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Effects List<br />
27: TREMOLO CHORUS<br />
This is a chorus effect with added Tremolo (cyclic modulation of<br />
volume).<br />
fig.MFX-27<br />
L in<br />
R in<br />
Parameter Value Description<br />
Pre Delay<br />
Chorus Rate<br />
Chorus Depth 0–127<br />
Tremolo Rate<br />
Tremolo<br />
Separation<br />
This is a multiple chorus that applies two-phase modulation in stereo. It<br />
gives no impression of modulation, but produces a transparent chorus<br />
effect.<br />
fig.MFX-28<br />
0.0–100.0 ms<br />
0.05–10.00 Hz, note<br />
0.05–10.00 Hz, note<br />
Adjusts the delay time from the direct<br />
sound until the chorus sound<br />
is heard.<br />
Modulation frequency of the chorus<br />
effect<br />
Modulation depth of the chorus effect<br />
Modulation frequency of the tremolo<br />
effect<br />
0–127 Spread of the tremolo effect<br />
Tremolo Phase 0–180 deg Spread of the tremolo effect<br />
Balance<br />
D100:0W–D0:100W<br />
Level 0–127 Output Level<br />
28: SPACE-D<br />
L in<br />
Tremolo Chorus<br />
Space D<br />
Balance D<br />
Balance D<br />
Balance D<br />
L out<br />
Balance W<br />
Balance W<br />
Volume balance between the direct<br />
sound (D) and the tremolo<br />
chorus sound (W)<br />
Balance W<br />
R out<br />
2-Band<br />
EQ<br />
L out<br />
29: 3D CHORUS<br />
This applies a 3D effect to the chorus sound. The chorus sound will be<br />
positioned 90 degrees left and 90 degrees right.<br />
fig.MFX-29<br />
L<br />
R<br />
Parameter Value Description<br />
Filter Type<br />
OFF, LPF, HPF<br />
Type of filter<br />
OFF: no filter is used<br />
LPF: cuts the frequency range<br />
above the Cutoff Freq<br />
HPF: cuts the frequency range<br />
below the Cutoff Freq<br />
Cutoff Freq 200–8000 Hz Basic frequency of the filter<br />
Pre Delay<br />
0.0–100.0 ms<br />
Adjusts the delay time from the direct<br />
sound until the chorus sound is<br />
heard.<br />
Rate 0.05–10.00 Hz, note Frequency of modulation<br />
Depth 0–127<br />
Modulation depth of the chorus effect<br />
Phase 0–180 deg Spatial spread of the sound<br />
Output Mode<br />
SPEAKER, PHONES<br />
Adjusts the method that will be<br />
used to hear the sound that is output<br />
to the OUTPUT jacks. The optimal<br />
3D effect will be achieved if<br />
you select SPEAKER when using<br />
speakers, or PHONES when using<br />
headphones.<br />
Low Gain -15– +15 dB Gain of the low range<br />
High Gain -15– +15 dB Gain of the high range<br />
Balance<br />
3D Chorus<br />
D100:0W–D0:100W<br />
2-Band<br />
EQ<br />
2-Band<br />
EQ<br />
Level 0–127 Output Level<br />
L out<br />
R out<br />
Volume balance between the direct<br />
sound (D) and the chorus<br />
sound (W)<br />
Space D<br />
Balance W<br />
R in<br />
Balance D<br />
2-Band<br />
EQ<br />
R out<br />
Parameter Value Description<br />
Pre Delay<br />
0.0–100.0 ms<br />
Adjusts the delay time from the<br />
direct sound until the chorus<br />
sound is heard.<br />
Rate 0.05–10.00 Hz, note Frequency of modulation<br />
Depth 0–127 Depth of modulation<br />
Phase 0–180 deg Spatial spread of the sound<br />
Low Gain -15– +15 dB Gain of the low range<br />
High Gain -15– +15 dB Gain of the high range<br />
Balance<br />
D100:0W–D0:100W<br />
Level 0–127 Output Level<br />
Volume balance between the<br />
direct sound (D) and the chorus<br />
sound (W)<br />
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