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FILM<br />
HK Magazine’s Best Scary Flicks<br />
Spending the weekend indoors? Evelyn Lok and Katie Kenny pick their top terrifiers.<br />
Best Horror Classic<br />
We’re going with two devilishly sinister psychological greats. Stanley Kubrick’s “The Shining”<br />
(1980) is an adaptation of a Stephen King novel, in which a seemingly normal family man<br />
takes a position as hotel caretaker, at a deadly quiet hotel during the winter months. And in<br />
“The Omen,” (1976) everyone surrounding an American diplomat’s freaky-looking son seems<br />
to be dying a horrible death. Could the child be the spawn of Satan? Spoiler: yeah, probably.<br />
Best Ghost Hunters<br />
Real-life Amityville Horror-solvers Ed and Lorraine<br />
Warren showcase their ghost-busting skills in “The<br />
Conjuring,” (2013) a 1970s-style horror from “Saw”<br />
director James Wan. Haunted-house movies don’t<br />
usually get us, but Wan’s suspenseful Hitchcockian<br />
shots left us shaking in our seats. Not even the dog<br />
would go in the remote farmhouse! Listen to the dog!<br />
Best Spoof<br />
Lazy afternoons and cold beers go hand-in-hand while<br />
watching Simon Pegg’s “Shaun of the Dead” (2004)—<br />
its one-liners and silliness make it the King of zombie<br />
parodies. A very different kind of spoof comes in the<br />
form of Joss Whedon’s “The Cabin in the Woods,”<br />
(2012) who turns every single horror trope on its head,<br />
to freakish yet hilariously satisfying results.<br />
Best Gory Flick<br />
Fruit Chan’s most iconic 2004 flick “Dumplings” isn’t<br />
one of those boring films where blood and guts get<br />
flung around the screen. Instead it’s a slow, agonizing<br />
gorefest based on a Chinese urban myth, which claims<br />
that eating a fetus will preserve your youth. We dare<br />
you to eat a bowl of wonton noodles after seeing it.<br />
Best Found Footage Horror<br />
“The Blair Witch Project” (1999) was the “Jaws”<br />
of camping: ain’t nobody going to pitch a tent after<br />
watching that. We’re still waiting for a horror-slashlost-footage<br />
flick which can hold a flame to the OG<br />
of the genre.<br />
Best Kid-Scarer<br />
Roald Dahl’s original book was an amazing work<br />
of storytelling, but it was the 1990 adaptation of<br />
“The Witches” that really scarred us for life.<br />
Ju-on: The Beginning of the End<br />
(Japan) The “Ju-on” horror franchise<br />
continues with its seventh installment. The<br />
series revolves around the same cursed<br />
house in Nerima, Tokyo, where an enraged<br />
husband suspects his wife of having an affair<br />
and murders her, their son and their pet cat.<br />
“The Beginning of the End” tells the original<br />
story of how the curse came about.<br />
This sounds like the beginning of a<br />
new beginning, doesn’t it?<br />
The Judge<br />
(USA) Robert Downey Jr. plays a hotshot<br />
lawyer (asshole; what RDJ does best) who<br />
returns to his rural hometown for his mother’s<br />
funeral, and is forced to make contact with his<br />
estranged father (Robert Duvall)—the town’s<br />
revered judge—who he finds is suspected<br />
of murder. He becomes determined to find<br />
the truth, while awkwardly bonding with his<br />
folks again. A sappy plot, saved by great lead<br />
performances. PPP<br />
36 HK MAGAZINE FRIDAY, October 24, 2014