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Hospitality Business Management: - College of Business ...

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ig-name, national companies that<br />

one might assume would know<br />

better—don’t always do enough<br />

research when creating or redesigning<br />

the images that represent them.<br />

“Where they sometimes really miss<br />

the mark is in their mark, in their<br />

logos,” she says.<br />

The telecommunications company<br />

AT&T, for example, recently changed<br />

its highly recognizable, all-capital-letter<br />

logo and blue-and-white-striped<br />

circle to more informal, thinner,<br />

lowercase letters next to a sphere that<br />

looks like a bouncing ball.<br />

“AT&T has wanted to look like<br />

they’re more approachable,” Henderson<br />

says. The new logo “is definitely<br />

more approachable, but where they<br />

fall short is that they don’t know how<br />

multidimensional their font is.”<br />

That is, the fonts that companies<br />

choose in their marketing can convey<br />

different messages: confidence,<br />

distrust, pleasure, reassurance,<br />

strength, coldness, and more. AT&T’s<br />

prior font was bold, giving it a feeling<br />

<strong>of</strong> strength and stability, while the<br />

new font is thinner and more casual.<br />

In April 2005, Henderson published<br />

an article in the Harvard <strong>Business</strong><br />

Review that advises marketers to<br />

consider the messages sent—either<br />

intentionally or not—by their<br />

typeface. Henderson, along with CB<br />

pr<strong>of</strong>essors Joan Giese and Joseph<br />

Cote, studied 210 typefaces.<br />

Fonts that subjects considered<br />

warm, attractive, likable, and feminine<br />

include AncientScript, Enviro,<br />

and Informal Roman. The downside<br />

<strong>of</strong> using those fonts is that they aren’t<br />

especially strong or reassuring.<br />

Fonts that might be effective in an<br />

edgy marketing campaign because<br />

they’re considered interesting,<br />

emotional, exciting, and innovative<br />

are Chiller, Stonehenge, and Paintbrush.<br />

A business trying to convey<br />

feelings <strong>of</strong> assurance and strength,<br />

such as a bank, might want to avoid<br />

using those fonts since study subjects<br />

felt those options were unsettling and<br />

unfamiliar, Henderson says.<br />

The third group includes Playbill,<br />

Onyx, and StencilSet, fonts that<br />

were called cold, unattractive, and<br />

unemotional by the study subjects.<br />

So should marketers avoid those<br />

unfriendly typefaces altogether?<br />

“These typefaces aren’t useless,”<br />

Henderson says in the article. “Companies<br />

might, for example, use them<br />

to display characteristics or claims<br />

<strong>of</strong> a countercultural or competing<br />

brand.”<br />

Advertising Scholar Receives<br />

Lifetime Achievement Award<br />

The article goes on to identify<br />

strong, masculine fonts, such as<br />

NewYorkDeco and Fisherman;<br />

interesting and emotional—yet<br />

dishonest—fonts, such as BigDaddy<br />

and Ransom; and commonly used<br />

fonts that project stability, such as<br />

Georgia and Times New Roman.<br />

Darrel Muehling, pr<strong>of</strong>essor and chair <strong>of</strong> the Department<br />

<strong>of</strong> Marketing, was honored with a lifetime<br />

achievement award for outstanding contribution to<br />

advertising research from the American Academy <strong>of</strong><br />

Advertising (AAA) in March.<br />

Only 14 people have received this award since the<br />

AAA was founded in 1958. The Academy publishes<br />

the Journal <strong>of</strong> Advertising and serves the industry by<br />

strengthening advertising research and education.<br />

According to the AAA, “Darrel has made major<br />

contributions to advertising research over his career, including several best paper<br />

awards at leading journals like the Journal <strong>of</strong> Advertising. Darrel is past president<br />

<strong>of</strong> AAA and has been cited as one <strong>of</strong> the most frequent contributors to the top<br />

journals <strong>of</strong> our field.”<br />

“I have always been interested in why or how advertising works,” says<br />

Muehling. He teaches a class on the principles <strong>of</strong> marketing for juniors, and<br />

a senior-level promotions management course that provides a text and case<br />

approach to integrating promotion into the marketing plan by examining<br />

methods, organization, communications, media selection, and campaigns.<br />

After earning his bachelor <strong>of</strong> science, bachelor <strong>of</strong> arts, master’s, and doctorate<br />

degrees from the University <strong>of</strong> Nebraska, Muehling joined the WSU marketing<br />

faculty in 1985. He became an associate pr<strong>of</strong>essor with tenure in 1991, and full<br />

pr<strong>of</strong>essor in 1997, the same year he assumed leadership <strong>of</strong> the department. He<br />

has developed courses for distance degree students, was a visiting pr<strong>of</strong>essor at<br />

Thammasat University and Prince <strong>of</strong> Songkla University in Thailand, and has<br />

served on numerous university, college, and industry committees.<br />

Dividend 15

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