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The <strong>Almeida</strong> <strong>Theatre</strong>’s Creative Learning<br />
Programme for Young People<br />
September 2010 - August 2011
WELCOME!<br />
The following pages summarise the activity<br />
that has taken place between September<br />
2010 and August 2011. It has been an<br />
incredibly busy and exciting year for us –<br />
with lots of activity for both school groups<br />
and for Young Friends.<br />
<strong>Almeida</strong> Projects provides an active, creative link between our theatre<br />
and its audience, more specifically an audience that may not have<br />
considered that the theatre might be for them. This is not simply to<br />
ensure an audience for the future; it is to establish the right of every<br />
individual to self-expression, to the belief that they possess creative<br />
potential, that theatre is a populist, collaborative art form as available<br />
to them as to everybody else.<br />
Whether any young person working with us goes on to become a<br />
professional writer, actor, director, designer, administrator or technician<br />
is of secondary interest. Our aim is to act as a catalyst to their energies,<br />
to their hunger to participate – celebrating the creativity of young<br />
people in the best way we know how: by offering them our experience,<br />
our expertise and our unique theatre.<br />
Michael Attenborough<br />
Artistic Director, <strong>Almeida</strong> <strong>Theatre</strong><br />
Our work with and for schools was as strong as ever<br />
this year. Particular highlights were Crawling in the<br />
Dark by Natalie Mitchell – a new play commissioned<br />
specifically for young people that saw 954 young<br />
theatregoers coming through the <strong>Almeida</strong>’s doors,<br />
and being totally enthralled by the action on stage;<br />
and the Becky Shaw Residencies with seven classes<br />
from five schools who came together to share their<br />
work on the <strong>Almeida</strong> stage in March.<br />
The Young Friend of the <strong>Almeida</strong> scheme has also<br />
grown in strength and further embedded itself into<br />
the ethos of the organisation. Particular highlights of<br />
this year’s activity were ScriptLAB and the One Act<br />
Play Festival, where eight writers produced eight new<br />
plays that other Young Friends then performed at<br />
the theatre; and the Young Friends Festival, curated<br />
by the YFA Creative Board, which included<br />
workshops and performances for and by Young<br />
Friends.<br />
July 2011 also marked the culmination of the third<br />
year of the Trainee Workshop Leader Programme – it<br />
has really grown in strength and reputation since its<br />
inception in 2008, and we are delighted that we will<br />
be working in partnership with Central School of<br />
Speech and Drama to deliver the scheme in 2011-12.<br />
We wish all of the 10-11 trainees every success in<br />
their future careers and look forward to working with<br />
the 2011-12 cohort.<br />
It really has been a fantastic year, and we are<br />
delighted to have almost achieved our fundraising<br />
target to enable this vital and hugely worthwhile<br />
work to continue through 2011/12.<br />
We would like to thank all partners, funders and staff<br />
who have supported this work over the last year –<br />
and we look forward to working with you again.<br />
Samantha, EJ, Natalie and Charlie<br />
<strong>Almeida</strong> Projects Team
Creative Learning Facts and Figures 2010 – 2011<br />
Overall, <strong>Almeida</strong> Projects worked with<br />
• 2,550 individuals<br />
• Providing 10,444 opportunities for these individuals<br />
Subsidised Ticket Scheme<br />
This scheme provided 56 different schools and 1555 students with a unique and wellsupported<br />
theatre-going experience.<br />
Students received a top price ticket to the show, at a hugely discounted rate; participated in an<br />
introductory workshop (timetabled at a convenient time for the school, pre-show); received a host for<br />
the evening; were given free copies of the programme; and were given access to <strong>Almeida</strong> Projects<br />
Resource Packs with specific information and contextual articles relating to the production to support<br />
further learning in the classroom.<br />
Schools and Colleges<br />
