21.11.2014 Views

Download - Almeida Theatre

Download - Almeida Theatre

Download - Almeida Theatre

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

The <strong>Almeida</strong> <strong>Theatre</strong>’s Creative Learning<br />

Programme for Young People<br />

September 2010 - August 2011


WELCOME!<br />

The following pages summarise the activity<br />

that has taken place between September<br />

2010 and August 2011. It has been an<br />

incredibly busy and exciting year for us –<br />

with lots of activity for both school groups<br />

and for Young Friends.<br />

<strong>Almeida</strong> Projects provides an active, creative link between our theatre<br />

and its audience, more specifically an audience that may not have<br />

considered that the theatre might be for them. This is not simply to<br />

ensure an audience for the future; it is to establish the right of every<br />

individual to self-expression, to the belief that they possess creative<br />

potential, that theatre is a populist, collaborative art form as available<br />

to them as to everybody else.<br />

Whether any young person working with us goes on to become a<br />

professional writer, actor, director, designer, administrator or technician<br />

is of secondary interest. Our aim is to act as a catalyst to their energies,<br />

to their hunger to participate – celebrating the creativity of young<br />

people in the best way we know how: by offering them our experience,<br />

our expertise and our unique theatre.<br />

Michael Attenborough<br />

Artistic Director, <strong>Almeida</strong> <strong>Theatre</strong><br />

Our work with and for schools was as strong as ever<br />

this year. Particular highlights were Crawling in the<br />

Dark by Natalie Mitchell – a new play commissioned<br />

specifically for young people that saw 954 young<br />

theatregoers coming through the <strong>Almeida</strong>’s doors,<br />

and being totally enthralled by the action on stage;<br />

and the Becky Shaw Residencies with seven classes<br />

from five schools who came together to share their<br />

work on the <strong>Almeida</strong> stage in March.<br />

The Young Friend of the <strong>Almeida</strong> scheme has also<br />

grown in strength and further embedded itself into<br />

the ethos of the organisation. Particular highlights of<br />

this year’s activity were ScriptLAB and the One Act<br />

Play Festival, where eight writers produced eight new<br />

plays that other Young Friends then performed at<br />

the theatre; and the Young Friends Festival, curated<br />

by the YFA Creative Board, which included<br />

workshops and performances for and by Young<br />

Friends.<br />

July 2011 also marked the culmination of the third<br />

year of the Trainee Workshop Leader Programme – it<br />

has really grown in strength and reputation since its<br />

inception in 2008, and we are delighted that we will<br />

be working in partnership with Central School of<br />

Speech and Drama to deliver the scheme in 2011-12.<br />

We wish all of the 10-11 trainees every success in<br />

their future careers and look forward to working with<br />

the 2011-12 cohort.<br />

It really has been a fantastic year, and we are<br />

delighted to have almost achieved our fundraising<br />

target to enable this vital and hugely worthwhile<br />

work to continue through 2011/12.<br />

We would like to thank all partners, funders and staff<br />

who have supported this work over the last year –<br />

and we look forward to working with you again.<br />

Samantha, EJ, Natalie and Charlie<br />

<strong>Almeida</strong> Projects Team


Creative Learning Facts and Figures 2010 – 2011<br />

Overall, <strong>Almeida</strong> Projects worked with<br />

• 2,550 individuals<br />

• Providing 10,444 opportunities for these individuals<br />

Subsidised Ticket Scheme<br />

This scheme provided 56 different schools and 1555 students with a unique and wellsupported<br />

theatre-going experience.<br />

Students received a top price ticket to the show, at a hugely discounted rate; participated in an<br />

introductory workshop (timetabled at a convenient time for the school, pre-show); received a host for<br />

the evening; were given free copies of the programme; and were given access to <strong>Almeida</strong> Projects<br />

Resource Packs with specific information and contextual articles relating to the production to support<br />

further learning in the classroom.<br />

Schools and Colleges<br />

Specifically, <strong>Almeida</strong> Projects worked with<br />

• 63 schools (8 partner schools; 17 local borough schools and 38 other schools)<br />

• 2038 school students (500 of these on durational residency projects)<br />

• Providing 7199 opportunities for these students<br />

• 216 active Young Friends of the <strong>Almeida</strong> (although there were 418 registered members)<br />

