A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya
A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya
He took up jobs in Benaras, Kanpur and Lucknow for about 8-9 years. Ultimately, in 1930, he set up his own publication house, but his financial situation did not improve. On receiving an invitation by a film company, he went to Bombay in 1934, but deterred by the life in the metropolis, he returned, being unable to cope up with the life there. His health failed and he passed away on 8th October 1936. His literary career started in 1901, writing in Urdu first, and then, in Hindi. But all his life he remained a bilingual writer. His collection of fine short stories “Soze Vatan” enraged the British Government greatly and hence, he was accused of treason. He was labelled a rebel and his books were burnt. The writer that we revere today rose out of this sacred fire. In his thirty-five year career of creative writing he spilled out an enormous amount of literary works—three hundred short stories, twelve novels, three plays, more than 200 essays and one dozen translations were published. This is an exceptional story of a great and noble struggle, and unremitting labor. As Premchand has cautioned, people with a desire to explore hills and scale mountains would not find anything interesting, or breathtaking in this simple story. But, this very simplicity, is Premchand’s speciality (bête noire). His simplicity, humbleness, and unassuming nature did not make him stand out in public. People often failed to recognize him, resulting in a great deal of inconvenience sometimes. One such incident occurred when he de-boarded the train at Patna Junction. Contrary to all expectations, nobody came forward to receive him. His hosts were there at the station, no doubt, but having failed to recognize him in the crowd they did not come to him. All they had was a photograph of his. They asked many people, if they were Premchand, but did not ask the writer himself. As a result he was greatly inconvenienced, and was left with no other option than to spend the entire night at the railway station. In the morning when all the passengers had left and the platform was deserted, his young host asked Premchand indifferently: Have you come from Lucknow”. Premchand replied “Oh! Yes, I’m coming from Lucknow.” Host : Are you Premchand? Premchand: Yes, I am. His tone had become stony. The host was nonplussed, and after greeting him with respect, took the water container which was clad in a dirty khadi handkerchief. His tone betraying guilt and shame, the host introduced himself. Premchand’s face brightened with relief, joy and contentment with a trace of annoyance. But, he said nothing. When they got into the vehicle which had been sent to receive him, politely, the host asked, if he had faced any inconvenience. “Inconvenience!” Came the rhetoric “The whole night I was in a dilemma, considering whether I should wait, or return. I went to the platform 42 :: January-March 2012
and the train also arrived, but could not board it. I thought, it would hurt your feelings.” When the host started giving the explanation for this misdemeanor, Premchand replied, “This is what I am saying-when you didn’t recognize me, in that case you should have called out my name. It wouldn’t have lowered my prestige.” This is how Premchand was, completely devoid of pride and glamour. Always deeply concerned about the problems of others, but, not his own. This very simplicity of character is what makes him stand out as an extraordinary human being- held in high esteem by people who knew him. This simplicity is carried forward in his literary works as well. It is not a coincidence that the subject matter of his literary works is the ordinary, common man full of humbleness. In the Indian context, this ordinary man is the peasant. Very early in life, Premchand understood that the progress of his country depended on its people. In one of his essays, “Daure Jajid” published in the Urdu monthly “Zamana” he wrote: The way things are changing in the world around, it is evident that, the coming years will be dominated by the Peasant and Worker classes. India cannot for long remain unaffected by this. Even the highest Himalayan Peaks cannot prevent it. Sooner or later, perhaps, soon enough, we shall witness the people of India, fighting for their rights. Before the revolution took place who had fathomed the energy and strength lying dormant among the oppressed! It is with this truthful fact in mind that Premchand wrote Premashram in 1921, in which peasant characters Manohar, Balraj, Kadir emerge in a new light for the first time in Indian Literature. Premashram is the first voice of dissent and organized rebellion of the peasant farmers of Awadh against “Begaar”. Later the movement against payment of lagaan gathers strength. In this novel a young man Balraj, addresses a peasant gathering in which his oratory creates ripples in the minds of his listeners— ‘You people laugh as if tenant farmers are of no value. They are only meant to pay Begaar Tax to the landlords. But the newspapers, that I have read, inform that tenant farmers have made a breakthrough and emerged as a powerful class there.’ This was the period when Gandhiji emerged on the political arena and inspired millions of poor people residing in the villages to participate whole heartedly in the freedom struggle. Premchand is the first novelist to have portrayed this growing feeling of nationalism in his novel. It was in those days that the celebrated poet Rabindra Nath Tagore’s article “the call of truth” was published in the “Modern Review”. Disagreeing with Gandhiji’s Non- Cooperation Movement, he wrote: ‘‘In the morning when the bird awakens and soars the skies in search of food, its wings embrace the sky, and musical song bursts forth from its very being”. January-March 2012 :: 43
- Page 1 and 2: A Journal of Mahatma Gandhi Antarra
- Page 3 and 4: L A N G U A G E DISCOURSE W R I T I
- Page 5 and 6: Editor's Note ‘Hindi’ is primar
- Page 7 and 8: Heritage EK TOKRI BHAR MITTI Madhav
- Page 9 and 10: Discourse THE IMPORTANCE OF MADHAV
- Page 11 and 12: nationalism into literature; societ
- Page 13 and 14: 1. History of India, and other coun
- Page 15 and 16: anch of knowledge— natural and so
- Page 17 and 18: country, growing indignation at the
- Page 19 and 20: the consciousness of the colonized
- Page 21 and 22: and we rise above religious dogma,
- Page 23 and 24: forces of liberty and patriotism tr
- Page 25 and 26: his thoughts boldly, without fear.T
- Page 27 and 28: characteristics of the age in which
- Page 29 and 30: For, when father having been engage
- Page 31 and 32: and panegyrists going and singing p
- Page 33 and 34: I burst forth, ‘‘Aha, Niuniya!
