A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

hindivishwa.org
from hindivishwa.org More from this publisher
23.11.2014 Views

Thereafter you need not write anything in your entire life. They will go on pouring awards and rewards and glory and invitations for lecture and what not upon you. Look at Arundhati Roy! She has written only one novel and she is considered a bigger writer than Rohinton Mistry. Look at Alka Saraogi. She was given academy award on her first novel. Did she write anything worthwhile after that? During the last sixty years not a single sahitya academy award has been given to a short story writer. During last sixty years not a single Jnanpith Award has been given to a short story writer. And this is when we consider and claim ourselves as grand children and great grand children of Premchand-who was primarily a short story writer. Pallav—Do you see any influence of your style on your junior story writers? Swayam Prakash—None whatsoever! Pallav—How do you explain it? Swayam Prakash—Perhaps they are motivated by commercial success of one of my contemporaries and have placed him as their only ideal! Pallav—Are you jealous? Swayam Prakash—I am sad. You know why? I think satire is a very useful weapon to expose fallacy, idiocy and absurdity of the system. I am sad because this element is no more seen in contemporary prose. People have simply forgotten Parsaiji. Satire is something with the help of which you stand erect in front of atrocities- even cruelties. You are not dominated and defeated as long as you have your faculty to laugh intact. Losing it is... Pallav—Defeatism! Swayam Prakash—Exactly. I never frightened my readers by picturing callousness of market economy or barbarianism of bureaucracy or wickedness of politicians or crookedness of inteligentsia. I wanted my readers to believe that they can change the system. I am sorry but now the will to change the system is not seen, what to talk of confidence that the system can be changed. Pallav—Are you computer savvy? Swayam Prakash—No. Pallav—Do you ever visit Hindi sites? Swayam Prakash—Not very often. Pallav—Why? Swayam Prakash—I find them boring. Perhaps till date the net could not take the shape of a forum for serious discussions. Till date it is mostly an abode of those who could not find a suitable place for themselves in the print media. Pallav—Are you a blogger? Swayam Prakash—No. Pallav—Have you seen Hindi writers on the net? Swayam Prakash—Most of them do not update themselves regularly. I hate 74 :: January-March 2012

publicising myself and my writing by opening a 'show room' sort of thing. Pallav—What do you think of contemporary Hindi writing? Swayam Prakash—One thing should be understood clearly. Like politics or journalism, writing is also no more a social service. It has become a profession.like every professional, the writer also has to consider what sells and what doesn’t. Reading and assessing the mood of the market and sales promotion etc. follows. Publishers have become almighty. They are not bothered about readers. Technology has further strengthened their selfish designs. They have a large number of titles but hardly any repeat editions. If you devote three precious years of your life to write a book, the publisher publishes it in an edition of three hundred copies...and after six months you are out of shelves. Your book has simply disappeared. New stuff has silently replaced you. In such a situation the idea of social commitment has become almost irrelevant and redundant. As a matter of habit some writers are still following traditional realism. But where are the takers? Who is reading them? Look at the younger generation. How many students of tenth standard can recall-just recall the names of five contemporary Hindi writers? They are reading Harry Potter or Tuesdays with Morris or the Monk who sold his Ferrari or similar junk. And I tell you, here lies the secret of change in their behaviour with parents or with friends. Do your own thing--this is the tag line of the Indian youth. Do you know what the biggest abusive word is these days? I tell you. It is LOSER. Pallav—C'mon...You are getting cynical. Things are not that bad. I stay among students and you should believe me. Things are really not that bad. Swayam Prakash—Ok. Let us assume they are not. Pallav—So what is the future of the Hindi short story. Swayam Prakash—I envisage it like this. The short story can acquire the form of collective writing. The writer will write on his or her blog or site and invite suggestions from readers. He may as well give a few options in terms of plot of the story. The option fetching maximum votes will be developed. So story writing will become sort of video game of today. The short story may also acquire other dimensions. It can have a video version. Actors may recite favourite stories. There can be contests of short story reading for teens. Technology has made it possible and feasible.But one thing is sure. It will no more remain a mode of protest or mass awakening. Pallav—You mean its role as a teacher and conscience keeper is finished? Swayam Prakash—Yes. As a matter of January-March 2012 :: 75

publicising myself and my writing by<br />

opening a 'show room' sort <strong>of</strong> thing.<br />

Pallav—What do you think <strong>of</strong><br />

contemporary <strong>Hindi</strong> writing?<br />

Swayam Prakash—One thing should be<br />

understood clearly. Like politics or<br />

journalism, writing is also no more a social<br />

service. It has become a pr<strong>of</strong>ession.like<br />

every pr<strong>of</strong>essional, the writer also has<br />

to consider what sells and what doesn’t.<br />

Reading and assessing the mood <strong>of</strong> the<br />

market and sales promotion etc. follows.<br />

Publishers have become almighty. They<br />

are not bothered about readers. Technology<br />

has further strengthened their selfish<br />

designs. They have a large number <strong>of</strong> titles<br />

but hardly any repeat editions. If you<br />

devote three precious years <strong>of</strong> your life<br />

to write a book, the publisher publishes<br />

it in an edition <strong>of</strong> three hundred copies...and<br />

after six months you are out <strong>of</strong> shelves.<br />

Your book has simply disappeared. New<br />

stuff has silently replaced you. In such<br />

a situation the idea <strong>of</strong> social commitment<br />

has become almost irrelevant and<br />

redundant. As a matter <strong>of</strong> habit some<br />

writers are still following traditional realism.<br />

But where are the takers? Who is reading<br />

them? Look at the younger generation.<br />

How many students <strong>of</strong> tenth standard can<br />

recall-just recall the names <strong>of</strong> five<br />

contemporary <strong>Hindi</strong> writers? They are<br />

reading Harry Potter or Tuesdays with<br />

Morris or the Monk who sold his Ferrari<br />

or similar junk. And I tell you, here lies<br />

the secret <strong>of</strong> change in their behaviour<br />

with parents or with friends. Do your own<br />

thing--this is the tag line <strong>of</strong> the Indian<br />

youth. Do you know what the biggest<br />

abusive word is these days? I tell you.<br />

It is LOSER.<br />

Pallav—C'mon...You are getting cynical.<br />

Things are not that bad. I stay among<br />

students and you should believe me. Things<br />

are really not that bad.<br />

Swayam Prakash—Ok. Let us assume<br />

they are not.<br />

Pallav—So what is the future <strong>of</strong> the<br />

<strong>Hindi</strong> short story.<br />

Swayam Prakash—I envisage it like this.<br />

The short story can acquire the form <strong>of</strong><br />

collective writing. The writer will write<br />

on his or her blog or site and invite<br />

suggestions from readers. He may as well<br />

give a few options in terms <strong>of</strong> plot <strong>of</strong><br />

the story. The option fetching maximum<br />

votes will be developed. So story writing<br />

will become sort <strong>of</strong> video game <strong>of</strong> today.<br />

The short story may also acquire other<br />

dimensions. It can have a video version.<br />

Actors may recite favourite stories. There<br />

can be contests <strong>of</strong> short story reading<br />

for teens. Technology has made it possible<br />

and feasible.But one thing is sure. It will<br />

no more remain a mode <strong>of</strong> protest or<br />

mass awakening.<br />

Pallav—You mean its role as a teacher<br />

and conscience keeper is finished?<br />

Swayam Prakash—Yes. As a matter <strong>of</strong><br />

January-March 2012 :: 75

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!