• Providing 2926 opportunities for these Young Friends<br />

• 98 freelance artists (providing 1427 employment opportunities for these artists)<br />

• 198 opportunities for teachers to engage with the <strong>Almeida</strong>’s programme of work<br />

‘Thank you for the excellent introductory<br />

workshop... The students absolutely loved it<br />

and it has really whetted their appetite for<br />

tomorrow's performance. You are doing really<br />

excellent work...outside London it can be<br />

difficult to access cultural activities like this.<br />

Teacher, Cedars Upper School, Bedfordshire<br />

Teachers Evenings<br />

198 teachers attended 5 Teachers’ Evenings, providing an opportunity for local performing arts teachers<br />

and representatives from selected arts and community organisations to come together, see the show and<br />

assess its suitability for their students, meet the Projects team, and each other, and find out more about<br />

<strong>Almeida</strong> Projects activities.<br />

‘I wanted to get in touch to thank you for a brilliant evening... As a new teacher at<br />

The City Academy this was the first such event I have attended and I was astounded<br />

by your hospitality. It was a real privilege to have been invited to watch the show and<br />

fascinating to listen to [director] Travis Preston speaking about his work... I would love<br />

to attend future Teachers’ Evenings and applaud the work that you are doing to open<br />

up the <strong>Almeida</strong>’s programme to local arts teachers.’<br />

Teacher, The City Academy, Hackney<br />

<strong>Almeida</strong> Projects: Activity Report 10-11 3


Spin-off Production<br />

CRAWLING<br />

IN THE DARK<br />

A new play for young people aged 13+<br />

Five performances: Tuesday 5 April - Friday 8 April 2011<br />

by Natalie Mitchell<br />

The <strong>Almeida</strong> does not currently programme work as part of its main programme with a young audience<br />

in mind. However, the theatre firmly believes in the importance and necessity of creating high quality,<br />

accessible work for a young audience and has developed a formula for doing this - and programming it<br />

at a time that is suitable for school audiences. Crawling in the Dark was written in response to The Knot<br />

of the Heart by David Eldridge, to allow young people to access the play’s issues and themes in an<br />

appropriate and age-relevant context, placing the experience of young people at the heart of the story.<br />

Young people also consulted with the writer on the script and took part in early development workshops.<br />

‘My favourite part of the project was seeing the<br />

energy and talent in the final performance and<br />

seeing it all come together in such a short<br />

space of time.’<br />

Student<br />

Schools and Colleges<br />

Crawling in the Dark was a frank coming-of-age story that featured two siblings at crucial points of<br />

change in their personal and academic life, whose mother was a drug addict. In looking at how young<br />

people can become victims of substance misuse, the play focused on the issues of family, responsibility<br />

and choice.<br />

Tickets for the show were offered to schools for £5 each, or £3 to all local borough schools. <strong>Almeida</strong><br />

Projects worked with eight lawyers from Pinsent Masons to produce a comprehensive Resource Pack<br />

which included extensive practical exercises for use in the classroom, as well as detailed context relating<br />

to the law and responsibility around drugs and family.<br />

954 audience members attended; 682 of these were school bookings.<br />

‘...how much the Year 9s enjoyed and<br />

appreciated the performance (so did I!). It<br />

really ‘grabbed’ them and held their attention<br />

and interest throughout – all so believable and<br />

close to home for some.’<br />

Judy Gemmell, Islington Arts & Media School<br />

‘A great session, it’s really<br />

starting to look slick!’<br />

Teacher<br />

‘Amazing. Never before<br />

have I cried for a live<br />

performance. Truly<br />

moving. I would definitely<br />

watch it again. 10/10’<br />

Student, Highbury Grove School<br />

Equilibrium!<br />

City and Islington College<br />

June 2011<br />

<strong>Almeida</strong> Projects worked with three groups of City and Islington students for eight hours each, to<br />

explore and develop a physical language to explore the concept of balance – specifically the loss of<br />

balance that has been precariously maintained by Agnes, the central female character in A Delicate<br />

Balance – and what it means to them as young people. They presented their final piece on the <strong>Almeida</strong><br />

