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A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

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<strong>Hindi</strong> novels which talk about specific<br />

concerns related to ‘untouchables’ in Indian<br />

society. Nagar rejects caste system in this<br />

novel. He creates a story <strong>of</strong> a Brahmin<br />

girl who is married to an old man. The<br />

Brahmin girl falls in love with a scavenger<br />

boy and elopes with him from the toilet<br />

space since her suspicious husband locks<br />

her while going out. She becomes a part<br />

<strong>of</strong> the scavenger community after marrying<br />

the boy. Here she dedicates herself for<br />

the upliftment <strong>of</strong> this community. Likewise,<br />

in Parishishta, the novelist picks up the<br />

problem <strong>of</strong> a Dalit student who couldn’t<br />

bear the brunt <strong>of</strong> the hostile atmosphere<br />

in a premier educational institution and<br />

ultimately commits suicide . This is<br />

a typical Indian problem arising out <strong>of</strong><br />

caste based Indian society in spite <strong>of</strong> all<br />

provisions <strong>of</strong> Indian constitution to give<br />

every individual an equal opportunity<br />

barring caste, creed and religion.<br />

After independence many women<br />

novelists got prominence by depicting so<br />

far an untouched problem <strong>of</strong> Indian society.<br />

A great novelist <strong>of</strong> post independence India<br />

Mannu Bhandari came into prominence<br />

after the publication <strong>of</strong> her novel Aapka<br />

Buntee (Your Bunty/1971/). She depicted<br />

the problem <strong>of</strong> woman who is separated<br />

from her husband and lives with her only<br />

son Bunty. Here one comes across the<br />

trauma <strong>of</strong> a child who loves his father<br />

and doesn’t approve <strong>of</strong> his mother’s relation<br />

with another man. This is a new problem<br />

<strong>of</strong> growing middle class in urban India.<br />

Scores <strong>of</strong> Indian women novelists like Usha<br />

Priyamvada, Krishna Sobti,Mridula Garg,<br />

Manjul Bhagat, Prabha Khetan,Chitra<br />

Mudgal, Chandrakanta, Rajee Seth,<br />

Geetanjalee Shree, Maitreyi Pushpa etc.<br />

created novels which depicted the problems<br />

<strong>of</strong> Indian society in different ways.<br />

Concluding this paper it can be<br />

summarized like this— The <strong>Hindi</strong> novel<br />

is a protest literature as well as replica<br />

<strong>of</strong> Indian culture, psyche, development,<br />

aspirations <strong>of</strong> different classes and<br />

communities which is unique in its content<br />

and form. In fact the novel transcends<br />

boundaries and it is not only difficult but<br />

almost impossible to put the creative<br />

expression in watertight compartments.<br />

Here, I have only tried to say in a few<br />

words how the genre novel flourishes in<br />

India and its main characteristics. No doubt<br />

It is unique in its content and form and<br />

its linkage with the past is evident but<br />

basically it talks about humanity which<br />

links it with the novels being written all<br />

over the world.<br />

Thank you very much for listening<br />

to me patiently. I wish to convey my<br />

thanks and gratitude towards Pr<strong>of</strong>. Dr.<br />

Eva De Clercq and Pr<strong>of</strong>. Dr. Rishikalp for<br />

inviting me in this International <strong>Hindi</strong><br />

Conference at Ghent and giving me the<br />

honor to present my views here.<br />

References<br />

1) Early Novels in India, Meenakshi<br />

Mukherjee, Sahitya Akademi, New Delhi. 2002<br />

54 :: January-March 2012

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