frequencies, set this<br />

parameter to BYPASS.<br />

Low Gain -15– +15 dB Gain of the low frequency range<br />

High Gain -15– +15 dB Gain of the high frequency range<br />

Balance<br />

Feedback<br />

Feedback<br />

Delay<br />

D100:0W–<br />

D0:100W<br />

Level 0–127 Output level<br />

44: LONG DELAY<br />

L in<br />

R in<br />

Feedback<br />

Balance D<br />

Long Delay<br />

Balance W<br />

2-Band<br />

EQ<br />

R out<br />

Volume balance between the direct sound<br />

(D) and the delay sound (W)<br />

Pan L<br />

Pan R<br />

2-Band<br />

EQ<br />

2-Band<br />

EQ<br />

L out<br />

R out<br />

fig.MFX-45<br />

L in<br />

R in<br />

Parameter Range Explanation<br />

Delay1 Time<br />

Delay1<br />

Feedback<br />

Delay1 HF Damp<br />

Delay2 Time<br />

Delay2<br />

Feedback<br />

Delay2 HF Damp<br />

0–1300 ms, note<br />

-98– +98%<br />

200–8000 Hz,<br />

BYPASS<br />

0–1300 ms, note<br />

-98– +98%<br />

200–8000 Hz,<br />

BYPASS<br />

Delay time from when sound is<br />

input to delay 1 until the delay<br />

sound is heard<br />

Proportion of the delay sound<br />

that is to be returned to the input<br />

of delay 1 (negative values invert<br />

the phase)<br />

Frequency at which the high-frequency<br />

content of the delayed<br />

sound of delay 1 will be cut (BY-<br />

PASS: no cut)<br />

Delay time from when sound is<br />

input to delay 2 until the delay<br />

sound is heard<br />

Proportion of the delay sound<br />

that is to be returned to the input<br />

of delay 2 (negative values invert<br />

the phase)<br />

Frequency at which the high-frequency<br />

content of the delayed<br />

sound of delay 2 will be cut (BY-<br />

PASS: no cut)<br />

Pan L64–63R Panning of the delay sound<br />

Low Gain<br />

High Gain<br />

Delay 1<br />

Feedback 1<br />

-15– +15 dB<br />

-15– +15 dB<br />

Balance D100:0W–D0:100W<br />

Delay 2<br />

Feedback 2<br />

Level 0–127 Output volume<br />

Pan L<br />

Pan R<br />

L out<br />

R out<br />

Amount of boost/cut for the lowfrequency<br />

range<br />

Amount of boost/cut for the highfrequency<br />

range<br />

Volume balance of the original<br />

sound (D) and delay sound (W)<br />

Parameter Range Explanation<br />

Delay Time<br />

Phase<br />

0–2600 ms, note<br />

NORMAL, INVERSE<br />

Delay time from when the original<br />

sound is heard to when the<br />

delay sound is heard<br />

Phase of the delay (NORMAL:<br />

non-inverted, INVERT: inverted)<br />

71

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!