Specifically, <strong>Almeida</strong> Projects worked with<br />
• 63 schools (8 partner schools; 17 local borough schools and 38 other schools)<br />
• 2038 school students (500 of these on durational residency projects)<br />
• Providing 7199 opportunities for these students<br />
• 216 active Young Friends of the <strong>Almeida</strong> (although there were 418 registered members)<br />
• Providing 2926 opportunities for these Young Friends<br />
• 98 freelance artists (providing 1427 employment opportunities for these artists)<br />
• 198 opportunities for teachers to engage with the <strong>Almeida</strong>’s programme of work<br />
‘Thank you for the excellent introductory<br />
workshop... The students absolutely loved it<br />
and it has really whetted their appetite for<br />
tomorrow's performance. You are doing really<br />
excellent work...outside London it can be<br />
difficult to access cultural activities like this.<br />
Teacher, Cedars Upper School, Bedfordshire<br />
Teachers Evenings<br />
198 teachers attended 5 Teachers’ Evenings, providing an opportunity for local performing arts teachers<br />
and representatives from selected arts and community organisations to come together, see the show and<br />
assess its suitability for their students, meet the Projects team, and each other, and find out more about<br />
<strong>Almeida</strong> Projects activities.<br />
‘I wanted to get in touch to thank you for a brilliant evening... As a new teacher at<br />
The City Academy this was the first such event I have attended and I was astounded<br />
by your hospitality. It was a real privilege to have been invited to watch the show and<br />
fascinating to listen to [director] Travis Preston speaking about his work... I would love<br />
to attend future Teachers’ Evenings and applaud the work that you are doing to open<br />
up the <strong>Almeida</strong>’s programme to local arts teachers.’<br />
Teacher, The City Academy, Hackney<br />
<strong>Almeida</strong> Projects: Activity Report 10-11 3
Spin-off Production<br />
CRAWLING<br />
IN THE DARK<br />
A new play for young people aged 13+<br />
Five performances: Tuesday 5 April - Friday 8 April 2011<br />
by Natalie Mitchell<br />
The <strong>Almeida</strong> does not currently programme work as part of its main programme with a young audience<br />
in mind. However, the theatre firmly believes in the importance and necessity of creating high quality,<br />
accessible work for a young audience and has developed a formula for doing this - and programming it<br />
at a time that is suitable for school audiences. Crawling in the Dark was written in response to The Knot<br />
of the Heart by David Eldridge, to allow young people to access the play’s issues and themes in an<br />
appropriate and age-relevant context, placing the experience of young people at the heart of the story.<br />
Young people also consulted with the writer on the script and took part in early development workshops.<br />
‘My favourite part of the project was seeing the<br />
energy and talent in the final performance and<br />
seeing it all come together in such a short<br />
space of time.’<br />
Student<br />
Schools and Colleges<br />
Crawling in the Dark was a frank coming-of-age story that featured two siblings at crucial points of<br />
change in their personal and academic life, whose mother was a drug addict. In looking at how young<br />
people can become victims of substance misuse, the play focused on the issues of family, responsibility<br />
and choice.<br />
Tickets for the show were offered to schools for £5 each, or £3 to all local borough schools. <strong>Almeida</strong><br />
Projects worked with eight lawyers from Pinsent Masons to produce a comprehensive Resource Pack<br />
which included extensive practical exercises for use in the classroom, as well as detailed context relating<br />
to the law and responsibility around drugs and family.<br />
954 audience members attended; 682 of these were school bookings.<br />
‘...how much the Year 9s enjoyed and<br />
appreciated the performance (so did I!). It<br />
really ‘grabbed’ them and held their attention<br />
and interest throughout – all so believable and<br />
close to home for some.’<br />
Judy Gemmell, Islington Arts & Media School<br />
‘A great session, it’s really<br />
starting to look slick!’<br />
Teacher<br />
