Owner's Manual - Roland

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Effects List 01: EQUALIZER This is a four-band stereo equalizer (low, mid x 2, high). fig.MFX-01 L in 4-Band EQ L out 03: ISOLATOR This is an equalizer which cuts the volume greatly, allowing you to add a special effect to the sound by cutting the volume in varying ranges. fig.MFX-03 R in 4-Band EQ R out L in Isolator Low Boost L out Parameter Value Description Low Freq 200, 400 Hz Frequency of the low range Low Gain -15– +15 dB Gain of the low range Mid1 Freq 200–8000 Hz Frequency of the middle range 1 Mid1 Gain -15– +15 dB Gain of the middle range 1 Mid1 Q 0.5, 1.0, 2.0, 4.0, 8.0 This is a stereo spectrum. Spectrum is a type of filter which modifies the timbre by boosting or cutting the level at specific frequencies. fig.MFX-02 Width of the middle range 1 Set a higher value for Q to narrow the range to be affected. Mid2 Freq 200–8000 Hz Frequency of the middle range 2 Mid2 Gain -15– +15 dB Gain of the middle range 2 Mid2 Q 0.5, 1.0, 2.0, 4.0, 8.0 Width of the middle range 2 Set a higher value for Q to narrow the range to be affected. High Freq 2000, 4000, 8000 Hz Frequency of the high range High Gain -15– +15 dB Gain of the high range Level 0–127 Output Level 02: SPECTRUM L in R in Spectrum Spectrum L out R out R in Parameter Value Description Boost/ Cut Low Boost/ Cut Mid Boost/ Cut High Anti Phase Low Sw Anti Phase Low Level Anti Phase Mid Sw Anti Phase Mid Level Low Boost Sw Isolator -60– +4 dB OFF, ON 0–127 OFF, ON 0–127 OFF, ON Low Boost Level 0–127 Low Boost Level 0–127 Output Level R out These boost and cut each of the High, Middle, and Low frequency ranges. At -60 dB, the sound becomes inaudible. 0 dB is equivalent to the input level of the sound. Turns the Anti-Phase function on and off for the Low frequency ranges. When turned on, the counter-channel of stereo sound is inverted and added to the signal. Adjusts the level settings for the Low frequency ranges. Adjusting this level for certain frequencies allows you to lend emphasis to specific parts. (This is effective only for stereo source.) Settings of the Anti-Phase function for the Middle frequency ranges The parameters are the same as for the Low frequency ranges. Turns Low Booster on/off. This emphasizes the bottom to create a heavy bass sound. Increasing this value gives you a heavier low end. * Depending on the Isolator and filter settings this effect may be hard to distinguish. Parameter Value Description Band1 (250Hz) Band2 (500Hz) Band3 (1000Hz) Band4 (1250Hz) Band5 (2000Hz) Band6 (3150Hz) Band7 (4000Hz) Band8 (8000Hz) Q -15– +15 dB Gain of each frequency band 0.5, 1.0, 2.0, 4.0, 8.0 Level 0–127 Output Level Simultaneously adjusts the width of the adjusted ranges for all the frequency bands. 04: LOW BOOST Boosts the volume of the lower range, creating powerful lows. fig.MFX-04 L in R in Parameter Value Description Boost Frequency Boost Gain Boost Width Low Boost Low Boost 50–125 Hz 0– +12 dB WIDE, MID, NARROW 2-Band EQ 2-Band EQ Center frequency at which the lower range will be boosted Amount by which the lower range will be boosted Width of the lower range that will be boosted Low Gain -15– +15 dB Gain of the low frequency range High Gain -15– +15 dB Gain of the high frequency range Level 0–127 Output level L out R out 58
Effects List 05: SUPER FILTER This is a filter with an extremely sharp slope. The cutoff frequency can be varied cyclically. fig.MFX-05 L in Super Filter L out 06: STEP FILTER This is a filter whose cutoff frequency can be modulated in steps. You can specify the pattern by which the cutoff frequency will change. fig.MFX-06 L in Step Filter L out R in Super Filter R out R in Step Filter R out Parameter Value Description Filter Type Filter Slope Filter Cutoff Filter Resonance LPF, BPF, HPF, NOTCH -12, -24, -36 dB 0–127 0–127 Filter type Frequency range that will pass through each filter LPF: frequencies below the cutoff BPF: frequencies in the region of the cutoff HPF: frequencies above the cutoff NOTCH: frequencies other than the region of the cutoff Amount of attenuation per octave -36 dB: extremely steep -24 dB: steep -12 dB: gentle Cutoff frequency of the filter Increasing this value will raise the cutoff frequency. Filter resonance level Increasing this value will emphasize the region near the cutoff frequency. Filter Gain 0– +12 dB Amount of boost for the filter output Modulation Sw OFF,ON On/off