<strong>Theatre</strong> stage in June.<br />

4 <strong>Almeida</strong> Projects: Activity Report 09-10 5


Partner School Residencies<br />

‘I learned to speak with<br />

confidence and how to act in<br />

front of a live audience.’<br />

Student<br />

The Master Builder School Residencies<br />

Islington Arts and Media School, Highbury Fields School and St Mary Magdalene<br />

Academy<br />

September to December 2010<br />

Taking the themes of youth and ambition as a starting point - as young people, what do we dream<br />

about and why? And how do we go about achieving our goals? - The Master Builder Residencies<br />

encouraged students to explore their aspirations, as young people, with their whole lives ahead of them,<br />

and devised short performances based on this exploration. At its heart, the residency aimed to engage<br />

students creatively with the concept of ambition, particularly in an X-Factor age, where, arguably, young<br />

people are offered an unrealistic view of the path to success and fame: when you have your heart set on<br />

something, what lengths will you go to make it a reality? Or if it seems unachievable, will you just give<br />

up?<br />

3 Schools<br />

5 classes<br />

98 Year 10 students<br />

12 artists<br />

‘This sort of project is so worthwhile for our students: it gives<br />

them the opportunity to work in a professional manner with<br />

different practitioners and then to perform in an exciting space<br />

to a live audience. I cannot value this too highly in terms of<br />

their development, learning and attainment.’<br />

Teacher<br />

Partner School Residencies<br />

Becky Shaw School Residencies<br />

Highbury Grove School, Highbury Fields School, St Mary Magdalene Academy, Mount<br />

Carmel RC Technology College and Elizabeth Garret Anderson Language College.<br />

January to March 2011<br />

Focusing on the theme of being a victim of crime, specifically on how individuals respond to incidents<br />

and deal with them, participants devised response pieces to the <strong>Almeida</strong>’s production of Gina<br />

Gionfriddo's Becky Shaw. Participants came for a tour of the theatre, saw an abridged matinee of the<br />

show, and took part in devising workshops in their schools. Each group involved had a specific focus for<br />

their response piece that contributed to a whole day of shared presentations, with other schools, at the<br />

<strong>Almeida</strong> <strong>Theatre</strong> in March.<br />

6<br />

5 Schools<br />

7 Classes<br />

121 Year 10 Students<br />

23 Artists<br />

‘This was a fantastic opportunity to understand the demands<br />

on the actor – rehearsal process, technical, focus and class<br />

dynamics. Linking the activities together with a common song<br />

was great idea, well-pitched, and added to the energy of the<br />

piece. Seeing each others’ work was also wonderful and<br />

helped students to gauge their own abilities well.’<br />

Teacher<br />

<strong>Almeida</strong> Projects: Activity Report 10-11<br />

‘I learned how to produce a<br />

piece of work from scratch…<br />

it was a confidence boost.’<br />

Student


Schools and Colleges<br />

Into the <strong>Almeida</strong><br />

Highbury Grove School, St Mary Magdalene Academy, Elizabeth Garret Anderson<br />

Language College and Mount Carmel RC Technology College<br />

September 2010 to July 2011<br />

Into the <strong>Almeida</strong> was a series of bespoke workshops that introduced both students and teachers to the<br />

key elements of theatre practice, drawing on themes from <strong>Almeida</strong> <strong>Theatre</strong> plays. Workshops were<br />

tailored to the needs of the schools and supported curriculum learning. Workshops included:<br />

performing onstage; voice; devising and responding to stimuli; physical theatre and movement in<br />

performance; directing; theatre tours and practitioners.<br />

Schools and Colleges<br />

4 Schools<br />

15 classes<br />

505 year 10 and 11 students<br />

43 artists<br />

‘My favourite part of the process was performing on the<br />

<strong>Almeida</strong> stage in front of an invited audience. It gave us a<br />

chance to show our talent to our peers.’<br />

Student<br />

The team brought new and dynamic ideas and presented<br />

them in a professional and dramatic manner which added<br />

to the educational take of the school … The vast majority<br />

of students were focussed for the majority of time as well<br />

as being extended and stretched by the team – which is<br />

about as good as it gets in a special school!<br />

Teacher<br />

8<br />

‘I learned to have great confidence and how to project<br />

my voice and now I will enjoy acting in front of other<br />

people and not just my classmates.’<br />

Student<br />

<strong>Almeida</strong> Projects: Activity Repor 09-10<br />

Building Bridges<br />

The Bridge School<br />

September 2010 to March 2011<br />

Drawing on previous projects with the School, <strong>Almeida</strong> Projects moved a step further in its work with<br />