- Page 35 and 36: aid. The flower was punished forthw
- Page 37 and 38: years in this guileful world I roam
- Page 39 and 40: form. Now, once again there was a s
- Page 41: Discourse LIFE AND IDEALS OF PREMCH
- Page 45 and 46: Discourse THE CONCEPT OF INDIANNESS
- Page 47 and 48: of first novel goes to the Genji Mo
- Page 49 and 50: untouchable boy. The boy is from
- Page 51 and 52: eligious leaders. Premchand in his
- Page 53 and 54: · Partition of India and growth of
- Page 55 and 56: 2) Ghar ki Raah, Indra Basawada, Sa
- Page 57 and 58: Sahai, Nagendra, Bhagwat Sharan Upa
- Page 59 and 60: two women (Rekha and Gaura) simulta
- Page 61 and 62: significant. Since real aspects lik
- Page 63 and 64: Another very major challenge that e
- Page 65 and 66: students of Dacca University had ta
- Page 67 and 68: Culture THE BHARATNATYAM HERITAGE I
- Page 69 and 70: and her husband also migrated to Ho
- Page 71 and 72: for her has been the one at Chidamb
- Page 73 and 74: long years? Pallav—Did it reflect
- Page 75 and 76: publicising myself and my writing b
- Page 77 and 78: Short Story BUDHIA Ramvriksha Benip
- Page 79 and 80: find her carrying loads of grass on
- Page 81 and 82: pat the other’s back, and with he
- Page 83 and 84: tea break, it would also be a break
- Page 85 and 86: There was a mouth organ in Raka Mas
- Page 87 and 88: He was watching me in a strange man
- Page 89 and 90: and bowed before the engine. I saw
- Page 91 and 92: Climbing down the slope, that girl
He took up jobs in Benaras, Kanpur and<br />
Lucknow for about 8-9 years. Ultimately,<br />
in 1930, he set up his own publication<br />
house, but his financial situation did not<br />
improve. On receiving an invitation by<br />
a film company, he went to Bombay in<br />
1934, but deterred by the life in the<br />
metropolis, he returned, being unable to<br />
cope up with the life there. His health<br />
failed and he passed away on 8th October<br />
1936.<br />
His literary career started in 1901,<br />
writing in Urdu first, and then, in <strong>Hindi</strong>.<br />
But all his life he remained a bilingual<br />
writer. His collection <strong>of</strong> fine short stories<br />
“Soze Vatan” enraged the British Government<br />
greatly and hence, he was accused<br />
<strong>of</strong> treason. He was labelled a rebel and<br />
his books were burnt. The writer that we<br />
revere today rose out <strong>of</strong> this sacred fire.<br />
In his thirty-five year career <strong>of</strong> creative<br />
writing he spilled out an enormous amount<br />
<strong>of</strong> literary works—three hundred short<br />
stories, twelve novels, three plays, more<br />
than 200 essays and one dozen translations<br />
were published. This is an exceptional story<br />
<strong>of</strong> a great and noble struggle, and unremitting<br />
labor.<br />
As Premchand has cautioned, people<br />
with a desire to explore hills and scale<br />
mountains would not find anything interesting,<br />
or breathtaking in this simple<br />
story. But, this very simplicity, is<br />
Premchand’s speciality (bête noire). His<br />
simplicity, humbleness, and unassuming<br />
nature did not make him stand out in<br />
public. People <strong>of</strong>ten failed to recognize<br />
him, resulting in a great deal <strong>of</strong> inconvenience<br />
sometimes. One such incident<br />
occurred when he de-boarded the train<br />
at Patna Junction. Contrary to all expectations,<br />
nobody came forward to receive<br />
him. His hosts were there at the station,<br />
no doubt, but having failed to recognize<br />
him in the crowd they did not come to<br />
him. All they had was a photograph <strong>of</strong><br />
his. They asked many people, if they were<br />
Premchand, but did not ask the writer<br />
himself. As a result he was greatly<br />
inconvenienced, and was left with no other<br />
option than to spend the entire night at<br />
the railway station. In the morning when<br />
all the passengers had left and the platform<br />
was deserted, his young host asked<br />
Premchand indifferently: Have you come<br />
from Lucknow”. Premchand replied “Oh!<br />
Yes, I’m coming from Lucknow.”<br />
Host : Are you Premchand?<br />
Premchand: Yes, I am.<br />
His tone had become stony. The host<br />
was nonplussed, and after greeting him<br />
with respect, took the water container<br />
which was clad in a dirty khadi handkerchief.<br />
His tone betraying guilt and shame,<br />
the host introduced himself. Premchand’s<br />
face brightened with relief, joy and<br />
contentment with a trace <strong>of</strong> annoyance.<br />
But, he said nothing. When they got into<br />
the vehicle which had been sent to receive<br />
him, politely, the host asked, if he had<br />
faced any inconvenience. “Inconvenience!”<br />
Came the rhetoric “The whole night I was<br />
in a dilemma, considering whether I should<br />
wait, or return. I went to the platform<br />
42 :: January-March 2012