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A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

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tea break, it would also be a break to<br />

warm the hands and would turn into a<br />

little picnic for the men. During summers,<br />

large pitchers full <strong>of</strong> water would be kept<br />

there. And there would also be the tea.<br />

Neither the shunting stopped, nor did the<br />

tea sipping.<br />

Around the gate one could hear the<br />

music <strong>of</strong> life: the melody <strong>of</strong> life playing<br />

among the shunting engines. There was<br />

a rhythm, the rhythm <strong>of</strong> struggle. There<br />

was a note seeking to defeat problems.<br />

It seemed as if the railway gate was like<br />

a stage-play that would never come to<br />

an end. Characters would change, but the<br />

play would continue. Dialogue would<br />

change, and so also would the time, but<br />

the play would go on…<br />

The tea-stall <strong>of</strong> Raka Masih near the<br />

railway gate was in fact a life-stall. Such<br />

a carefree man like Raka Masih! How could<br />

business and that happy-go-lucky attitude<br />

go together…? He did not sell tea. He<br />

dispensed good wishes. In front <strong>of</strong> him<br />

the engines would shunt. In front <strong>of</strong> him<br />

the ‘load’ would be prepared. The suspended<br />

engine driver Raka Masih would<br />

become sad. Rueful. Silent. And then, like<br />

some great source <strong>of</strong> light he would begin<br />

to glitter again. When he guffawed, his<br />

entire thickset body seemed to laugh. It<br />

was not he, but his whole body that laughed.<br />

People thought, Raka Masih was a very<br />

happy man. People were ignorant. Raka<br />

Masih, who was laughing, would be very<br />

sad inside. Those who laugh a great deal<br />

create fear: why are they laughing so much?<br />

Raka Masih created fear when he laughed<br />

endlessly. When he stopped laughing,<br />

people would <strong>of</strong>ten notice that his eyes<br />

had become moist. And after that, there<br />

would be a Lamp’s cigarette in his fingers<br />

and he would puff smoke like a locomotive<br />

engine! Masih’s entire service period <strong>of</strong><br />

some twenty-five years was spent driving<br />

goods trains. Now, he had been under<br />

suspension for two years. Suspension or<br />

no suspension, he couldn’t care less. He<br />

did not try for reinstatement nor submitted<br />

an application or gave an explanation.<br />

Yes, he was a strange man, this Raka<br />

Masih! He had been an engine driver in<br />

the railways. Fairly good salary. Free livery.<br />

Free pass. He still had his B-Type quarters.<br />

He also had his half-salary. But his<br />

relationship with speed had been snapped.<br />

Even in that situation Raka Masih was<br />

a happy man. While making tea, he would<br />

<strong>of</strong>ten break into a song, sung out <strong>of</strong> tune.<br />

When the tea was ready he would narrate<br />

some incident. Raka Masih was an album<br />

<strong>of</strong> experiences and a thick book <strong>of</strong><br />

reminiscences. To hear him talk was like<br />

watching a memorial, a memorial that<br />

talked. And in a memorial’s life countless<br />

stories are written.<br />

When Raka Masih narrated a story,<br />

everything would be still. The brick oven<br />

for making tea would be alit. The water<br />

on the brick oven would be boiling. People<br />

January-March 2012 :: 83

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