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A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

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woman is repeatedly beaten up, be called<br />

‘home’ or ‘family’ in it’s true sense?<br />

Absolutely not. It is just a ‘place’ for her.<br />

Neither is ‘home’ merely the shelter that<br />

a ro<strong>of</strong> provides, nor ‘family’ a provision<br />

to stay with some people. Till mutually<br />

sentient relationships and their resultant<br />

warmth are absent, it cannot be termed<br />

‘home’ or ‘family’. After all, if it’s not<br />

‘home’ and its inhabitants not ‘family’, why<br />

is she there? With which ‘hook’ is she<br />

so tightly fettered with a strong ‘lasso’<br />

that she has to twist her neck and try<br />

to wring herself free every-time. This ‘hook’<br />

is the patriarchal structure. To note is<br />

that patriarchal structure does not solely<br />

mean that man is the head <strong>of</strong> the family.<br />

Had it been just this then this ‘hook’ would<br />

have been uprooted long back, or the<br />

‘lasso’ would have ripped apart. Does it<br />

need to be said that this structure has<br />

been configured shrewdly and deftly, and<br />

continues to be consolidated today.<br />

Economic, religious, political,<br />

constitutional and cultural frameworks, and<br />

values, limits, yardsticks, ideals and various<br />

manifestations <strong>of</strong> different beliefs, social<br />

relations and thought processes come<br />

together in an intricate composition for<br />

this. Through this, Patriarchy institutes<br />

and sets forth the misconception <strong>of</strong> man<br />

being better than woman.<br />

In the poem, the woman has no way<br />

out and no final refuge. It is evident that<br />

she has to chart her own way and be<br />

her own refuge. The woman knows this.<br />

This knowledge and a strong wish keeps<br />

her from heading to the rail-tracks or<br />

the river. Therefore, running away<br />

repeatedly after being battered is not simply<br />

exodus but a step in charting the path<br />

to formulating an alternative. It is also<br />

crucial to remember the feeling <strong>of</strong> pain<br />

<strong>of</strong> being physically beaten. Without this<br />

feeling, the dream won’t remain and the<br />

thirst to change her life would lose its<br />

urgency. Without this urgency, she won’t<br />

be able to twist her neck for all she could<br />

to try and slacken the ‘hook’.<br />

On one hand, Patriarchy has held the<br />

woman captive within the house and<br />

disregarded the value <strong>of</strong> her domestic<br />

labour. On the other, she has been<br />

conditioned to rationalize her exploitation<br />

as normal through disseminating various<br />

ideals and values. Absence <strong>of</strong> economic<br />

independence and the presence <strong>of</strong> social<br />

values and customs stop the woman in<br />

this poem from finding her own abode.<br />

These ideological constraints are so pressing<br />

that only so far as her lasso can take<br />

her, i.e. temple stairs, parents’ place or<br />

a relative’s house, become the limits <strong>of</strong><br />

her perimeter. Then, to return to her inlaws’<br />

place is her tragic fate. But her<br />

recurrent dream <strong>of</strong> every night will be<br />

her route to gaining freedom, changing<br />

her life. The reasons that compel one to<br />

contemplate this poem in its detail are<br />

that along with it being the reality <strong>of</strong><br />

January-March 2012 :: 135

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