young people with disabilities by using the expertise of both organisations to experiment with different<br />

ways of working, and, ultimately, create good practice guidelines for producing theatres to work<br />

successfully with this client group.<br />

1 school<br />

35 year 7 to 12 students<br />

13 artists<br />

<strong>Almeida</strong> Projects: Activity Report 09-10 9


Young Friends of the <strong>Almeida</strong><br />

THE YOUNG FRIENDS FESTIVAL<br />

Curated by Young Friends inspired by the <strong>Almeida</strong> Festival 2011<br />

July 2011<br />

Building on the success of our annual LAB production for young people, this year's <strong>Almeida</strong> Festival<br />

included a spin-off Young Friends Festival. Taking inspiration from the <strong>Almeida</strong>'s productions<br />

throughout the year, and working with Festival artists, the Young Friends Creative Board curated,<br />

hosted and performed a variety of events for young audiences.<br />

The Rashomon Effect<br />

Written and performed by Young Friends in collaboration with Greyscale<br />

July 2011<br />

A group of nine writers and nine actors worked together over several weeks with Co-artistic director of<br />

Greyscale, Selma Dimitrijevic, in order to create a multi-voiced story of intrigue and deception. Closely<br />

echoing the creative process followed by Greyscale, each of the young writers provided a voice for one<br />

of the actors, and as a team they created a story for and with their audiences.<br />

Young Friends of the <strong>Almeida</strong><br />

173 people saw The Rashomon Effect.<br />

‘It was completely different to<br />

anything I’ve ever done beforein<br />

a good way!’’<br />

Inua Ellams Workshop Participant<br />

Workshops with Inua Ellams, Pin the Tale and Belarus Free <strong>Theatre</strong><br />

July 2011<br />

43 young people had the opportunity to work intensively, over a few hours, with artists from the<br />

Festival companies before seeing them perform in their respective shows.<br />

‘I really learnt how hard it was to multi-role<br />

and then create a character starting from<br />

how they walk!’<br />

Pin the Tale Workshop Participant<br />

<strong>Almeida</strong> Street Party<br />

July 2011<br />

‘The whole group was fascinated at the<br />

style of his writing of which I have<br />

never seen something similar before’<br />

Inua Ellams Workshop Participant<br />

To mark the closing of the <strong>Almeida</strong> Festival and Young Friend Festival, the <strong>Almeida</strong> <strong>Theatre</strong> hosted a<br />

street party on Sunday 31 July, with activities throughout the theatre building, bar and <strong>Almeida</strong> Street.<br />

Young Friends led backstage tours of the theatre to children under 12, and performed pop-up singing<br />

sessions throughout the afternoon.<br />

10<br />

<strong>Almeida</strong> Projects: Activity Report 10-11<br />

<strong>Almeida</strong> Projects: Activity Report 10-11 11


Young Friends of the <strong>Almeida</strong><br />

LAB 10-11:<br />

Young Friends of the <strong>Almeida</strong><br />

The Young Friend Festival<br />

October 2010 - July 2011<br />

ENCOURAGE<br />

THE<br />

OTHERS<br />

Between October 2010 and April 2011, 14 Young Friends met fortnightly to explore each play in the<br />

<strong>Almeida</strong> <strong>Theatre</strong>’s 10-11 Season through practical workshops. These workshops generated ideas and<br />

material for the playwright, John Donnelly, who then wrote a brand new play, Encourage the Others, for<br />

the group.<br />

In May, they moved into bi-weekly rehearsals with director Lu Kemp, who guided the group into<br />

production as part of the <strong>Almeida</strong> Festival in July 2011.<br />

The company of performers were supported throughout the year by five peer mentors, who had<br />

previously participated in the project. In addition, ten Young Friends worked alongside the <strong>Almeida</strong><br />

<strong>Theatre</strong>’s marketing department to devise a marketing strategy for the production, including filming<br />

and editing their own trailer.<br />

Fourteen other Young Friends undertook facilitation training, before delivering introductory workshops<br />

relating to the play in a number of community settings around Islington as part of the Platform<br />