‘Amazing. Never before<br />
have I cried for a live<br />
performance. Truly<br />
moving. I would definitely<br />
watch it again. 10/10’<br />
Student, Highbury Grove School<br />
Equilibrium!<br />
City and Islington College<br />
June 2011<br />
<strong>Almeida</strong> Projects worked with three groups of City and Islington students for eight hours each, to<br />
explore and develop a physical language to explore the concept of balance – specifically the loss of<br />
balance that has been precariously maintained by Agnes, the central female character in A Delicate<br />
Balance – and what it means to them as young people. They presented their final piece on the <strong>Almeida</strong><br />
<strong>Theatre</strong> stage in June.<br />
4 <strong>Almeida</strong> Projects: Activity Report 09-10 5
Partner School Residencies<br />
‘I learned to speak with<br />
confidence and how to act in<br />
front of a live audience.’<br />
Student<br />
The Master Builder School Residencies<br />
Islington Arts and Media School, Highbury Fields School and St Mary Magdalene<br />
Academy<br />
September to December 2010<br />
Taking the themes of youth and ambition as a starting point - as young people, what do we dream<br />
about and why? And how do we go about achieving our goals? - The Master Builder Residencies<br />
encouraged students to explore their aspirations, as young people, with their whole lives ahead of them,<br />
and devised short performances based on this exploration. At its heart, the residency aimed to engage<br />
students creatively with the concept of ambition, particularly in an X-Factor age, where, arguably, young<br />
people are offered an unrealistic view of the path to success and fame: when you have your heart set on<br />
something, what lengths will you go to make it a reality? Or if it seems unachievable, will you just give<br />
up?<br />
3 Schools<br />
5 classes<br />
98 Year 10 students<br />
12 artists<br />
‘This sort of project is so worthwhile for our students: it gives<br />
them the opportunity to work in a professional manner with<br />
different practitioners and then to perform in an exciting space<br />
to a live audience. I cannot value this too highly in terms of<br />
their development, learning and attainment.’<br />
Teacher<br />
Partner School Residencies<br />
Becky Shaw School Residencies<br />
Highbury Grove School, Highbury Fields School, St Mary Magdalene Academy, Mount<br />
Carmel RC Technology College and Elizabeth Garret Anderson Language College.<br />
January to March 2011<br />
Focusing on the theme of being a victim of crime, specifically on how individuals respond to incidents<br />
and deal with them, participants devised response pieces to the <strong>Almeida</strong>’s production of Gina<br />
Gionfriddo's Becky Shaw. Participants came for a tour of the theatre, saw an abridged matinee of the<br />
show, and took part in devising workshops in their schools. Each group involved had a specific focus for<br />
their response piece that contributed to a whole day of shared presentations, with other schools, at the<br />
<strong>Almeida</strong> <strong>Theatre</strong> in March.<br />
6<br />
5 Schools<br />
7 Classes<br />
121 Year 10 Students<br />
23 Artists<br />
‘This was a fantastic opportunity to understand the demands<br />
on the actor – rehearsal process, technical, focus and class<br />
dynamics. Linking the activities together with a common song<br />
was great idea, well-pitched, and added to the energy of the<br />
piece. Seeing each others’ work was also wonderful and<br />
helped students to gauge their own abilities well.’<br />
Teacher<br />
<strong>Almeida</strong> Projects: Activity Report 10-11<br />
‘I learned how to produce a<br />
piece of work from scratch…<br />
it was a confidence boost.’<br />
Student
Schools and Colleges<br />
Into the <strong>Almeida</strong><br />
Highbury Grove School, St Mary Magdalene Academy, Elizabeth Garret Anderson<br />
Language College and Mount Carmel RC Technology College<br />
September 2010 to July 2011<br />
Into the <strong>Almeida</strong> was a series of bespoke workshops that introduced both students and teachers to the<br />
key elements of theatre practice, drawing on themes from <strong>Almeida</strong> <strong>Theatre</strong> plays. Workshops were<br />
tailored to the needs of the schools and supported curriculum learning. Workshops included:<br />
