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A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

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as some <strong>of</strong> the details are purely fictitious<br />

in nature. For example, somewhere in the<br />

book, it has been mentioned that Vyasji<br />

handed over a pair <strong>of</strong> binoculars to Sanjay<br />

in order to aid him to have a clear view<br />

<strong>of</strong> the battle field so that he could narrate<br />

it to Dhritrashtra. A reference from the<br />

text was also given in order to prove<br />

the authenticity <strong>of</strong> this imaginary allusion.<br />

But no quotation from the text followed<br />

it.<br />

Giving quotations from the text Sapreji<br />

refutes the false statement made by the<br />

author, that Sanjay had used binoculars.He<br />

goes on to question its truth. His critique<br />

is exemplary.“Can the true India emerge<br />

out <strong>of</strong> this false façade hidden as she is<br />

under a veneer <strong>of</strong> glorification?” Such false<br />

conjectures that India had been a pioneer<br />

in every field be it in the field <strong>of</strong> education,<br />

governance, mathematics, astrology,<br />

geography, art, chemistry, and that she<br />

was an epitome <strong>of</strong> perfection and hence<br />

nothing more was left to be discovered<br />

in the field <strong>of</strong> knowledge—is in total<br />

opposition to historical facts. This<br />

hyperbolic picturisation may suit the<br />

imaginative genius <strong>of</strong> a poet, but not those<br />

who believe in historical facts. The Realists<br />

will never appreciate such<br />

exaggeration.Commenting on it, Sapreji<br />

says that such books are compiled in order<br />

to eulogize our ancestors and induce us<br />

to take pride in their versatility surrounding<br />

them in a halo <strong>of</strong> greatness. Even in the<br />

modern times we do come across writers<br />

who are intent upon idolizing India, and<br />

assigning her the place <strong>of</strong> Jagadguru “World<br />

Teacher”. Giving a clarion call to other<br />

aspiring critics, he says that such works<br />

based on imaginary allusions need to be<br />

severly criticized <strong>of</strong> which Sapreji is an<br />

excellent example.<br />

In December, 1902, Sapreji wrote a<br />

detailed review on the eminent prose writer<br />

and Acharya, Dandi. Besides examining<br />

the different possible doctrines in vogue,<br />

during Dandi’s time, he wrote a detailed<br />

critique <strong>of</strong> “Dashkumar Charitra.” The latter<br />

gives us an insight into Sapreji’s depth<br />

<strong>of</strong> knowledge <strong>of</strong> Sanskrit. Poets like—Kalidas,<br />

Bhavbhuti, Subandhu, Banbhatta. This was<br />

the beginning <strong>of</strong> comparative study in<br />

Literature. During the last few decades<br />

a new trend seems to have emerged—<br />

a quest for ‘Hindu India.’ As a concomitant<br />

to that quest deep rooted Indian values<br />

embedded in modern and classical <strong>Hindi</strong><br />

Literature are being explored. Some literary<br />

critics in an attempt to pick out the Indian<br />

element in novels are intent upon placing<br />

“Dashkumar Charitra; Vasavdatta; and<br />

Kadambari” in the category <strong>of</strong> novels.<br />

Refuting this claim made by the critics<br />

Sapreji goes on to prove the contrary.<br />

He observes:-“The novel lacks a story,<br />

the most essential element in a novel.<br />

Neither has the poet tried to trace its<br />

legendary origin, nor has he tried to<br />

embellish his work according to the<br />

demands <strong>of</strong> a particular school <strong>of</strong> thought.<br />

Moreover, it does not reflect the<br />

26 :: January-March 2012

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