Festival.<br />

‘It was the best experience<br />

of my life.’<br />

Young Friend<br />

‘Throughout this project we<br />

were told we would be treated<br />

like professionals and I felt<br />

that…I felt absolutely<br />

delighted.’<br />

Young Friend<br />

‘We’ve all bonded so<br />

much…now I have a<br />

LAB family.’<br />

Audience Member<br />

‘A truly ambitious, intelligent, challenging, darkly comic piece that was<br />

beautifully written, superbly directed and expertly performed. I was<br />

stunned by the participant's performances. They handled the complex<br />

material with such incredible confidence, knowing and subtlety.’<br />

Audience Member<br />

‘I am so grateful I have been able to build a<br />

relationship with the theatre that I am sure will<br />

continue for a very long time.’<br />

Young Friend<br />

<strong>Almeida</strong> Projects: Activity Report 10-11 13


Young Friends of the <strong>Almeida</strong><br />

MiniLABs<br />

Term-long projects where Young Friends of the <strong>Almeida</strong> met weekly to work towards a final<br />

performance.<br />

YFA ScriptLAB and the One-Act Play Festival<br />

Over nine weeks, thirteen Young Friends worked alongside a writer and dramaturg to develop first drafts of<br />

one act plays. Eight of these plays were then cast and rehearsed with other Young Friends, working<br />

alongside two professional directors. These were performed at the <strong>Almeida</strong> <strong>Theatre</strong> to an audience of over<br />

100 friends and family.<br />

13 writers / 15 performers / 1 stage manager / watched by over 100 audience members<br />

‘I learnt the technical parts to scriptwriting and<br />

really got to work closely with professionals.’<br />

Young Friend<br />

‘We got to enjoy the full<br />

performance process<br />

from the roots’<br />

Young Friend<br />

‘I hoped it would be fun and<br />

worthwhile which is what it really was.’<br />

Young Friend<br />

MiniLAB: The Hotel<br />

September to November 2010<br />

The Autumn MiniLAB introduced participants to a new way of creating theatre, by placing equal importance<br />

on the stories you tell physically, without words. Working with a movement specialist, participants explored<br />

different ways of telling a narrative using their bodies, developing a physical language to tell a story through<br />

a combination of improvisation, movement and physical theatre exercises.<br />

‘I really gained a lot from the feedback and feel like I<br />

had a lot of support.’ Young Friend<br />

‘I learned how in physical theatre both dialogue and your body<br />

can tell a story either at the same time or separately. It helped<br />

me become confident and aware of what my body can do.’<br />

Young Friend<br />

14 <strong>Almeida</strong> Projects: Activity Report 10-11 15


Young Friends of the <strong>Almeida</strong><br />

‘Loved it so much, it was so<br />

cool. I learnt more about<br />

Shakespeare than I ever<br />

learnt at school or college.’<br />

Young Friend<br />

Young Friends of the <strong>Almeida</strong><br />

‘I think it’s the most interesting workshop I’ve<br />

ever done. I felt that practitioners were<br />

teaching us essential skills and responding<br />

important questions as honestly as they could.’<br />

Young Friend: Auditions Masterclass participant<br />

Half Term Masterclasses<br />

Our Half Term Masterclasses give a bite-sized insight into a wide range of theatre practices,<br />

led by working industry professionals.<br />

June Half Term<br />

One Play-in-a-Day activity delivered as part of St Mary’s Church Soul in the City Event, performed as part of<br />

the Islington’s Got Talent show.<br />

15 Young Friends participated in the activities of the day.<br />

February Half Term<br />

Four day-long Masterclasses covering Acting Comedy, Auditions, Directing and a Play in a Day.<br />

69 Young Friends participated over the week.<br />

October Half Term<br />

Four day-long Masterclasses covering Prop Making, Auditions, Improvisation and Stage Combat.<br />

45 Young Friends participated over the week.<br />

‘I was made to feel very welcome on my first YFA workshop, and<br />

was surprised to work with such an inspirational individual’<br />

Young Friend: Directing Masterclass participant<br />

Happy Mondays<br />

Over the course of the year, a total of 207 Young Friends came to see <strong>Almeida</strong> <strong>Theatre</strong> productions for<br />

just £3, as well as participate in an introductory workshop with other Young Friends.<br />