performing onstage; voice; devising and responding to stimuli; physical theatre and movement in<br />
performance; directing; theatre tours and practitioners.<br />
Schools and Colleges<br />
4 Schools<br />
15 classes<br />
505 year 10 and 11 students<br />
43 artists<br />
‘My favourite part of the process was performing on the<br />
<strong>Almeida</strong> stage in front of an invited audience. It gave us a<br />
chance to show our talent to our peers.’<br />
Student<br />
The team brought new and dynamic ideas and presented<br />
them in a professional and dramatic manner which added<br />
to the educational take of the school … The vast majority<br />
of students were focussed for the majority of time as well<br />
as being extended and stretched by the team – which is<br />
about as good as it gets in a special school!<br />
Teacher<br />
8<br />
‘I learned to have great confidence and how to project<br />
my voice and now I will enjoy acting in front of other<br />
people and not just my classmates.’<br />
Student<br />
<strong>Almeida</strong> Projects: Activity Repor 09-10<br />
Building Bridges<br />
The Bridge School<br />
September 2010 to March 2011<br />
Drawing on previous projects with the School, <strong>Almeida</strong> Projects moved a step further in its work with<br />
young people with disabilities by using the expertise of both organisations to experiment with different<br />
ways of working, and, ultimately, create good practice guidelines for producing theatres to work<br />
successfully with this client group.<br />
1 school<br />
35 year 7 to 12 students<br />
13 artists<br />
<strong>Almeida</strong> Projects: Activity Report 09-10 9
Young Friends of the <strong>Almeida</strong><br />
THE YOUNG FRIENDS FESTIVAL<br />
Curated by Young Friends inspired by the <strong>Almeida</strong> Festival 2011<br />
July 2011<br />
Building on the success of our annual LAB production for young people, this year's <strong>Almeida</strong> Festival<br />
included a spin-off Young Friends Festival. Taking inspiration from the <strong>Almeida</strong>'s productions<br />
throughout the year, and working with Festival artists, the Young Friends Creative Board curated,<br />
hosted and performed a variety of events for young audiences.<br />
The Rashomon Effect<br />
Written and performed by Young Friends in collaboration with Greyscale<br />
July 2011<br />
A group of nine writers and nine actors worked together over several weeks with Co-artistic director of<br />
Greyscale, Selma Dimitrijevic, in order to create a multi-voiced story of intrigue and deception. Closely<br />
echoing the creative process followed by Greyscale, each of the young writers provided a voice for one<br />
of the actors, and as a team they created a story for and with their audiences.<br />
Young Friends of the <strong>Almeida</strong><br />
173 people saw The Rashomon Effect.<br />
‘It was completely different to<br />
anything I’ve ever done beforein<br />
a good way!’’<br />
Inua Ellams Workshop Participant<br />
Workshops with Inua Ellams, Pin the Tale and Belarus Free <strong>Theatre</strong><br />
July 2011<br />
43 young people had the opportunity to work intensively, over a few hours, with artists from the<br />
Festival companies before seeing them perform in their respective shows.<br />
‘I really learnt how hard it was to multi-role<br />
and then create a character starting from<br />
how they walk!’<br />
Pin the Tale Workshop Participant<br />
<strong>Almeida</strong> Street Party<br />
July 2011<br />
‘The whole group was fascinated at the<br />
style of his writing of which I have<br />
never seen something similar before’<br />
Inua Ellams Workshop Participant<br />
To mark the closing of the <strong>Almeida</strong> Festival and Young Friend Festival, the <strong>Almeida</strong> <strong>Theatre</strong> hosted a<br />
street party on Sunday 31 July, with activities throughout the theatre building, bar and <strong>Almeida</strong> Street.<br />
Young Friends led backstage tours of the theatre to children under 12, and performed pop-up singing<br />
sessions throughout the afternoon.<br />
10<br />
<strong>Almeida</strong> Projects: Activity Report 10-11<br />
<strong>Almeida</strong> Projects: Activity Report 10-11 11
Young Friends of the <strong>Almeida</strong><br />
LAB 10-11:<br />
