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A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

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their interest against the downtrodden <strong>of</strong><br />

the society. Premchand is in favour <strong>of</strong><br />

these downtrodden people. By<br />

characterizing Dhaniya Premchand keeps<br />

his faith in woman power. He also advocates<br />

live-in relation by depicting Mehta-Malti<br />

relationship. Malti is a doctor and Mehta<br />

is a pr<strong>of</strong>essor. They love each other but<br />

decide not to marry but to have a livein<br />

relation. Here Premchand clearly departs<br />

from Indian tradition and indicates the<br />

futuristic Indian urban society.<br />

Here it is worth mentioning Shekhar<br />

Ek Jeevanee (Biography <strong>of</strong> Shekhar/<br />

Agyeya/1940), in two volumes and<br />

Tyagpatra (The Resignation/Jainendra/<br />

1937). These two novels take a lead from<br />

Premchand and project changing Indian<br />

society in respect <strong>of</strong> position <strong>of</strong> women<br />

in man dominated Indian milieu. In my<br />

opinion Mrinalini <strong>of</strong> Tyagpatra is an<br />

extension <strong>of</strong> Dr.Malti <strong>of</strong> Premchand’s<br />

Godan. These two characters represent<br />

the changing mindset <strong>of</strong> women in India<br />

where they challenge the traditional<br />

husband-wife relationship. In Shekhar<br />

Ek Jeevanee also the novelist Agyeya<br />

creates a love relationship between Shekhar<br />

and his cousin sister which is no way<br />

acceptable in Indian society and this<br />

depiction has been criticized by many<br />

critics and they look upon it as vulgar.<br />

These two novels jolted the Indian mindset<br />

and became the torchbearer <strong>of</strong> new ideas<br />

and thoughts emerging in Indian society.<br />

These two novels are departure from<br />

Premchand’s novels in their narration,<br />

structure and style. Tyagpatra is written<br />

in the mode <strong>of</strong> autobiography. Shekhar<br />

ek jeevanee is a biography <strong>of</strong> a<br />

revolutionary in which the protagonist is<br />

writing his own story as a third person<br />

by fictionalizing it .So neither it is a<br />

biography nor autobiography <strong>of</strong> the<br />

protagonist. This novel is a search <strong>of</strong> a<br />

revolutionary’s mind and tries to depict<br />

how a revolutionary’s mind gets formated.<br />

In a way this novel is also influenced<br />

by India’s war <strong>of</strong> independence and<br />

particularly <strong>of</strong> revolutionaries like Bhagat<br />

Singh, Chandrashekhar Azad, RajGuru,<br />

Bismil and others. In fact this is a deep<br />

analytical story <strong>of</strong> a revolutionary who<br />

was waging war against the colonial rule.<br />

The urge for searching for a nation<br />

continues in <strong>Hindi</strong> novels even after India<br />

got independence on 15 th August1947.<br />

Maila Aanchal (Dusty terrain/<br />

Phanishwarnath Renu/1948), Aadha Gaon<br />

(The Village divided/Rahi Masoom Raza/<br />

1968), Raag Darbaree (Song <strong>of</strong> the Night/<br />

Shreelal Shukla/1968) are three prominent<br />

<strong>Hindi</strong> novels <strong>of</strong> early phase <strong>of</strong> India’s post<br />

independence era.<br />

These three novels depict the scenario<br />

in India after independence and problems<br />

faced in the path <strong>of</strong> making it a sovereign<br />

and secular nation that is envisaged in<br />

Indian constitution. The main problems<br />

faced by India as a Nation after<br />

independence are as follows:<br />

52 :: January-March 2012

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