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Arts<br />
Edited by Josep Lambies<br />
jlambies@timeout.cat<br />
La Pedrera turns 100<br />
La Pedrera, the last major work Gaudí saw to<br />
completion, is celebrating its centenary. Before the<br />
candles are lit, Eugenia Sendra dusts off its history.<br />
The peephole opens, and behind the<br />
wooden doors and a wrought-iron<br />
grille appears Carmen Burgos Bosch.<br />
She moved into Casa Milà in the 1950s<br />
and is the most high-profile of the<br />
house’s four remaining residents –<br />
something of a living national<br />
treasure. She is the last to receive<br />
visitors in the original interiors that<br />
Antoni Gaudí designed in 1906, and<br />
despite her 81 years, is happy to show<br />
me every corner of her 300 m2 flat.<br />
She says it was a wise move to follow<br />
the advice of her husband, notary<br />
public Ramon Maria Roca Sastre – he<br />
told her to keep the coal-fired oven. The<br />
kitchen cabinets are ideal, not too high<br />
and not too low, she adds, opening and<br />
closing them with brio. What brought<br />
this well-known family of lawyers to La<br />
Pedrera? ‘My father-in-law fell in love<br />
with it, but everyone told him it was a<br />
monstrosity, far too dark,’ she explains,<br />
in what was her husband’s bedroom.<br />
She leads on to the bathroom, pointing<br />
out all the doors – there are five – and<br />
the column in the middle of the room.<br />
Her mother used to wonder out loud<br />
what they had done to deserve such an<br />
impractical bathroom.<br />
In the plaster of the living room<br />
wall, Gaudí created – ‘and signed,’<br />
adds Carmen – a sgraffito of a cross,<br />
the Catalan flag and a heart. She talks<br />
about the luminosity and the quiet<br />
inside the house, emphasising the<br />
24 Time Out BCN Guide <strong>November</strong> <strong>2012</strong>