A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya
A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya
A Journal of Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya
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woman is repeatedly beaten up, be called<br />
‘home’ or ‘family’ in it’s true sense?<br />
Absolutely not. It is just a ‘place’ for her.<br />
Neither is ‘home’ merely the shelter that<br />
a ro<strong>of</strong> provides, nor ‘family’ a provision<br />
to stay with some people. Till mutually<br />
sentient relationships and their resultant<br />
warmth are absent, it cannot be termed<br />
‘home’ or ‘family’. After all, if it’s not<br />
‘home’ and its inhabitants not ‘family’, why<br />
is she there? With which ‘hook’ is she<br />
so tightly fettered with a strong ‘lasso’<br />
that she has to twist her neck and try<br />
to wring herself free every-time. This ‘hook’<br />
is the patriarchal structure. To note is<br />
that patriarchal structure does not solely<br />
mean that man is the head <strong>of</strong> the family.<br />
Had it been just this then this ‘hook’ would<br />
have been uprooted long back, or the<br />
‘lasso’ would have ripped apart. Does it<br />
need to be said that this structure has<br />
been configured shrewdly and deftly, and<br />
continues to be consolidated today.<br />
Economic, religious, political,<br />
constitutional and cultural frameworks, and<br />
values, limits, yardsticks, ideals and various<br />
manifestations <strong>of</strong> different beliefs, social<br />
relations and thought processes come<br />
together in an intricate composition for<br />
this. Through this, Patriarchy institutes<br />
and sets forth the misconception <strong>of</strong> man<br />
being better than woman.<br />
In the poem, the woman has no way<br />
out and no final refuge. It is evident that<br />
she has to chart her own way and be<br />
her own refuge. The woman knows this.<br />
This knowledge and a strong wish keeps<br />
her from heading to the rail-tracks or<br />
the river. Therefore, running away<br />
repeatedly after being battered is not simply<br />
exodus but a step in charting the path<br />
to formulating an alternative. It is also<br />
crucial to remember the feeling <strong>of</strong> pain<br />
<strong>of</strong> being physically beaten. Without this<br />
feeling, the dream won’t remain and the<br />
thirst to change her life would lose its<br />
urgency. Without this urgency, she won’t<br />
be able to twist her neck for all she could<br />
to try and slacken the ‘hook’.<br />
On one hand, Patriarchy has held the<br />
woman captive within the house and<br />
disregarded the value <strong>of</strong> her domestic<br />
labour. On the other, she has been<br />
conditioned to rationalize her exploitation<br />
as normal through disseminating various<br />
ideals and values. Absence <strong>of</strong> economic<br />
independence and the presence <strong>of</strong> social<br />
values and customs stop the woman in<br />
this poem from finding her own abode.<br />
These ideological constraints are so pressing<br />
that only so far as her lasso can take<br />
her, i.e. temple stairs, parents’ place or<br />
a relative’s house, become the limits <strong>of</strong><br />
her perimeter. Then, to return to her inlaws’<br />
place is her tragic fate. But her<br />
recurrent dream <strong>of</strong> every night will be<br />
her route to gaining freedom, changing<br />
her life. The reasons that compel one to<br />
contemplate this poem in its detail are<br />
that along with it being the reality <strong>of</strong><br />
January-March 2012 :: 135