<strong>Theatre</strong> Trips<br />

During the 10-11 Season, <strong>Almeida</strong> Projects organised theatre trips for Young Friends to visit a number<br />

of local venues, broadening their experience of theatregoing and fostering their knowledge of what’s<br />

availabile in their local community. Supported by <strong>Almeida</strong> Projects, Young Friends attended<br />

productions at Sadler’s Wells, the Arcola <strong>Theatre</strong>, the Pleasance <strong>Theatre</strong> and Soho <strong>Theatre</strong>.<br />

‘The show was AMAZING! Thank you so much...I thought it<br />

was really well written and I got a lot of ideas about script<br />

writing from it. ...I had a great night and the workshop was<br />

really cool too!<br />

Young Friend<br />

16<br />

<strong>Almeida</strong> Projects: Activity Report 10-11<br />

<strong>Almeida</strong> Projects: Activity Report 10-11 17


Young Friend of the <strong>Almeida</strong><br />

Young Friends Touring Company<br />

Choices and Falling<br />

September to December 2010<br />

January to April 2011<br />

The Young Friend Touring Company: a company of dedicated young performers who devise<br />

performances for other young people, inspired by the <strong>Almeida</strong>’s programme of work.<br />

In the Autumn term, the company created a piece entitled Choices which was inspired by themes<br />

including ambition and opportunity from the <strong>Almeida</strong>’s production of The Master Builder.<br />

The Spring term took it’s inspiration from David Eldridge’s The Knot of the Heart, and the subsequent<br />

performance, Falling, fused physical theatre and verbatim to explore the reflections of nine individuals<br />

during a shared moment in time.<br />

Over the two terms, the company toured their performance and workshop to over 20 different Year 7<br />

and 8 classes across Islington, as well as performing their work as a curtain raiser for the <strong>Almeida</strong><br />

Projects spin-off production, Crawling in the Dark. Their work was seen by over 900 students.<br />

The Young Friend Creative Board<br />

The Young Friend Creative Board is a youth advisory board made up of 10 members whose roles<br />

loosely mirror the staffing structure of the <strong>Almeida</strong> <strong>Theatre</strong>. The Board meet fortnightly to develop a<br />

strategy for the Young Friend scheme, and programme and promote Young Friend activity. Each board<br />

member is mentored and supported by their equivalent staff member from within the organisation.<br />

Young Friend of the <strong>Almeida</strong> Creative Board<br />

Key Achievements of the YFA Creative Board this year include:<br />

• Securing £16,000 funding for our annual LAB project from Islington Council’s funderstorm<br />

• Securing a silver level award from the Jack Petchey Foundation<br />

• Designing and creating a new promotional flyer for the Young Friends scheme<br />

• Planning and filming a short film about the Young Friends scheme<br />

• Curating the Young Friend’s Festival, which ran alongside the <strong>Almeida</strong> Festival<br />

• Projects Officers Hauk Pattison and Louie Keen have both participated in our trainee<br />

workshop leader programme, and gone on to gain paid work at the <strong>Almeida</strong> and for other<br />

companies<br />

• Artistic Director Desara Bosnja won a Young Achiever’s Award for her work for the board<br />

• Peer Mentor Shanice Stennett won an award for being apprentice of the year<br />

‘This was a fantastic performance by talented<br />

young actors. It was very valuable for our students<br />

to see for a number of reasons...it’s inspiring for<br />

them to see young performers taking their craft so<br />

seriously and performing to such a high level.’<br />

Teacher<br />

‘The <strong>Almeida</strong> gives me the hope that one day I will not only<br />

be working at the top of my game but also pioneering new<br />

ways to see, experience and create theatre…In short I<br />

wouldn't be who I am today if the <strong>Almeida</strong> and the Young<br />

Friends scheme did not exist.’<br />

Hauk Pattison, YFA Creative Board<br />

18 <strong>Almeida</strong> Projects: Activity Report 10-11 19


Trainee Workshop Leaders<br />

Trainee Workshop Leader Scheme<br />

Between September 2010 and July 2011, <strong>Almeida</strong> Projects worked with ten trainees, for the third year<br />

of the programme, to help them gain experience of the skills and tools necessary for working with<br />

