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The_Film_That_Changed_My_Life

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76 Henry Jaglom<br />

was going through. It was the most autobiographical film ever made, yet it<br />

was universal because he was telling about issues that all people deal with. I<br />

recognized that, even at the age of twenty.<br />

Was there a particular scene or line?<br />

Jaglom: From the moment it began. I wear a hat. And people always comment<br />

on the fact: Why do you wear a hat? I know that somewhere deep<br />

inside, all I can tell you is it has something to do with Mastroianni wearing<br />

that hat, which he only wore because Fellini wore a hat. I remember thinking,<br />

when I came home, “Oh, I need a hat.” I mean, it was that superficial at<br />

that level, because I was twenty and trying to find a sense of myself. It also<br />

defined me because the issues he was looking at, how to take his life and<br />

turn it into a film, and feeling the impossibility of that task.<br />

I was always amazed at Mastroianni, and that one gesture of looking over<br />

his glasses defined that whole character. It’s almost like he’s genuflecting.<br />

<strong>That</strong>’s a great image. For me, the ultimate image is: He’s that young boy<br />

in a white band uniform, leading all the characters in his life on this circular<br />

parade. He’s got in the background, this meaningless space station thing<br />

that he’s never going to make. <strong>The</strong> young boy is just leading all the characters<br />

in his life. He’s just showing us who he is, and how it happened. As I<br />

saw it over the years, it became a deeper and more profound film for me, as<br />

I started to live my life and had events to deal with. I’m rather amazed now<br />

when I see it, that I felt that at twenty, because it’s a very grown-up film in<br />

a lot of ways.<br />

Can you articulate that? Anything specifically that you realized upon<br />

subsequent viewings?<br />

Jaglom: At twenty, I did not understand anything about the relationship<br />

to women in that film, or the need to be the center of attention and<br />

finding the person who’s going to solve the problems. I didn’t understand<br />

anything about the moviemaking process. I had never been on a movie<br />

set, let alone directed a movie. <strong>The</strong> fact of everybody coming at you with<br />

their idea of what you should do, and telling you who you should be, and<br />

you’re completely overwhelmed by it. <strong>The</strong> whole essence of the film was<br />

something that just . . . I was stunned that I understood it at twenty. It’s

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