Owner's Manual - Roland

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Effects List 14: INFINITE PHASER A phaser that continues raising/lowering the frequency at which the sound is modulated. fig.MFX-14 L in R in Parameter Range Explanation Mode 1, 2, 3, 4 Speed -100– +100 Higher values will produce a deeper phaser effect. Speed at which to raise or lower the frequency at which the sound is modulated (+: upward / -: downward) Resonance 0–127 Amount of feedback Mix 0–127 Volume of the phase-shifted sound Pan L64–63R Panning of the output sound Low Gain High Gain Infinite Phaser -15– +15 dB -15– +15 dB 2-Band EQ Level 0–127 Output volume L out Pan L Pan R R out Amount of boost/cut for the lowfrequency range Amount of boost/cut for the highfrequency range 16: STEP RING MODULATOR This is a ring modulator that uses a 16-step sequence to vary the frequency at which modulation is applied. fig.MFX-16 L in R in Parameter Range Explanation Step 01–16 0–127 Rate Attack 0–127 Low Gain High Gain Step Ring Mod Step Ring Mod 0.05–10.00 Hz, note -15– +15 dB -15– +15 dB Balance D100:0W–D0:100W 2-Band EQ 2-Band EQ Level 0–127 Output volume L out R out Frequency of ring modulation at each step Rate at which the 16-step sequence will cycle Speed at which the modulation frequency changes between steps Amount of boost/cut for the lowfrequency range Amount of boost/cut for the highfrequency range Volume balance of the original sound (D) and effect sound (W) 15: RING MODULATOR This is an effect that applies amplitude modulation (AM) to the input signal, producing bell-like sounds. You can also change the modulation frequency in response to changes in the volume of the sound sent into the effect. fig.MFX-15 L in R in Parameter Value Description Frequency 0–127 Sens 0–127 Polarity UP, DOWN Adjusts the frequency at which modulation is applied. Adjusts the amount of frequency modulation applied. Determines whether the frequency modulation moves towards higher frequencies (UP) or lower frequencies (DOWN). Low Gain -15– +15 dB Gain of the low frequency range High Gain -15– +15 dB Gain of the high frequency range Balance Ring Mod Ring Mod D100:0W– D0:100W 2-Band EQ 2-Band EQ Level 0–127 Output level L out R out Volume balance between the direct sound (D) and the effect sound (W) 17: TREMOLO Cyclically modulates the volume to add tremolo effect to the sound. fig.MFX-17a L in R in Parameter Value Description Mod Wave Tremolo Tremolo TRI, SQR, SIN, SAW1, SAW2 SAW1 2-Band EQ 2-Band EQ Modulation Wave TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave SAW2 Rate 0.05–10.00 Hz, note Frequency of the change Depth 0–127 Depth to which the effect is applied Low Gain -15– +15 dB Gain of the low range High Gain -15– +15 dB Gain of the high range Level 0–127 Output Level L out R out 62
Effects List 18: AUTO PAN Cyclically modulates the stereo location of the sound. fig.MFX-18a L in R in Parameter Value Description Mod Wave This uses a 16-step sequence to vary the panning of the sound. fig.MFX-19 TRI, SQR, SIN, SAW1, SAW2 Modulation Wave TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave Rate 0.05–10.00 Hz, note Frequency of the change Depth 0–127 Depth to which the effect is applied Low Gain -15– +15 dB Gain of the low range High Gain -15– +15 dB Gain of the high range Level 0–127 Output Level 19: STEP PAN L in R in Auto Pan Auto Pan SAW1 R L Step Pan Step Pan 2-Band EQ 2-Band EQ SAW2 R L L out R out L out R out 20: SLICER By applying successive cuts to the sound, this effect turns a conventional sound into a sound that appears to be played as a backing phrase. This is especially effective when applied to sustaintype sounds. fig.MFX-20 L in R in Parameter Value Description Step 01–16 L64–63R Level at each step Rate 0.05–10.00 Hz, note Attack 0–127 Input Sync Sw Input Sync Threshold Mode OFF, ON 0–127 LEGATO, SLASH Shuffle 0–127 Slicer Slicer Level 0–127 Output level L out R out Rate at which the 16-step sequence will