young people.<br />

Trainees attended a three-day training course at the beginning of the year, led by <strong>Almeida</strong> Projects; took<br />

part in monthly peer-led seminars; and had the opportunity to gain paid experience working as an<br />

assistant workshop leader on one or more of our projects.<br />

All trainees felt that their experience and skills as workshop leaders had grown and that they were<br />

more confident and equipped for leading a session; and they all felt that they learnt by working with<br />

other practitioners.<br />

‘It was a fantastic scheme, which feels like it’s<br />

gone really quickly – but when I look back I realise<br />

that I have learnt and grown loads. At the start<br />

of this I was still working in a pub, and now I’m<br />

(just about) earning a wage as a freelance<br />

workshop leader!’<br />

In the past year we have worked with the following organisations, schools and freelance artists:<br />

PARTNER SCHOOLS<br />

The Bridge School<br />

City and Islington College<br />

Elizabeth Garret Anderson Language College<br />

Highbury Fields School<br />

KEY BOROUGH SCHOOLS<br />

Acland Burghley School<br />

Camden School for Girls<br />

Cardinal Pole RC School<br />

Central Foundation Boys' School<br />

Central Foundation Girls’ School<br />

Fortismere School<br />

OTHER SCHOOLS<br />

Ashbourne College<br />

Beaconsfield High School<br />

Bromley High School<br />

Cedars Upper School<br />

Central School of Speech & Drama<br />

Chace Community School<br />

Charterhouse School<br />

Chingford Foundation School<br />

Cranleigh School<br />

Dulwich College<br />

Ely College<br />

Ewell Castle School<br />

Friern Barnet School<br />

ORGANISATIONS<br />

George Green's School<br />

Hackney Community College<br />

Haverstock School<br />

Hoxton Street Casting<br />

La Sainte Union School<br />

Parliament Hill School<br />

Godolphin and Latymer School<br />

Greenwich Young Apprentices<br />

Haberdashers Askes School<br />

Highgate School<br />

Highstead Grammar School<br />

John Roan School<br />

King's School Canterbury<br />

Latymer Upper School<br />

Lincoln Christs Hospital School<br />

Merchant Taylor School<br />

North London Collegiate School<br />

Northwest Kent College<br />

Notting Hill & Ealing High School<br />

Highbury Grove School<br />

Islington Arts and Media School<br />

Mount Carmel RC Technology College<br />

St Mary Magdalene Academy<br />

The Petchey Academy<br />

Samuel Rhodes School<br />

St Thomas More School<br />

Stoke Newington School<br />

William Ellis School<br />

Woodside High School<br />

Plumstead Manor School<br />

Princess Helena College<br />

Ravenscroft School<br />

Regent's College<br />

Rochester Grammar School<br />

Royal Welsh College of Music & Drama<br />

Salesian College<br />

Salesian College, Farnborough<br />

St Columba's Catholic Boys' School<br />

St Martin's Senior School<br />

St Paul’s Girls School<br />

Stratford School<br />

Trinity School, Croydon<br />

Artists and Associates<br />

All Change Arts<br />

Belarus Free <strong>Theatre</strong><br />

Copenhagen Youth Centre<br />

Creative Islington<br />

Greyscale<br />

Hanley Crouch Youth Club<br />

Hoxton Street Casting<br />

Islington Boat Club<br />

Islington Council<br />

Pin the Tale<br />

Pinsent Masons LLP<br />

Platform Festival<br />

Shaftsbury Leaving Care Unit<br />

Toffee Park Youth Centre<br />

Underground Youth Club<br />

FREELANCE ARTISTS & WORKSHOP LEADERS<br />

‘The value of the scheme for me is that it bridged<br />

the gap from uni into the ‘real world’ – you are<br />

working professionally but still with support and<br />

someone on the end of the phone.’<br />

