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A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

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his thoughts boldly, without fear.This daring<br />

skill can be found in Sapreji’s critical works.<br />

Sapreji has written a critical appreciation<br />

<strong>of</strong> Mishra Bandhu’s ‘Lav Kush Charitra’<br />

which was published in ‘Chhatisgarh Mitra’<br />

in five consecutive issues. Shyam Bihari<br />

Mishra was the Deputy Collector <strong>of</strong> Benaras<br />

and a renowned literatteur as well. It was<br />

highly appreciated by newspapers and<br />

eminent scholars. Sapreji did not approve<br />

<strong>of</strong> this unrestrained applaud. Therefore<br />

he stated : “If only singing praises <strong>of</strong> a<br />

literary work fulfills the criteria <strong>of</strong> a critical<br />

review, there is no need to write much.”<br />

The first objection raised by Sapreji in<br />

his review is that, it is not in conformity<br />

with the interest and mental outlook <strong>of</strong><br />

the modern day reader. Driving home his<br />

point forcefully he observes :“ We are<br />

living in the 19th and 20th Century, a<br />

day <strong>of</strong> modern education and novel ideas,<br />

where the interests <strong>of</strong> the people are at<br />

great variance from those <strong>of</strong> the people<br />

<strong>of</strong> the 16th century. It will just be mere<br />

daring and wishful thinking on the part<br />

<strong>of</strong> the modern poet if he tries to win<br />

the approbation <strong>of</strong> his readers by vainly<br />

trying to arouse their interest using the<br />

same tools and methods that were used<br />

earlier by the 16th century poets.’’<br />

Emphasizing his point further, he says,<br />

‘‘What I mean to say, is, before composing<br />

a poem or any subject, the poet must<br />

deliberate over some important aspects<br />

<strong>of</strong> poetry—country, time, situation,<br />

character. Those, who do so in proper<br />

manner, their poetry becomes popular,<br />

and they succeed in attaining the status<br />

<strong>of</strong> a national poet.<br />

Citing the example <strong>of</strong> Valmiki’s<br />

Ramayana, Gemini Puran, Ramashwamegh<br />

etc, he says the poignant episodes have<br />

not been brought to light, while there<br />

are unnecessary and irrelevant digressions.<br />

Pointing out the limitations <strong>of</strong> its poetic<br />

technique he says that the very essence<br />

<strong>of</strong> the poem has been diluted, because<br />

<strong>of</strong> the excessive use <strong>of</strong> couplets. He has<br />

also pointed out the grammatical and<br />

linguistic errors. Viewed in totality, the<br />

critique is testimony <strong>of</strong> his disillusioned<br />

poetic wisdom and the boldness to express<br />

the truth with a daring that is unsurpassed.<br />

Many eminent critics <strong>of</strong> today are vying<br />

with each other to impart greatness to<br />

important literary personages in the<br />

bureaucracy- renowned I.A.S. and I.P.S.<br />

<strong>of</strong>ficers. In such a scenario, Sapreji’s<br />

impartial and independent judgement<br />

coupled with truthfulness is pr<strong>of</strong>oundly<br />

astonishing and highly laudable.<br />

Sapreji’s keen historical perception is<br />

revealed in his critical review <strong>of</strong> “Bharat<br />

Gaurav Darshan”, translation <strong>of</strong> an Urdu<br />

book. The translator claims with conviction<br />

that, on the basis <strong>of</strong> authentic evidence,<br />

India may be placed on a high pedestal<br />

<strong>of</strong> glory. But, a detailed study <strong>of</strong> the text<br />

reveals that undue praise has been<br />

showered on it without any authenticity<br />

January-March 2012 :: 25

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