BA in Visual Art Sherkin Island 2009 - Update - Dublin Institute of ...
BA in Visual Art Sherkin Island 2009 - Update - Dublin Institute of ...
BA in Visual Art Sherkin Island 2009 - Update - Dublin Institute of ...
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artist<br />
title<br />
medium<br />
Jill Hegarty<br />
Dish <strong>of</strong> the Day… Sherk<strong>in</strong> Oysters <strong>in</strong> Season<br />
Installation detail<br />
This is a cultural fluidity between <strong>Art</strong> and Commerce. <strong>Art</strong> reflect<strong>in</strong>g on the connectivity between work and the<br />
environment. Sherk<strong>in</strong> is an <strong>Island</strong>. Therefore its surround<strong>in</strong>g environment is water. I see this as a work capsule.<br />
Oyster farm<strong>in</strong>g takes advantage <strong>of</strong> the Atlantic Ocean’s gravitational pull <strong>of</strong> the tides. The Moon is the clock<br />
sett<strong>in</strong>g the rhythms <strong>of</strong> access to the oyster beds. Man steps <strong>in</strong>to the natural world and nurtures nature over time<br />
to produce an oyster fit for market.<br />
Through my work I look at stages <strong>in</strong>volved or related to this development from farm to food cha<strong>in</strong>. This also<br />
br<strong>in</strong>gs to attention the fleet<strong>in</strong>g, fragile nature <strong>of</strong> human labour work<strong>in</strong>g <strong>in</strong> unison with the elements and <strong>in</strong>dividuals<br />
<strong>in</strong> constant collaboration throughout the process. One <strong>of</strong> my <strong>in</strong>fluential artists is Pierre Huyghe who ‘has asserted<br />
the work <strong>of</strong> art as a zone <strong>of</strong> activity, a form filled with human <strong>in</strong>teractions, political and social phenomena’<br />
(Bourriaud, 2006). My <strong>in</strong>terdiscipl<strong>in</strong>ary <strong>in</strong>terpretation <strong>of</strong> <strong>in</strong>dustrious activity on Sherk<strong>in</strong> led me, <strong>in</strong> giv<strong>in</strong>g form to<br />
these factors, to work with photography, draw<strong>in</strong>g, film, sound, sculpture, pa<strong>in</strong>t and paper. In contrast to the rural<br />
doma<strong>in</strong> on the island I have <strong>in</strong>troduced some references to my own urban situation <strong>in</strong> my presentation.<br />
I see this work as art reflect<strong>in</strong>g life grappl<strong>in</strong>g with water. I want the viewer to stop and th<strong>in</strong>k about the struggle,<br />
the time and tim<strong>in</strong>g <strong>of</strong> operat<strong>in</strong>g <strong>in</strong> this challeng<strong>in</strong>g environment and the lengthy process <strong>in</strong>volved (<strong>in</strong> fact, 2.5<br />
years per batch). Thereby, years to make – seconds to break.<br />
tel: 087 2856404 / 01 8436839<br />
email: jillhegarty@gmail.com