Young Friends of the <strong>Almeida</strong><br />
The Young Friend Festival<br />
October 2010 - July 2011<br />
ENCOURAGE<br />
THE<br />
OTHERS<br />
Between October 2010 and April 2011, 14 Young Friends met fortnightly to explore each play in the<br />
<strong>Almeida</strong> <strong>Theatre</strong>’s 10-11 Season through practical workshops. These workshops generated ideas and<br />
material for the playwright, John Donnelly, who then wrote a brand new play, Encourage the Others, for<br />
the group.<br />
In May, they moved into bi-weekly rehearsals with director Lu Kemp, who guided the group into<br />
production as part of the <strong>Almeida</strong> Festival in July 2011.<br />
The company of performers were supported throughout the year by five peer mentors, who had<br />
previously participated in the project. In addition, ten Young Friends worked alongside the <strong>Almeida</strong><br />
<strong>Theatre</strong>’s marketing department to devise a marketing strategy for the production, including filming<br />
and editing their own trailer.<br />
Fourteen other Young Friends undertook facilitation training, before delivering introductory workshops<br />
relating to the play in a number of community settings around Islington as part of the Platform<br />
Festival.<br />
‘It was the best experience<br />
of my life.’<br />
Young Friend<br />
‘Throughout this project we<br />
were told we would be treated<br />
like professionals and I felt<br />
that…I felt absolutely<br />
delighted.’<br />
Young Friend<br />
‘We’ve all bonded so<br />
much…now I have a<br />
LAB family.’<br />
Audience Member<br />
‘A truly ambitious, intelligent, challenging, darkly comic piece that was<br />
beautifully written, superbly directed and expertly performed. I was<br />
stunned by the participant's performances. They handled the complex<br />
material with such incredible confidence, knowing and subtlety.’<br />
Audience Member<br />
‘I am so grateful I have been able to build a<br />
relationship with the theatre that I am sure will<br />
continue for a very long time.’<br />
Young Friend<br />
<strong>Almeida</strong> Projects: Activity Report 10-11 13
Young Friends of the <strong>Almeida</strong><br />
MiniLABs<br />
Term-long projects where Young Friends of the <strong>Almeida</strong> met weekly to work towards a final<br />
performance.<br />
YFA ScriptLAB and the One-Act Play Festival<br />
Over nine weeks, thirteen Young Friends worked alongside a writer and dramaturg to develop first drafts of<br />
one act plays. Eight of these plays were then cast and rehearsed with other Young Friends, working<br />
alongside two professional directors. These were performed at the <strong>Almeida</strong> <strong>Theatre</strong> to an audience of over<br />
100 friends and family.<br />
13 writers / 15 performers / 1 stage manager / watched by over 100 audience members<br />
‘I learnt the technical parts to scriptwriting and<br />
really got to work closely with professionals.’<br />
Young Friend<br />
‘We got to enjoy the full<br />
performance process<br />
from the roots’<br />
Young Friend<br />
‘I hoped it would be fun and<br />
worthwhile which is what it really was.’<br />
Young Friend<br />
MiniLAB: The Hotel<br />
September to November 2010<br />
The Autumn MiniLAB introduced participants to a new way of creating theatre, by placing equal importance<br />
on the stories you tell physically, without words. Working with a movement specialist, participants explored<br />
different ways of telling a narrative using their bodies, developing a physical language to tell a story through<br />
a combination of improvisation, movement and physical theatre exercises.<br />
‘I really gained a lot from the feedback and feel like I<br />
had a lot of support.’ Young Friend<br />
‘I learned how in physical theatre both dialogue and your body<br />
can tell a story either at the same time or separately. It helped<br />
me become confident and aware of what my body can do.’<br />
Young Friend<br />
14 <strong>Almeida</strong> Projects: Activity Report 10-11 15
Young Friends of the <strong>Almeida</strong><br />
‘Loved it so much, it was so<br />
cool. I learnt more about<br />
Shakespeare than I ever<br />
learnt at school or college.’<br />
Young Friend<br />
Young Friends of the <strong>Almeida</strong><br />
‘I think it’s the most interesting workshop I’ve<br />
