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November 2012 - Barcelona

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Arts<br />

Edited by Josep Lambies<br />

jlambies@timeout.cat<br />

La Pedrera turns 100<br />

La Pedrera, the last major work Gaudí saw to<br />

completion, is celebrating its centenary. Before the<br />

candles are lit, Eugenia Sendra dusts off its history.<br />

The peephole opens, and behind the<br />

wooden doors and a wrought-iron<br />

grille appears Carmen Burgos Bosch.<br />

She moved into Casa Milà in the 1950s<br />

and is the most high-profile of the<br />

house’s four remaining residents –<br />

something of a living national<br />

treasure. She is the last to receive<br />

visitors in the original interiors that<br />

Antoni Gaudí designed in 1906, and<br />

despite her 81 years, is happy to show<br />

me every corner of her 300 m2 flat.<br />

She says it was a wise move to follow<br />

the advice of her husband, notary<br />

public Ramon Maria Roca Sastre – he<br />

told her to keep the coal-fired oven. The<br />

kitchen cabinets are ideal, not too high<br />

and not too low, she adds, opening and<br />

closing them with brio. What brought<br />

this well-known family of lawyers to La<br />

Pedrera? ‘My father-in-law fell in love<br />

with it, but everyone told him it was a<br />

monstrosity, far too dark,’ she explains,<br />

in what was her husband’s bedroom.<br />

She leads on to the bathroom, pointing<br />

out all the doors – there are five – and<br />

the column in the middle of the room.<br />

Her mother used to wonder out loud<br />

what they had done to deserve such an<br />

impractical bathroom.<br />

In the plaster of the living room<br />

wall, Gaudí created – ‘and signed,’<br />

adds Carmen – a sgraffito of a cross,<br />

the Catalan flag and a heart. She talks<br />

about the luminosity and the quiet<br />

inside the house, emphasising the<br />

24 Time Out BCN Guide <strong>November</strong> <strong>2012</strong>

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