Owner's Manual - Roland

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Effects List 21: ROTARY The Rotary effect simulates the sound of the rotary speakers often used with the electric organs of the past. Since the movement of the high range and low range rotors can be set independently, the unique type of modulation characteristic of these speakers can be simulated quite closely. This effect is most suitable for electric organ Patches. fig.MFX-21 L in R in Parameter Value Description Speed Woofer Slow Speed Woofer Fast Speed Woofer Acceleration This type provides modified response for the rotary speaker, with the low end boosted further. This effect features the same specifications as the VK-7’s built-in rotary speaker. fig.MFX-22 SLOW, FAST 0.05–10.00 Hz 0.05–10.00 Hz 0–15 Simultaneously switch the rotational speed of the low frequency rotor and high frequency rotor. SLOW: Slows down the rotation to the Slow Rate. FAST: Speeds up the rotation to the Fast Rate. Slow speed (SLOW) of the low frequency rotor Fast speed (FAST) of the low frequency rotor Adjusts the time it takes the low frequency rotor to reach the newly selected speed when switching from fast to slow (or slow to fast) speed. Lower values will require longer times. Woofer Level 0–127 Volume of the low frequency rotor Tweeter Slow Speed Tweeter Fast Speed Tweeter Acceleration 0.05–10.00 Hz 0.05–10.00 Hz 0–15 Tweeter Level 0–127 Settings of the high frequency rotor The parameters are the same as for the low frequency rotor Separation 0–127 Spatial dispersion of the sound Level 0–127 Output Level 22: VK ROTARY L in R in Parameter Value Description Speed Brake Woofer Slow Speed Woofer Fast Speed Rotary Rotary SLOW, FAST OFF, ON 0.05–10.00 Hz 0.05–10.00 Hz L out R out 2-Band EQ 2-Band EQ L out R out Rotational speed of the rotating speaker Switches the rotation of the rotary speaker. When this is turned on, the rotation will gradually stop. When it is turned off, the rotation will gradually resume. Low-speed rotation speed of the woofer High-speed rotation speed of the woofer Parameter Value Description Woofer Trans Up 0–127 Woofer Trans Down This is a stereo chorus. A filter is provided so that you can adjust the timbre of the chorus sound. fig.MFX-23 0–127 Adjusts the rate at which the woofer rotation speeds up when the rotation is switched from Slow to Fast. Adjusts the rate at which the woofer rotation speeds up when the rotation is switched from Fast to Slow. Woofer Level 0–127 Volume of the woofer Tweeter Slow Speed Tweeter Fast Speed Tweeter Trans Up 0–127 Tweeter Trans Down 0.05–10.00 Hz 0.05–10.00 Hz 0–127 Tweeter Level 0–127 Spread 0–10 Settings of the tweeter The parameters are the same as for the woofer. Sets the rotary speaker stereo image. The higher the value set, the wider the sound is spread out. Low Gain -15– +15 dB Gain of the low range High Gain -15– +15 dB Gain of the high range Level 0–127 Output Level 23: CHORUS L in R in Parameter Value Description Filter Type OFF, LPF, HPF Type of filter OFF: no filter is used LPF: cuts the frequency range above the Cutoff Freq HPF: cuts the frequency range below the Cutoff Freq Cutoff Freq 200–8000 Hz Basic frequency of the filter Pre Delay Chorus Chorus Balance D Balance D 0.0–100.0 ms Adjusts the delay time from the direct sound until the chorus sound is heard. Rate 0.05–10.00 Hz, note Frequency of modulation Depth 0–127 Depth of modulation Phase 0–180 deg Spatial spread of the sound Low Gain -15– +15 dB Gain of the low range High Gain -15– +15 dB Gain of the high range Balance D100:0W–D0:100W Balance W Balance W 2-Band EQ 2-Band EQ Level 0–127 Output Level L out R out Volume balance between the direct sound (D) and the chorus sound (W) 64
Effects List 24: FLANGER This is a stereo flanger. (The LFO has the same phase for left and right.) It produces a metallic resonance that rises and falls like a jet airplane taking off or landing. A filter is provided so that you can adjust the timbre of the flanged sound. fig.MFX-24 L in R in Parameter Value Description Filter Type This is a flanger in which the flanger pitch changes in steps. The speed at which the pitch changes can also be specified in terms of a notevalue of a specified tempo. fig.MFX-25 OFF, LPF, HPF Type of filter OFF: no filter is used LPF: cuts the frequency range above the Cutoff Freq HPF: cuts the frequency range below the Cutoff Freq Cutoff Freq 200–8000 Hz Basic frequency of the filter Pre Delay 0.0–100.0 ms Adjusts the delay time from when the direct sound begins until the flanger sound is heard. Rate 0.05–10.00 Hz, note Frequency of modulation Depth 0–127 Depth of modulation Phase 0–180 deg Spatial spread of the sound Feedback -98– +98% Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Low Gain -15– +15 dB Gain of the low range High Gain -15– +15 dB Gain of the high range Balance D100:0W–D0:100W Level 0–127 Output