ever done. I felt that practitioners were<br />
teaching us essential skills and responding<br />
important questions as honestly as they could.’<br />
Young Friend: Auditions Masterclass participant<br />
Half Term Masterclasses<br />
Our Half Term Masterclasses give a bite-sized insight into a wide range of theatre practices,<br />
led by working industry professionals.<br />
June Half Term<br />
One Play-in-a-Day activity delivered as part of St Mary’s Church Soul in the City Event, performed as part of<br />
the Islington’s Got Talent show.<br />
15 Young Friends participated in the activities of the day.<br />
February Half Term<br />
Four day-long Masterclasses covering Acting Comedy, Auditions, Directing and a Play in a Day.<br />
69 Young Friends participated over the week.<br />
October Half Term<br />
Four day-long Masterclasses covering Prop Making, Auditions, Improvisation and Stage Combat.<br />
45 Young Friends participated over the week.<br />
‘I was made to feel very welcome on my first YFA workshop, and<br />
was surprised to work with such an inspirational individual’<br />
Young Friend: Directing Masterclass participant<br />
Happy Mondays<br />
Over the course of the year, a total of 207 Young Friends came to see <strong>Almeida</strong> <strong>Theatre</strong> productions for<br />
just £3, as well as participate in an introductory workshop with other Young Friends.<br />
<strong>Theatre</strong> Trips<br />
During the 10-11 Season, <strong>Almeida</strong> Projects organised theatre trips for Young Friends to visit a number<br />
of local venues, broadening their experience of theatregoing and fostering their knowledge of what’s<br />
availabile in their local community. Supported by <strong>Almeida</strong> Projects, Young Friends attended<br />
productions at Sadler’s Wells, the Arcola <strong>Theatre</strong>, the Pleasance <strong>Theatre</strong> and Soho <strong>Theatre</strong>.<br />
‘The show was AMAZING! Thank you so much...I thought it<br />
was really well written and I got a lot of ideas about script<br />
writing from it. ...I had a great night and the workshop was<br />
really cool too!<br />
Young Friend<br />
16<br />
<strong>Almeida</strong> Projects: Activity Report 10-11<br />
<strong>Almeida</strong> Projects: Activity Report 10-11 17
Young Friend of the <strong>Almeida</strong><br />
Young Friends Touring Company<br />
Choices and Falling<br />
September to December 2010<br />
January to April 2011<br />
The Young Friend Touring Company: a company of dedicated young performers who devise<br />
performances for other young people, inspired by the <strong>Almeida</strong>’s programme of work.<br />
In the Autumn term, the company created a piece entitled Choices which was inspired by themes<br />
including ambition and opportunity from the <strong>Almeida</strong>’s production of The Master Builder.<br />
The Spring term took it’s inspiration from David Eldridge’s The Knot of the Heart, and the subsequent<br />
performance, Falling, fused physical theatre and verbatim to explore the reflections of nine individuals<br />
during a shared moment in time.<br />
Over the two terms, the company toured their performance and workshop to over 20 different Year 7<br />
and 8 classes across Islington, as well as performing their work as a curtain raiser for the <strong>Almeida</strong><br />
Projects spin-off production, Crawling in the Dark. Their work was seen by over 900 students.<br />
The Young Friend Creative Board<br />
The Young Friend Creative Board is a youth advisory board made up of 10 members whose roles<br />
loosely mirror the staffing structure of the <strong>Almeida</strong> <strong>Theatre</strong>. The Board meet fortnightly to develop a<br />
strategy for the Young Friend scheme, and programme and promote Young Friend activity. Each board<br />
member is mentored and supported by their equivalent staff member from within the organisation.<br />
Young Friend of the <strong>Almeida</strong> Creative Board<br />
Key Achievements of the YFA Creative Board this year include:<br />
• Securing £16,000 funding for our annual LAB project from Islington Council’s funderstorm<br />
• Securing a silver level award from the Jack Petchey Foundation<br />
• Designing and creating a new promotional flyer for the Young Friends scheme<br />
• Planning and filming a short film about the Young Friends scheme<br />
