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A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

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her journey has only been uphill. She<br />

has visited India year after year to polish<br />

her skills. Madhoerie says that as she learnt,<br />

something deep within motivated her to<br />

learn more and she felt she had to make<br />

an effort to keep this 4000 year old tradition<br />

alive. So when the Hindu Muslim<br />

organization HIMOS approached her with<br />

a proposal to start Bharatnatyam dance<br />

classes in Suriname she was<br />

dumbstruck…..leaving behind a well settled<br />

business and family seemed impossible;<br />

the honorarium being <strong>of</strong>fered by the<br />

organization was not even a tenth part<br />

<strong>of</strong> what they were earning in Holland and<br />

the thought <strong>of</strong> leaving the kids behind<br />

tore her but finally the deep rooted cultural<br />

values won and she decided to come back<br />

to Suriname for the sake <strong>of</strong> Bharatnatyam.<br />

She decided not to charge anything from<br />

students and thought <strong>of</strong> it as her<br />

contribution to society. Deeply committed,<br />

involved and aware <strong>of</strong> people and their<br />

problems Madhoerie started her lessons<br />

with 18 students in the garage <strong>of</strong> another<br />

socio-cultural activist Mrs. Sonia<br />

Quintusboschz.<br />

Some time later as the cultural activists<br />

were planning Hanuman Jayanti, Madhoerie<br />

happened to mention that she could perform<br />

Bharatnatyam on Hanuman Chalisa. It was<br />

a matter <strong>of</strong> great curiosity and also some<br />

opposition as till then dancing in temple<br />

had never been envisaged and when the<br />

performance was scheduled great crowds<br />

were drawn into the temple yard and the<br />

outstanding dancer, a consummate artiste,<br />

she blazed a trail as she presented this<br />

challenge to the spectators. The very next<br />

day 65 new students enrolled into her<br />

class and then started the real journey<br />

<strong>of</strong> Bharatnatyam in Suriname which has<br />

seen 12 students perform their Arangetram<br />

<strong>of</strong> which about five are today established<br />

teachers and have their own dance schools.<br />

Another five <strong>of</strong> Madhoerie's students have<br />

performed Arangetram in Holland one <strong>of</strong><br />

whom is her daughter Arti Jagmohan,<br />

making her mother proud, running her<br />

own dance school.<br />

Multi-faceted, successful and dynamic<br />

Madhoerie presents a challenge to today’s<br />

spectator. Her life and her works have<br />

made her a role model for many girls<br />

<strong>of</strong> the younger generation <strong>of</strong> today. She<br />

has performed in a number <strong>of</strong> countries<br />

such as Europe, India, Trinidad, Guyana,<br />

French Guyana. Every atom <strong>of</strong> her body<br />

lives and breathes dance, her eyes light<br />

up at the mere mention <strong>of</strong> dance and<br />

is full <strong>of</strong> energy even when talking about<br />

it. A visionary leaving behind a legacy<br />

<strong>of</strong> believing and living a personal<br />

commitment, she displays an infectious<br />

zest for life but which rests on a solid<br />

foundation <strong>of</strong> rigorous training and<br />

sensitivity, deep thought, intensity and<br />

incredible hard work. She is individualistic,<br />

contemporary and ever dynamic, which<br />

make her performances mesmerizing.<br />

The most overwhelming performance<br />

70 :: January-March 2012

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