21.11.2014 Views

The_Film_That_Changed_My_Life

The_Film_That_Changed_My_Life

The_Film_That_Changed_My_Life

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

62 Peter Bogdanovich<br />

And you were pointing out to me that Col. Robert McCormick, owner<br />

of the Chicago Tribune, was actually part of the inspiration for Kane,<br />

as well.<br />

Bogdanovich: Big time. Robert McCormick had a girlfriend who was a<br />

singer for whom he built the Chicago Opera House. Well, I mean, hello? Is<br />

that a rather large part of the plot of Citizen Kane? He wasn’t doing Hearst<br />

and Marion, ’cause he doesn’t make her into a movie star. He doesn’t build a<br />

studio around her. She’s in opera; that’s McCormick.<br />

You were directed by Welles in <strong>The</strong> Other Side of the Wind, which at<br />

press time still has yet to be released. What was he like to work with as<br />

a director?<br />

Bogdanovich: Oh, he was incredible. Directing is really creating an atmosphere,<br />

a particular kind of atmosphere and usually one that is very peculiar<br />

to the director. It doesn’t necessarily have to be. Some directors have no<br />

personality and it shows. But one way or another, what the actors are doing<br />

or the crews are doing, they’re trying to please the director.<br />

And Orson, I can’t say what he was like on Kane, but he always said he<br />

liked “to give the actors a good time” is the way he put it. And he did, he<br />

did. He always made it a lot of fun. He was funny; he was teasing; he was<br />

warm; he was encouraging; he was spontaneous. He loved anything that you<br />

did—he was effusive if he liked it, kidded around if he didn’t, never made<br />

you feel anything except that you probably were gonna be better than you’d<br />

ever been in your life.<br />

Was his directing style more like a theater director? Was it an ensemble<br />

feel, or did he—<br />

Bogdanovich: Ensemble, yes. Very “We’re all doing this together. It’s all<br />

a kind of conspiracy that we’ve got here, and we’re gonna put it over on<br />

somebody.”<br />

How did he influence your work? Where can you see it in your oeuvre?<br />

Bogdanovich: Oh, I don’t know. We’re so different. Certainly I like his use<br />

of overlapping dialogue, but he does it differently than I do, and he does it<br />

differently than Howard Hawks did. But I sort of borrowed the idea from

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!