Level 25: STEP FLANGER L in Flanger Feedback Feedback Flanger Step Flanger Balance D Balance D Balance D 2-Band EQ Balance W Balance W 2-Band EQ L out R out Volume balance between the direct sound (D) and the flanger sound (W) 2-Band EQ Balance W L out Parameter Value Description Pre Delay Uses a six-phase chorus (six layers of chorused sound) to give richness and spatial spread to the sound. fig.MFX-26 0.0–100.0 ms Adjusts the delay time from when the direct sound begins until the flanger sound is heard. Rate 0.05–10.00 Hz, note Frequency of modulation Depth 0–127 Depth of modulation Phase 0–180 deg Spatial spread of the sound Feedback -98– +98% Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Step Rate 0.10–20.00 Hz, note Rate (period) of pitch change Low Gain -15– +15 dB Gain of the low range High Gain -15– +15 dB Gain of the high range Balance D100:0W–D0:100W Level 0–127 Output Level 26: HEXA-CHORUS L in R in Parameter Value Description Pre Delay 0.0–100.0 ms Volume balance between the direct sound (D) and the flanger sound (W) Adjusts the delay time from the direct sound until the chorus sound is heard. Rate 0.05–10.00 Hz, note Frequency of modulation Depth 0–127 Depth of modulation Pre Delay Deviation Depth Deviation 0–20 -20– +20 Pan Deviation 0–20 Balance D Hexa Chorus Balance D Balance D100:0W–D0:100W L out Balance W Balance W R out Level 0–127 Output Level Adjusts the differences in Pre Delay between each chorus sound. Adjusts the difference in modulation depth between each chorus sound. Adjusts the difference in stereo location between each chorus sound. 0: All chorus sounds will be in the center. 20: Each chorus sound will be spaced at 60 degree intervals relative to the center. Volume balance between the direct sound (D) and the chorus sound (W) Feedback Feedback Step Flanger Balance W R in Balance D 2-Band EQ R out Parameter Value Description Filter Type OFF, LPF, HPF Type of filter OFF: no filter is used LPF: cuts the frequency range above the Cutoff Freq HPF: cuts the frequency range below the Cutoff Freq Cutoff Freq 200–8000 Hz Basic frequency of the filter 65
Page 1 and 2:
Owner’s Manual 201a Before using
Page 3 and 4:
USING THE UNIT SAFELY Used for inst
Page 5 and 6:
IMPORTANT NOTES Power Supply 301
Page 7 and 8:
Main Features The Ideal Workstation
Page 9 and 10:
Contents Deleting a Song ..........
Page 11 and 12:
Panel Descriptions 17 19 20 21 23 2
Page 13 and 14: Introduction About the GW-8 What is
Page 15 and 16: Introduction fig.codef.eps Cord hoo
Page 17 and 18: Introduction Input settings for the
Page 19 and 20: Keyboard Mode Functions Playing Sou
Page 21 and 22: Keyboard Mode Functions Viewing or
Page 23 and 24: Keyboard Mode Functions Adding Harm
Page 25 and 26: Backing Track Functions Style (Play
Page 27 and 28: Backing Track Functions Back up Use
Page 29 and 30: Backing Track Functions When you re
Page 31 and 32: Backing Track Functions USB Memory
Page 33 and 34: Backing Track Functions Editing Pla
Page 35 and 36: Performance Functions and Effects P
Page 37 and 38: Performance Functions and Effects A
Page 39 and 40: Performance Functions and Effects C
Page 41 and 42: Performance Functions and Effects P
Page 43 and 44: Using MIDI The GW-8 can transmit an
Page 45 and 46: Using MIDI Connecting to a Computer
Page 47 and 48: System Settings FILL UP The pedal w
Page 49 and 50: Using USB Memory You can save GW-8
Page 51 and 52: About V-LINK Connecting the GW-8 to
Page 53 and 54: Appendices Troubleshooting This sec
Page 55 and 56: Error Messages If an incorrect oper
Page 57 and 58: Effects List About Note Some effect
Page 59 and 60: Effects List 05: SUPER FILTER This
Page 61 and 62: Effects List 11: PHASER A phase-shi
Page 63: Effects List 18: AUTO PAN Cyclicall
Page 67 and 68: Effects List 30: 3D FLANGER This ap
Page 69 and 70: Effects List 35: OVERDRIVE Creates
Page 71 and 72: Effects List 43: DELAY This is a st
Page 73 and 74: Effects List 49: MULTI TAP DELAY Th
Page 75 and 76: Effects List 55: TAPE ECHO A virtua
Page 77 and 78: Effects List 62: 2VOI PITCH SHIFTER
Page 79 and 80: Effects List 69: DISTORTION → CHO
Page 81 and 82: Effects List 77: CHORUS → FLANGER
Page 83 and 84: Effects List Reverb Parameters Thes
Page 85 and 86: Tone List No. Name Category MSB LSB
Page 93 and 94: Rhythm Set List Preset Group Preset
Page 95 and 96: Rhythm Set List Preset: Note No. 28
Page 97 and 98: Rhythm Set List Preset: Note No. 28
Page 99 and 100: Rhythm Set List Note No. 27 28 29 3
Page 101 and 102: MEMO 101
Page 103 and 104: Chord Intelligence ● = Constituen
Page 105 and 106: Specifications GW-8: Workstation (C
Page 107 and 108: Index [INTRO] .....................
Page 109 and 110: Information When you need repair se
Page 111 and 112: For EU Countries This product compl
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Owner's Manual - Roland

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