• Curating the Young Friend’s Festival, which ran alongside the <strong>Almeida</strong> Festival<br />
• Projects Officers Hauk Pattison and Louie Keen have both participated in our trainee<br />
workshop leader programme, and gone on to gain paid work at the <strong>Almeida</strong> and for other<br />
companies<br />
• Artistic Director Desara Bosnja won a Young Achiever’s Award for her work for the board<br />
• Peer Mentor Shanice Stennett won an award for being apprentice of the year<br />
‘This was a fantastic performance by talented<br />
young actors. It was very valuable for our students<br />
to see for a number of reasons...it’s inspiring for<br />
them to see young performers taking their craft so<br />
seriously and performing to such a high level.’<br />
Teacher<br />
‘The <strong>Almeida</strong> gives me the hope that one day I will not only<br />
be working at the top of my game but also pioneering new<br />
ways to see, experience and create theatre…In short I<br />
wouldn't be who I am today if the <strong>Almeida</strong> and the Young<br />
Friends scheme did not exist.’<br />
Hauk Pattison, YFA Creative Board<br />
18 <strong>Almeida</strong> Projects: Activity Report 10-11 19
Trainee Workshop Leaders<br />
Trainee Workshop Leader Scheme<br />
Between September 2010 and July 2011, <strong>Almeida</strong> Projects worked with ten trainees, for the third year<br />
of the programme, to help them gain experience of the skills and tools necessary for working with<br />
young people.<br />
Trainees attended a three-day training course at the beginning of the year, led by <strong>Almeida</strong> Projects; took<br />
part in monthly peer-led seminars; and had the opportunity to gain paid experience working as an<br />
assistant workshop leader on one or more of our projects.<br />
All trainees felt that their experience and skills as workshop leaders had grown and that they were<br />
more confident and equipped for leading a session; and they all felt that they learnt by working with<br />
other practitioners.<br />
‘It was a fantastic scheme, which feels like it’s<br />
gone really quickly – but when I look back I realise<br />
that I have learnt and grown loads. At the start<br />
of this I was still working in a pub, and now I’m<br />
(just about) earning a wage as a freelance<br />
workshop leader!’<br />
In the past year we have worked with the following organisations, schools and freelance artists:<br />
PARTNER SCHOOLS<br />
The Bridge School<br />
City and Islington College<br />
Elizabeth Garret Anderson Language College<br />
Highbury Fields School<br />
KEY BOROUGH SCHOOLS<br />
Acland Burghley School<br />
Camden School for Girls<br />
Cardinal Pole RC School<br />
Central Foundation Boys' School<br />
Central Foundation Girls’ School<br />
Fortismere School<br />
OTHER SCHOOLS<br />
Ashbourne College<br />
Beaconsfield High School<br />
Bromley High School<br />
Cedars Upper School<br />
Central School of Speech & Drama<br />
Chace Community School<br />
Charterhouse School<br />
Chingford Foundation School<br />
Cranleigh School<br />
Dulwich College<br />
Ely College<br />
Ewell Castle School<br />
Friern Barnet School<br />
ORGANISATIONS<br />
George Green's School<br />
Hackney Community College<br />
Haverstock School<br />
Hoxton Street Casting<br />
La Sainte Union School<br />
Parliament Hill School<br />
Godolphin and Latymer School<br />
Greenwich Young Apprentices<br />
Haberdashers Askes School<br />
Highgate School<br />
Highstead Grammar School<br />
John Roan School<br />
King's School Canterbury<br />
Latymer Upper School<br />
Lincoln Christs Hospital School<br />
Merchant Taylor School<br />
North London Collegiate School<br />
Northwest Kent College<br />
Notting Hill & Ealing High School<br />
Highbury Grove School<br />
Islington Arts and Media School<br />
Mount Carmel RC Technology College<br />
St Mary Magdalene Academy<br />
The Petchey Academy<br />
Samuel Rhodes School<br />
St Thomas More School<br />
Stoke Newington School<br />
William Ellis School<br />
Woodside High School<br />
Plumstead Manor School<br />
Princess Helena College<br />
Ravenscroft School<br />
Regent's College<br />
Rochester Grammar School<br />
Royal Welsh College of Music & Drama<br />
Salesian College<br />
Salesian College, Farnborough<br />
