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A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

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would become quiet. At such moments<br />

some kind <strong>of</strong> absent understanding would<br />

begin to take shape through Raka Masih’s<br />

words.<br />

Raka Masih knew everyone. From the<br />

yard master to all the engine drivers,<br />

firemen, workers <strong>of</strong> the locomotive<br />

workshop. But only Raka Masih spoke.<br />

When he was speaking it seemed as if,<br />

not he, but the past itself were speaking.<br />

At such moments it did not matter to<br />

Raka Masih that his business suffered. He<br />

was neither a shop keeper, nor he cared<br />

for his shop keeping. It seemed as if he<br />

was an open book <strong>of</strong> time. When the book<br />

opens, some story begins to float in the<br />

emptiness.<br />

In Raka Masih’s shop keeping, there<br />

was more good fellowship than shop<br />

keeping. Once a day he would <strong>of</strong>fer free<br />

tea to the cobbler, to the barber and<br />

to the betel leaf seller. Twice a day he<br />

would carry tea to Paglet Baba sitting<br />

near the dispensary. That tea too was<br />

charged to God’s account…If some old<br />

driver friend came to his stall for tea,<br />

he would not charge him anything. He<br />

would laugh and tell him, ‘You came here<br />

for tea, that itself shows your largeheartedness.<br />

To accept money for the tea?<br />

That would be an insult to friendship.’<br />

And there was one more thing about<br />

him. The others said Namaste or good<br />

morning; he would say, ‘Brother! Right<br />

time!’ which meant, may you have good<br />

health!<br />

Raka Masih could play the mouth organ<br />

fairly well. He had learnt it from someone<br />

in his childhood or youth. He had learnt<br />

to play the violin also but time had snatched<br />

away the chords <strong>of</strong> his violin. Only the<br />

mouth organ remained. In the night when<br />

there was no one at his stall, and when<br />

the night began to deepen, the sound <strong>of</strong><br />

his mouth organ could be heard far in<br />

the lonely, bare night. That sound <strong>of</strong> the<br />

mouth organ hemmed in by the noise<br />

<strong>of</strong> engines’ shunting. In that cacophony<br />

<strong>of</strong> sounds floated that innocent tune. Everywhere<br />

that tune would wander. It seemed<br />

to be calling the sky, the moon, the stars,<br />

the fireflies, the dew, or God knows whom.<br />

After wandering about the place, the tune<br />

would return to him. It seemed as if with<br />

the help <strong>of</strong> the sound <strong>of</strong> his mouth organ<br />

Raka Masih was trying to recall his old<br />

days.<br />

One night…it was a winter night. At<br />

some distance from Raka Masih’s tea stall<br />

they had built a fire <strong>of</strong> red hot coal. Sitting<br />

around that fire there were men belonging<br />

to the railways. A few R.P.F. constables<br />

were also there.<br />

A cold night. It was eleven or half<br />

past eleven. The whole city had gone to<br />

sleep. But the yard <strong>of</strong> Jakhal station, the<br />

gate, the kiosk, the cabin, the heap <strong>of</strong><br />

embers and the tea stall <strong>of</strong> Raka Masih<br />

were still awake.<br />

84 :: January-March 2012

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