switch for cyclic change Modulation Wave Rate TRI, SQR, SIN, SAW1, SAW2 SAW1 0.05–10.00 Hz, note How the cutoff frequency will be modulated TRI: triangle wave SQR: square wave SIN: sine wave SAW1: sawtooth wave (upward) SAW2: sawtooth wave (downward) SAW2 Rate of modulation Depth 0–127 Depth of modulation Attack 0–127 Level 0–127 Output level Speed at which the cutoff frequency will change This is effective if Modulation Wave is SQR, SAW1, or SAW2. Parameter Value Description Step 01–16 0–127 Cutoff frequency at each step Rate Attack 0–127 Filter Type Filter Slope Filter Resonance Controls the overtone structure of the high frequencies, adding sparkle and tightness to the sound. fig.MFX-07 0.05–10.00 Hz, note LPF, BPF, HPF, NOTCH -12, -24, -36 dB 0–127 Rate of modulation Speed at which the cutoff frequency changes between steps Filter type Frequency range that will pass through each filter LPF: frequencies below the cutoff BPF: frequencies in the region of the cutoff HPF: frequencies above the cutoff NOTCH: frequencies other than the region of the cutoff Amount of attenuation per octave -12 dB: gentle -24 dB: steep -36 dB: extremely steep Filter resonance level Increasing this value will emphasize the region near the cutoff frequency. Filter Gain 0– +12 dB Amount of boost for the filter output Level 0–127 Output level 07: ENHANCER L in R in Enhancer Enhancer Parameter Value Description Sens 0–127 Sensitivity of the enhancer Mix 0–127 Mix Mix 2-Band EQ 2-Band EQ Level of the overtones generated by the enhancer Low Gain -15– +15 dB Gain of the low range High Gain -15– +15 dB Gain of the high range Level 0–127 Output Level L out R out 59
Page 1 and 2:
Owner’s Manual 201a Before using
Page 3 and 4:
USING THE UNIT SAFELY Used for inst
Page 5 and 6:
IMPORTANT NOTES Power Supply 301
Page 7 and 8: Main Features The Ideal Workstation
Page 9 and 10: Contents Deleting a Song ..........
Page 11 and 12: Panel Descriptions 17 19 20 21 23 2
Page 13 and 14: Introduction About the GW-8 What is
Page 15 and 16: Introduction fig.codef.eps Cord hoo
Page 17 and 18: Introduction Input settings for the
Page 19 and 20: Keyboard Mode Functions Playing Sou
Page 21 and 22: Keyboard Mode Functions Viewing or
Page 23 and 24: Keyboard Mode Functions Adding Harm
Page 25 and 26: Backing Track Functions Style (Play
Page 27 and 28: Backing Track Functions Back up Use
Page 29 and 30: Backing Track Functions When you re
Page 31 and 32: Backing Track Functions USB Memory
Page 33 and 34: Backing Track Functions Editing Pla
Page 35 and 36: Performance Functions and Effects P
Page 37 and 38: Performance Functions and Effects A
Page 39 and 40: Performance Functions and Effects C
Page 41 and 42: Performance Functions and Effects P
Page 43 and 44: Using MIDI The GW-8 can transmit an
Page 45 and 46: Using MIDI Connecting to a Computer
Page 47 and 48: System Settings FILL UP The pedal w
Page 49 and 50: Using USB Memory You can save GW-8
Page 51 and 52: About V-LINK Connecting the GW-8 to
Page 53 and 54: Appendices Troubleshooting This sec
Page 55 and 56: Error Messages If an incorrect oper
Page 57: Effects List About Note Some effect
Page 61 and 62: Effects List 11: PHASER A phase-shi
Page 63 and 64: Effects List 18: AUTO PAN Cyclicall
Page 65 and 66: Effects List 24: FLANGER This is a
Page 67 and 68: Effects List 30: 3D FLANGER This ap
Page 69 and 70: Effects List 35: OVERDRIVE Creates
Page 71 and 72: Effects List 43: DELAY This is a st
Page 73 and 74: Effects List 49: MULTI TAP DELAY Th
Page 75 and 76: Effects List 55: TAPE ECHO A virtua
Page 77 and 78: Effects List 62: 2VOI PITCH SHIFTER
Page 79 and 80: Effects List 69: DISTORTION → CHO
Page 81 and 82: Effects List 77: CHORUS → FLANGER
Page 83 and 84: Effects List Reverb Parameters Thes
Page 85 and 86: Tone List No. Name Category MSB LSB
Page 93 and 94: Rhythm Set List Preset Group Preset
Page 95 and 96: Rhythm Set List Preset: Note No. 28
Page 97 and 98: Rhythm Set List Preset: Note No. 28
Page 99 and 100: Rhythm Set List Note No. 27 28 29 3
Page 101 and 102: MEMO 101
Page 103 and 104: Chord Intelligence ● = Constituen
Page 105 and 106: Specifications GW-8: Workstation (C
Page 107 and 108: Index [INTRO] .....................
Page 109 and 110:
Information When you need repair se
Page 111 and 112:
For EU Countries This product compl
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Owner's Manual - Roland

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