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FILM<br />

HK Magazine’s Best Scary Flicks<br />

Spending the weekend indoors? Evelyn Lok and Katie Kenny pick their top terrifiers.<br />

Best Horror Classic<br />

We’re going with two devilishly sinister psychological greats. Stanley Kubrick’s “The Shining”<br />

(1980) is an adaptation of a Stephen King novel, in which a seemingly normal family man<br />

takes a position as hotel caretaker, at a deadly quiet hotel during the winter months. And in<br />

“The Omen,” (1976) everyone surrounding an American diplomat’s freaky-looking son seems<br />

to be dying a horrible death. Could the child be the spawn of Satan? Spoiler: yeah, probably.<br />

Best Ghost Hunters<br />

Real-life Amityville Horror-solvers Ed and Lorraine<br />

Warren showcase their ghost-busting skills in “The<br />

Conjuring,” (2013) a 1970s-style horror from “Saw”<br />

director James Wan. Haunted-house movies don’t<br />

usually get us, but Wan’s suspenseful Hitchcockian<br />

shots left us shaking in our seats. Not even the dog<br />

would go in the remote farmhouse! Listen to the dog!<br />

Best Spoof<br />

Lazy afternoons and cold beers go hand-in-hand while<br />

watching Simon Pegg’s “Shaun of the Dead” (2004)—<br />

its one-liners and silliness make it the King of zombie<br />

parodies. A very different kind of spoof comes in the<br />

form of Joss Whedon’s “The Cabin in the Woods,”<br />

(2012) who turns every single horror trope on its head,<br />

to freakish yet hilariously satisfying results.<br />

Best Gory Flick<br />

Fruit Chan’s most iconic 2004 flick “Dumplings” isn’t<br />

one of those boring films where blood and guts get<br />

flung around the screen. Instead it’s a slow, agonizing<br />

gorefest based on a Chinese urban myth, which claims<br />

that eating a fetus will preserve your youth. We dare<br />

you to eat a bowl of wonton noodles after seeing it.<br />

Best Found Footage Horror<br />

“The Blair Witch Project” (1999) was the “Jaws”<br />

of camping: ain’t nobody going to pitch a tent after<br />

watching that. We’re still waiting for a horror-slashlost-footage<br />

flick which can hold a flame to the OG<br />

of the genre.<br />

Best Kid-Scarer<br />

Roald Dahl’s original book was an amazing work<br />

of storytelling, but it was the 1990 adaptation of<br />

“The Witches” that really scarred us for life.<br />

Ju-on: The Beginning of the End<br />

(Japan) The “Ju-on” horror franchise<br />

continues with its seventh installment. The<br />

series revolves around the same cursed<br />

house in Nerima, Tokyo, where an enraged<br />

husband suspects his wife of having an affair<br />

and murders her, their son and their pet cat.<br />

“The Beginning of the End” tells the original<br />

story of how the curse came about.<br />

This sounds like the beginning of a<br />

new beginning, doesn’t it?<br />

The Judge<br />

(USA) Robert Downey Jr. plays a hotshot<br />

lawyer (asshole; what RDJ does best) who<br />

returns to his rural hometown for his mother’s<br />

funeral, and is forced to make contact with his<br />

estranged father (Robert Duvall)—the town’s<br />

revered judge—who he finds is suspected<br />

of murder. He becomes determined to find<br />

the truth, while awkwardly bonding with his<br />

folks again. A sappy plot, saved by great lead<br />

performances. PPP<br />

36 HK MAGAZINE FRIDAY, October 24, 2014

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