Jasmin Anderson-Gooding<br />

Tom Attenborough<br />

Tobi Bakare<br />

Dan Baker<br />

Danielle Baker<br />

Signe Beckmann<br />

Neil Bettles<br />

Desara Bosnja<br />

Kellie Bright<br />

Anouke Brook<br />

Kate Budgen<br />

Michael Buffong<br />

Nina Chograshi<br />

Emma Cleasby<br />

Naomi Cortes<br />

Ben Craib<br />

Andrew Dawson<br />

Alison de Burgh<br />

Eilidh Debonnaire<br />

Martyn Dempsey<br />

Selma Dimitijevic<br />

John Donnelly<br />

Peter DuBois<br />

Tom Edden<br />

Anthony Ekundayo-Lennon<br />

David Eldridge<br />

Inua Ellams<br />

Tas Emiabata<br />

Camilla Evans<br />

Jane Fallowfield<br />

Laura Farnworth<br />

Polly Findlay<br />

Tom Gibbons<br />

Rickie Gilgunn<br />

Rachel Gilmore<br />

Rose Hall-Smith<br />

Gbemisola Ikumelo<br />

Lootie Johansen Bibby<br />

Lorraine Kearin<br />

Louie Keen<br />

Lu Kemp<br />

Nikolai Khalezin<br />

Nick Khan<br />

Imogen Knight<br />

Natalia Koliada<br />

Anne Langford<br />

Nadia Latif<br />

Jason Lawson<br />

Michael Lewis<br />

Andrew Lincoln<br />

Freddie Machin<br />

James Macdonald<br />

Joanna Mackie<br />

Tia Marie Martin<br />

Marie Maton<br />

Clare McKenna<br />

Raquel Meseguer<br />

Beckie Mills<br />

Natalie Mitchell<br />

Susan Momoko Hingley<br />

Erin Murphy<br />

Luke Norris<br />

Dan Pearce<br />

Matthew Pierce<br />

Simon Pollard<br />

Travis Preston<br />

Steven Rathman<br />

Annique Reynolds<br />

Catrina Richardson<br />

Emma Rosoman<br />

Mila Sanders<br />

Rhiannon Sawyer<br />

Tahirah Sharif<br />

Abdul Shayek<br />

Maria Thomas<br />

Alex Thorpe<br />

Dervla Toal<br />

Anna Tolputt<br />

Kristi Warwick<br />

Jason Wescombe<br />

Simon Wilkinson<br />

Howard Wood<br />

Jenny Worton<br />

TRAINEE WORKSHOP LEADERS<br />

20<br />

<strong>Almeida</strong> Projects: Activity Report 10-11<br />

Rosa Connor<br />

Tim Cowbury<br />

Lucy Doherty<br />

Lorna French<br />

Sumera Galaria<br />

Keridwen Jenkins<br />

Clare Mason<br />

Christopher O'Donnell<br />

Hauk Pattison<br />

Rebecca Twydell<br />

21


Supporters<br />

SUSTAIN (Arts Council England)<br />

The Noël Coward Foundation<br />

Ormonde & Duveen Trust<br />

Funderstorm, Islington Council<br />

The Peter Harrison Foundation<br />

Market Securities<br />

Pinsent Masons<br />

Great <strong>Almeida</strong> Supper Party<br />

Virgin London Marathon 2011 Runners:<br />

Jamie Arkell<br />

Andrew Goldstone<br />

Andrea Sullivan<br />

Photography Credits<br />

Ludovic des Cognets<br />

‘I have grown so much in the last 3 years...and I believe it’s all thanks to the<br />

<strong>Almeida</strong> and the Young Friends Scheme. The skills I have gained have<br />

helped me not only at the theatre but in my personal life and my working<br />

life. I am able to manage and keep on top of things only because of the<br />

work ethic I have gained from the <strong>Almeida</strong> and learning from the staff and<br />

creative team at the <strong>Almeida</strong>.’<br />

Desara Bosnja, YFA Creative Board<br />

<strong>Almeida</strong> Projects 2010-11<br />

Director of Projects Samantha Lane<br />

Director of Projects (maternity<br />

cover) EJ Trivett<br />

Projects Co-ordinator Natalie Mitchell<br />

Projects Adminstrator Charlie Payne<br />

Admin Assistant Anaelisa Jaramillo<br />

Residency Co-ordinator / Admin<br />

Assistant Joanna Mackie<br />

For more information about our work, please visit<br />

almeida.co.uk/education


<strong>Almeida</strong> <strong>Theatre</strong>, <strong>Almeida</strong> Street, London N1 1TA<br />

Registered charlity no 282167<br />

Box Office 020 7359 4404 almeida.co.uk

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!