cycle Speed at which the level changes between steps Specifies whether an input note will cause the sequence to resume from the first step of the sequence (ON) or not (OFF) Volume at which an input note will be detected Sets the manner in which the volume changes as one step progresses to the next. LEGATO: The change in volume from one step’s level to the next remains unaltered. If the level of a following step is the same as the one preceding it, there is no change in volume. SLASH: The level is momentarily set to 0 before progressing to the level of the next step. This change in volume occurs even if the level of the following step is the same as the preceding step. Timing of volume changes in levels for evennumbered steps (step 2, step 4, step 6...). The higher the value, the later the beat progresses. Parameter Range Explanation Step 01–16 L64–63R Pan at each step Rate Attack 0–127 Input Sync Sw Input Sync Threshold 0.05–10.00 Hz, note OFF, ON 0–127 Level 0–127 Output volume Rate at which the 16-step sequence will cycle Speed at which the pan changes between steps Specifies whether an input note will cause the sequence to resume from the first step of the sequence (ON) or not (OFF) Volume at which an input note will be detected 63
Page 1 and 2:
Owner’s Manual 201a Before using
Page 3 and 4:
USING THE UNIT SAFELY Used for inst
Page 5 and 6:
IMPORTANT NOTES Power Supply 301
Page 7 and 8:
Main Features The Ideal Workstation
Page 9 and 10:
Contents Deleting a Song ..........
Page 11 and 12: Panel Descriptions 17 19 20 21 23 2
Page 13 and 14: Introduction About the GW-8 What is
Page 15 and 16: Introduction fig.codef.eps Cord hoo
Page 17 and 18: Introduction Input settings for the
Page 19 and 20: Keyboard Mode Functions Playing Sou
Page 21 and 22: Keyboard Mode Functions Viewing or
Page 23 and 24: Keyboard Mode Functions Adding Harm
Page 25 and 26: Backing Track Functions Style (Play
Page 27 and 28: Backing Track Functions Back up Use
Page 29 and 30: Backing Track Functions When you re
Page 31 and 32: Backing Track Functions USB Memory
Page 33 and 34: Backing Track Functions Editing Pla
Page 35 and 36: Performance Functions and Effects P
Page 37 and 38: Performance Functions and Effects A
Page 39 and 40: Performance Functions and Effects C
Page 41 and 42: Performance Functions and Effects P
Page 43 and 44: Using MIDI The GW-8 can transmit an
Page 45 and 46: Using MIDI Connecting to a Computer
Page 47 and 48: System Settings FILL UP The pedal w
Page 49 and 50: Using USB Memory You can save GW-8
Page 51 and 52: About V-LINK Connecting the GW-8 to
Page 53 and 54: Appendices Troubleshooting This sec
Page 55 and 56: Error Messages If an incorrect oper
Page 57 and 58: Effects List About Note Some effect
Page 59 and 60: Effects List 05: SUPER FILTER This
Page 61: Effects List 11: PHASER A phase-shi
Page 65 and 66: Effects List 24: FLANGER This is a
Page 67 and 68: Effects List 30: 3D FLANGER This ap
Page 69 and 70: Effects List 35: OVERDRIVE Creates
Page 71 and 72: Effects List 43: DELAY This is a st
Page 73 and 74: Effects List 49: MULTI TAP DELAY Th
Page 75 and 76: Effects List 55: TAPE ECHO A virtua
Page 77 and 78: Effects List 62: 2VOI PITCH SHIFTER
Page 79 and 80: Effects List 69: DISTORTION → CHO
Page 81 and 82: Effects List 77: CHORUS → FLANGER
Page 83 and 84: Effects List Reverb Parameters Thes
Page 85 and 86: Tone List No. Name Category MSB LSB
Page 93 and 94: Rhythm Set List Preset Group Preset
Page 95 and 96: Rhythm Set List Preset: Note No. 28
Page 97 and 98: Rhythm Set List Preset: Note No. 28
Page 99 and 100: Rhythm Set List Note No. 27 28 29 3
Page 101 and 102: MEMO 101
Page 103 and 104: Chord Intelligence ● = Constituen
Page 105 and 106: Specifications GW-8: Workstation (C
Page 107 and 108: Index [INTRO] .....................
Page 109 and 110: Information When you need repair se
Page 111 and 112: For EU Countries This product compl
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