The_Film_That_Changed_My_Life

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4 Bill Condon Bonnie and Clyde The links between Arthur Penn’s Bonnie and Clyde and the films of Bill Condon aren’t apparent at first. But a deeper reading reveals that both deal with outsiders doing what comes naturally to them, thereby testing the limits of society. Condon points out that the themes of sexuality running through the film greatly affected him at his own moment of self-discovery. “There was something about Bonnie and Clyde that I think I connected to at a very, very basic level,” he said. “There’s a whole sexual tension there that I think was speaking to me in some way that I didn’t even understand.” Bill Condon, selected filmography: Gods and Monsters (1998) Kinsey (2004) Dreamgirls (2006) The Twilight Saga: Breaking Dawn, Part 1 (2011) The Twilight Saga: Breaking Dawn, Part 2 (2012) Bonnie and Clyde 1967 Directed by Arthur Penn Starring Warren Beatty, Faye Dunaway, Gene Hackman, Estelle Parsons, Michael J. Pollard, and Gene Wilder 39
40 Bill Condon How would you describe Bonnie and Clyde to someone who has never seen it? Condon: It is a film that, if you buy into the idea that there was a sort of golden age of American filmmaking in the late ’60s and early ’70s, for me, it seems at least that this is the film that began it. This is a film that was the first kind of French New Wave movie made in America. That influence just changed movies radically in a very short time. It’s about Clyde Barrow and Bonnie Parker and the Barrow gang, and Bonnie and Clyde were young bank robbers in the early ’30s in the Depression who became legendary. They went on a robbing and killing spree across the Southwest. