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The_Film_That_Changed_My_Life

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Brazil<br />

49<br />

worlds together, and really getting the meaning of the film. I believe the version<br />

that I saw was the American version that was shown to the Los Angeles<br />

film critics in 1985 and then was subsequently released mostly because of<br />

their enthusiasm for the film.<br />

I’ve since seen Terry’s longer assembled cut that appeared on the Criterion<br />

Collection three-disc edition, and I’ve also seen the wretched Sid Sheinberg<br />

love-conquers-all version, which is truly hilarious. I love Gilliam for the fact<br />

that he included that on a separate disc on his three-disc Criterion set.<br />

How did you first hear about the film?<br />

Kelly: I grew up as a huge fan of Time Bandits. Time Bandits had always<br />

affected me as a kid, and I had memories of that from when I was very<br />

small, and it frightened me. I remembered when the dwarves came<br />

into the little kid’s bedroom and started pushing his bedroom wall and<br />

it opened up to this abyssal tunnel, and the image of them falling from<br />

this light grid in the sky captured my imagination as a really young child.<br />

Those images stayed with me—they burned themselves into the back of<br />

my head. I started reading about Terry’s other films, having seen <strong>The</strong> Fisher<br />

King prior to that. I was aware of <strong>The</strong> Adventures of Baron Munchausen but<br />

I had never seen Brazil. I grew up in Midlothian, Virginia, where you’d be<br />

lucky to find Brazil in a Blockbuster Video. It wasn’t a film that was jumping<br />

off the shelves and available to someone in a town like Midlothian,<br />

Virginia. When I arrived in film school, I suddenly found myself with this<br />

gigantic library of LaserDiscs, and Brazil was one of the first ones I checked<br />

out at the library.<br />

Most people, when they say “the film that changed my life,” they mean<br />

the film that made them want to be a director, propelled them to film<br />

school. But you saw the film when you were already in film school. How<br />

did it change your life?<br />

Kelly: In my freshman year of college, I was in the school of fine arts and<br />

hadn’t yet been accepted into the film program. I had gotten an art scholarship<br />

for a lot of illustrations and drawings and paintings that I had done<br />

in junior high and high school. I immediately started dropping art classes<br />

and started taking the general film courses my freshman year and got guest

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