A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

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of producing the story) is derived from Sanskrit in Hindi. As mentioned earlier Katha is supposed to be fiction and akhyan is supposed to be factual and historical. The tradition of katha and akhyayika continues in Hindi Belt in the early phase of Hindi literature in charit kavya (narratives of hero in verses) like Prithiviraj Raso (Story of King Prithiviraj) by his court poet Chandvardai, Kirtilata and Kirtipataka by Vidyapati in 13 th century a.d. In the age of Bhakti movement also poets like Tulsi Das and Malik Muhammad Jayasi created epics like Ramcharit Manas and Padmavat in story form .These are in one and another sense seen as different forms of Charit kavya. These writings have the quality of both katha and akhyayika. The poet uses his imagination to depict contemporary reality by using myths and symbols known as kathanak roodhiyan (traditional symbols supposed to be used for telling a story. For example telling a story through dialogue between birds is one of the kathanak roodhiyan). In the beginning of 19 th century Rani Ketki ki Kahani by Insha Alla Khan is also an example of continuation of this katha-kahani tradition. Early Hindi novels derive many characteristics from these charit kavyas and katha-kahani tradition prevalent in India for centuries. The story is the focal point of the Novel which also tells a story. Influence of gadya kavya parampara and champu (one of the varieties of narratives prevalent in India where the mixture of prose and poetry is being used to tell the story) is clearly evident from the early novels of India particularly in Hindi. Therefore it is a misnomer to conceptualize that the novel in India emerges out of the direct influence of western novels particularly English Novels and there is nothing Indian in it. The style of novel writing in different Indian languages as also in Hindi carries the traditional style of story telling/writing of kissa, kahani,dastan and akhyan. The characteristics and essence of the tradition of novel writing is defined by its birth and the culture along with which it grows. The uniqueness and Indianness of Hindi novel also lies in the circumstances in which the novel in India emerged. The birth of novel in India is an amalgamation of the traditional legacy of story telling and contemporary circumstances in India in the 19 th -20 th century. Besides the factors connected with the advent of prose and the birth of the novel, like coming of new technologies in the form of printing press and birth of a middle class who aspired to tell its agonies and aspiration through this new genre the readers were also mostly from the same class. These factors also helped in the birth of the novel in India. But emergence of the novel in India is totally different from that of Europe which is said to be the birth place of novel although the credit 46 :: January-March 2012

of first novel goes to the Genji Monogatari (The Tale Of Genji/1000 A.D) written by Lady Murasaki from Japan. Here, I’m not going into the details of the rise of the novel worldwide since neither it is the topic of discussion today nor the time permits that. What I’m trying to say is that the rise of the novel in India is a product of its own conditions and circumstances which I’m going to narrate now. This may help us in defining the Indian Novel and particularly Hindi Novel which is the topic of deliberation today. The Freedom Struggle of India in 1857 may be considered as the benchmark in the history of India since it is the first major outburst to overthrow the colonial rule from India. It is interesting to see that at this juncture many Indian languages produced their first novel. Alaler Gharer Dulal (A prodigal son/Pyare Chand Mitra/ 1858) in Bangla, Yamuna paryatan (Travelogue of Yamuna/1857/Baba Padmji) in Marathi, Umrao Jaan (Mirja Muhammad Hadee Rusva/1899) in Urdu, Saraswatichandra (Gowardhan Ram Madhav Ram Tripathee/1887-1900) in Gujarati ,Chaman aath Gunth (A piece of Land/Fakir Mohan Senapati/1897) in Oriya and so on and so forth. Centrality of women in early novels and depicting position of women in changing society are the striking features of Early Hindi Novel. Influence of social reformers is clearly visible on Hindi novels .In the early Hindi novels the theme of training women through education to conduct themselves is direct influence of reformers of that period. In early Hindi novels like Devrani Jethani ki kahani (Tale of co-sisters/ Pandit Gauridatt/1870), Bhagayvati (Pandit Shraddharam Phillauree/ 1877) and Parikshaguru (Lala Shriniwas Das/ 1882) the conduct of women is the focal theme. Going through these novels one can see a remarkable similarity in the theme and content of these novels i.e. emancipation of women, widow remarriage, education of women, etc. This was the direct effect of the Indian reformation which was pioneered by great reformers like Raja Ram Mohan Roy, Ishwar Chandra Vidyasagar, Vivekanand and Jyotiba Phule among others. Parikhsa Guru like Alaler Gharer Dulal in Bangla depicts the shortcomings of western influence. This is actually a voice of opposition to colonial rule and its policies in a precarious way. Devrani Jethani ki kahani by pandit Gauridatt (1870) actually falls into the tradition of oral story(kissa-kahani) in written form. There is not a single comma or full stop in the whole story. This is a typical example of the Indian form of ‘Novel’ (upanyas) in the form of traditional Indian updeshakhyan (Moral Fable). This is the story of a joint business family living in Meerut near Delhi. There January-March 2012 :: 47

