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A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

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eligious leaders. Premchand in his novels<br />

and short stories also fought for the rights<br />

<strong>of</strong> women. There is a clear influence <strong>of</strong><br />

19 th -20 th century reformist movement and<br />

especially <strong>Mahatma</strong> <strong>Gandhi</strong> on Premchand’s<br />

writings.<br />

Godan, Rangbhoomi, Premashram,<br />

Kayakalp, Sevasadan, Gaban,<br />

Nirmala are the famous novels <strong>of</strong><br />

Premchand which tell the story <strong>of</strong><br />

contemporary India. The structure, style<br />

and theme <strong>of</strong> Premchand’s novel is<br />

unique.He tells the story in Indian kissa<br />

style by addressing the readers directly<br />

as if they are listeners. He starts preaching<br />

readers in updeshakhyan style. Thus his<br />

novel becomes a wonderful mixture <strong>of</strong><br />

kissa and akhyan. In Kayakalp he uses<br />

the notion <strong>of</strong> rebirth and myths and magic,<br />

dream methodology while constructing the<br />

story. This methodology was first used<br />

in <strong>Hindi</strong> Novel in Shyama Swapn (Dreams<br />

<strong>of</strong> Shyama) by Thakur Jaganmohan Singh<br />

in 1888.<br />

Premchand’s famous novel Godan<br />

(Gifting the cow/1936) is a classical novel<br />

not only in its theme but also in style.<br />

The novel starts with the dialogue between<br />

Horiram and Dhaniya (wife-husband) but<br />

the writer switches to story telling mode<br />

and starts telling the background situation<br />

<strong>of</strong> this dialogue. Very swiftly he starts<br />

depicting the nature which plays a creative<br />

role in depicting the situation. Premchand<br />

is a smart story teller so the reader at<br />

once does not feel that Premchand has<br />

changed the band. Premchand got this<br />

technique in heritage from the century<br />

old katha and akhyan style. So the style<br />

<strong>of</strong> Premchand’s story telling is purely<br />

Indian.<br />

This is an anti colonial and anti<br />

imperialist novel. This is also a cultural<br />

expression <strong>of</strong> India. A belief in Indian<br />

mindset persists through tradition that if<br />

a person gifts a cow before or while dying<br />

to a priest, all his sins are forgiven by<br />

God and he directly goes to heaven.<br />

Premchand uses this belief in a satirical<br />

and symbolic way. In agricultural society<br />

in India the role <strong>of</strong> the cow is very pivotal.<br />

The cow is treated as mother and also<br />

a symbol <strong>of</strong> prosperity. Every Indian farmer<br />

has a dream <strong>of</strong> having a cow <strong>of</strong> his own.<br />

Premchand tells us the story <strong>of</strong> a farmer<br />

Hori Mahto who wishes for a cow , struggles<br />

to get a cow, fails in his ambition but<br />

while dying the priest asks his wife Dhaniya<br />

for presenting him a cow. This is the irony<br />

<strong>of</strong> the story where a farmer couldn’t fulfill<br />

his lone ambition <strong>of</strong> getting a cow but<br />

was asked by the priest to present a cow<br />

while dying. The story starts and ends<br />

with satirical note. This becomes a satire<br />

on the whole Indian culture and society.<br />

Within this framework Premchand<br />

constructs the story <strong>of</strong> anti-imperialism,<br />

anti-colonialism and anti-capitalism apart<br />

from criticizing the Indian society especially<br />

the upper caste who are also hand in<br />

glove with the rulers who in turn protect<br />

January-March 2012 :: 51

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