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Owner's Manual - Roland

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Performance Functions and Effects<br />

Editing a Tone<br />

You can turn the ANALOG MODIFY knobs to edit the currently<br />

selected Tone (including rhythm set Tones).<br />

For details on using ANALOG MODIFY, refer to “Modifying<br />

the Sound (ANALOG MODIFY)” (p. 37).<br />

The Tone settings you edit are stored in the Performance (p.<br />

41).<br />

The current Tone is the Tone at whose Tone number the cursor<br />

is located in the screen when you press [TONE].<br />

Editing a Tone in detail<br />

You can edit the currently selected Tone (including rhythm set<br />

Tones) in more detail. The Tone settings you edit are stored in<br />

the Performance (p. 38).<br />

1. Press [MENU].<br />

Parameter Value Explanation<br />

Attack Time -64–+63<br />

Decay Time -64–+63<br />

Release<br />

Time<br />

Vibrato<br />

Rate<br />

Vibrato<br />

Depth<br />

-64–+63<br />

-64–+63<br />

-64–+63<br />

The same as ATTACK described<br />

in page 38.<br />

Adjusts the decay time (the time<br />

from when the attack has<br />

finished until the volume reaches<br />

the level at which it will remain<br />

as long as you hold down the<br />

key). Higher settings produce a<br />

longer decay time.<br />

The same as RELEASE described<br />

in page 38.<br />

Adjusts the modulation speed of<br />

vibrato. Higher settings produce<br />

faster vibrato.<br />

Adjusts the modulation depth<br />

vibrato. Higher settings produce<br />

more intense vibrato.<br />

2. Use [ ] [ ] to select “Perform Tone Edit” then press<br />

[ENTER].<br />

Vibrato<br />

Delay<br />

-64–+63<br />

Adjusts the time until vibrato begins.<br />

Higher settings produce a longer<br />

delay until vibrato will begin.<br />

3. Use [ ] [ ] to select the Upper or Lower Tone that<br />

you want to edit.<br />

4. Use [ ] [ ] to select a parameter, and turn the VALUE<br />

dial to adjust the value.<br />

5. When you’ve finished making settings, press [EXIT].<br />

The Main screen will appear.<br />

Mono/Poly<br />

MONO<br />

POLY<br />

TONE<br />

Only the last-played note will<br />

sound. This setting is effective<br />

when playing a solo instrument<br />

patch such as sax or flute.<br />

Two or more notes can be<br />

played simultaneously.<br />

Uses the Tone’s Mono/Poly setting.<br />

Tone Parameters<br />

Parameter Value Explanation<br />

Level 0–127 Adjusts the volume of the Tone.<br />

Pan<br />

Chorus<br />

Send Level<br />

Reverb<br />

Send Level<br />

L64–0–<br />

R63<br />

0–127<br />

0–127<br />

Cutoff -64–+63<br />

Adjusts the panning (left/right<br />

stereo position) of the Tone.<br />

Values beginning with “L” place<br />

the sound at the left, 0 at the<br />

center, and “R” at the right.<br />

Level of the signal sent to<br />

Chorus.<br />

Level of the signal sent to<br />

Reverb.<br />

The same as CUTOFF described<br />

in page 38.<br />

Legato<br />

Switch<br />

OFF,<br />

ON,<br />

TONE<br />

This setting specifies whether the<br />

Legato Switch will be used (ON)<br />

or not (OFF). Legato Switch is<br />

valid when the Mono/Poly<br />

parameter is set to “MONO.”<br />

With the Legato Switch “ON,”<br />

pressing a key while continuing<br />

to press a previous key causes<br />

the note to change pitch to the<br />

pitch of the most recently pressed<br />

key, sounding all the while. This<br />

creates a smooth transition<br />

between notes, which is effective<br />

when you wish to simulate the<br />

hammering on and pulling-off<br />

techniques used by a guitarist.<br />

When “TONE” is selected, the<br />

Tone’s own settings take effect.<br />

Resonance -64–+63<br />

The same as RESONANCE<br />

described i n page 38.<br />

40

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