<strong>of</strong> producing the story) is derived from<br />

Sanskrit in <strong>Hindi</strong>. As mentioned earlier<br />

Katha is supposed to be fiction and akhyan<br />

is supposed to be factual and historical.<br />

The tradition <strong>of</strong> katha and akhyayika<br />

continues in <strong>Hindi</strong> Belt in the early phase<br />

<strong>of</strong> <strong>Hindi</strong> literature in charit kavya<br />

(narratives <strong>of</strong> hero in verses) like<br />

Prithiviraj Raso (Story <strong>of</strong> King Prithiviraj)<br />

by his court poet Chandvardai, Kirtilata<br />

and Kirtipataka by Vidyapati in 13 th<br />

century a.d. In the age <strong>of</strong> Bhakti movement<br />

also poets like Tulsi Das and Malik<br />

Muhammad Jayasi created epics like<br />

Ramcharit Manas and Padmavat in<br />

story form .These are in one and another<br />

sense seen as different forms <strong>of</strong> Charit<br />

kavya. These writings have the quality<br />

<strong>of</strong> both katha and akhyayika. The poet<br />

uses his imagination to depict contemporary<br />

reality by using myths and symbols known<br />

as kathanak roodhiyan (traditional symbols<br />

supposed to be used for telling a story.<br />

For example telling a story through dialogue<br />

between birds is one <strong>of</strong> the kathanak<br />

roodhiyan). In the beginning <strong>of</strong> 19 th century<br />

Rani Ketki ki Kahani by Insha Alla<br />

Khan is also an example <strong>of</strong> continuation<br />

<strong>of</strong> this katha-kahani tradition. Early <strong>Hindi</strong><br />

novels derive many characteristics from<br />

these charit kavyas and katha-kahani<br />

tradition prevalent in India for centuries.<br />

The story is the focal point <strong>of</strong> the<br />

Novel which also tells a story. Influence<br />

<strong>of</strong> gadya kavya parampara and champu<br />

(one <strong>of</strong> the varieties <strong>of</strong> narratives prevalent<br />

in India where the mixture <strong>of</strong> prose and<br />

poetry is being used to tell the story)<br />

is clearly evident from the early novels<br />

<strong>of</strong> India particularly in <strong>Hindi</strong>. Therefore<br />

it is a misnomer to conceptualize that<br />

the novel in India emerges out <strong>of</strong> the<br />

direct influence <strong>of</strong> western novels<br />

particularly English Novels and there is<br />

nothing Indian in it. The style <strong>of</strong> novel<br />

writing in different Indian languages as<br />

also in <strong>Hindi</strong> carries the traditional style<br />

<strong>of</strong> story telling/writing <strong>of</strong> kissa,<br />

kahani,dastan and akhyan.<br />

The characteristics and essence <strong>of</strong> the<br />

tradition <strong>of</strong> novel writing is defined by<br />

its birth and the culture along with which<br />

it grows. The uniqueness and Indianness<br />

<strong>of</strong> <strong>Hindi</strong> novel also lies in the circumstances<br />

in which the novel in India emerged. The<br />

birth <strong>of</strong> novel in India is an amalgamation<br />

<strong>of</strong> the traditional legacy <strong>of</strong> story telling<br />

and contemporary circumstances in India<br />

in the 19 th -20 th century.<br />

Besides the factors connected with the<br />

advent <strong>of</strong> prose and the birth <strong>of</strong> the novel,<br />

like coming <strong>of</strong> new technologies in the<br />

form <strong>of</strong> printing press and birth <strong>of</strong> a<br />

middle class who aspired to tell its agonies<br />

and aspiration through this new genre the<br />

readers were also mostly from the same<br />

class. These factors also helped in the<br />

birth <strong>of</strong> the novel in India. But emergence<br />

<strong>of</strong> the novel in India is totally different<br />

from that <strong>of</strong> Europe which is said to be<br />

the birth place <strong>of</strong> novel although the credit<br />

46 :: January-March 2012

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