St Columba's Catholic Boys' School<br />
St Martin's Senior School<br />
St Paul’s Girls School<br />
Stratford School<br />
Trinity School, Croydon<br />
Artists and Associates<br />
All Change Arts<br />
Belarus Free <strong>Theatre</strong><br />
Copenhagen Youth Centre<br />
Creative Islington<br />
Greyscale<br />
Hanley Crouch Youth Club<br />
Hoxton Street Casting<br />
Islington Boat Club<br />
Islington Council<br />
Pin the Tale<br />
Pinsent Masons LLP<br />
Platform Festival<br />
Shaftsbury Leaving Care Unit<br />
Toffee Park Youth Centre<br />
Underground Youth Club<br />
FREELANCE ARTISTS & WORKSHOP LEADERS<br />
‘The value of the scheme for me is that it bridged<br />
the gap from uni into the ‘real world’ – you are<br />
working professionally but still with support and<br />
someone on the end of the phone.’<br />
Jasmin Anderson-Gooding<br />
Tom Attenborough<br />
Tobi Bakare<br />
Dan Baker<br />
Danielle Baker<br />
Signe Beckmann<br />
Neil Bettles<br />
Desara Bosnja<br />
Kellie Bright<br />
Anouke Brook<br />
Kate Budgen<br />
Michael Buffong<br />
Nina Chograshi<br />
Emma Cleasby<br />
Naomi Cortes<br />
Ben Craib<br />
Andrew Dawson<br />
Alison de Burgh<br />
Eilidh Debonnaire<br />
Martyn Dempsey<br />
Selma Dimitijevic<br />
John Donnelly<br />
Peter DuBois<br />
Tom Edden<br />
Anthony Ekundayo-Lennon<br />
David Eldridge<br />
Inua Ellams<br />
Tas Emiabata<br />
Camilla Evans<br />
Jane Fallowfield<br />
Laura Farnworth<br />
Polly Findlay<br />
Tom Gibbons<br />
Rickie Gilgunn<br />
Rachel Gilmore<br />
Rose Hall-Smith<br />
Gbemisola Ikumelo<br />
Lootie Johansen Bibby<br />
Lorraine Kearin<br />
Louie Keen<br />
Lu Kemp<br />
Nikolai Khalezin<br />
Nick Khan<br />
Imogen Knight<br />
Natalia Koliada<br />
Anne Langford<br />
Nadia Latif<br />
Jason Lawson<br />
Michael Lewis<br />
Andrew Lincoln<br />
Freddie Machin<br />
James Macdonald<br />
Joanna Mackie<br />
Tia Marie Martin<br />
Marie Maton<br />
Clare McKenna<br />
Raquel Meseguer<br />
Beckie Mills<br />
Natalie Mitchell<br />
Susan Momoko Hingley<br />
Erin Murphy<br />
Luke Norris<br />
Dan Pearce<br />
Matthew Pierce<br />
Simon Pollard<br />
Travis Preston<br />
Steven Rathman<br />
Annique Reynolds<br />
Catrina Richardson<br />
Emma Rosoman<br />
Mila Sanders<br />
Rhiannon Sawyer<br />
Tahirah Sharif<br />
Abdul Shayek<br />
Maria Thomas<br />
Alex Thorpe<br />
Dervla Toal<br />
Anna Tolputt<br />
Kristi Warwick<br />
Jason Wescombe<br />
Simon Wilkinson<br />
Howard Wood<br />
Jenny Worton<br />
TRAINEE WORKSHOP LEADERS<br />
20<br />
<strong>Almeida</strong> Projects: Activity Report 10-11<br />
Rosa Connor<br />
Tim Cowbury<br />
Lucy Doherty<br />
Lorna French<br />
Sumera Galaria<br />
Keridwen Jenkins<br />
Clare Mason<br />
Christopher O'Donnell<br />
Hauk Pattison<br />
Rebecca Twydell<br />
21
Supporters<br />
SUSTAIN (Arts Council England)<br />
The Noël Coward Foundation<br />
Ormonde & Duveen Trust<br />
Funderstorm, Islington Council<br />
The Peter Harrison Foundation<br />
Market Securities<br />
Pinsent Masons<br />
Great <strong>Almeida</strong> Supper Party<br />
Virgin London Marathon 2011 Runners:<br />
Jamie Arkell<br />
Andrew Goldstone<br />
Andrea Sullivan<br />
Photography Credits<br />
Ludovic des Cognets<br />
‘I have grown so much in the last 3 years...and I believe it’s all thanks to the<br />
<strong>Almeida</strong> and the Young Friends Scheme. The skills I have gained have<br />
helped me not only at the theatre but in my personal life and my working<br />
life. I am able to manage and keep on top of things only because of the<br />
work ethic I have gained from the <strong>Almeida</strong> and learning from the staff and<br />
creative team at the <strong>Almeida</strong>.’<br />
Desara Bosnja, YFA Creative Board<br />
<strong>Almeida</strong> Projects 2010-11<br />
Director of Projects Samantha Lane<br />
Director of Projects (maternity<br />
cover) EJ Trivett<br />
Projects Co-ordinator Natalie Mitchell<br />
Projects Adminstrator Charlie Payne<br />
Admin Assistant Anaelisa Jaramillo<br />
Residency Co-ordinator / Admin<br />
Assistant Joanna Mackie<br />
For more information about our work, please visit<br />
almeida.co.uk/education
<strong>Almeida</strong> <strong>Theatre</strong>, <strong>Almeida</strong> Street, London N1 1TA<br />
Registered charlity no 282167<br />
Box Office 020 7359 4404 almeida.co.uk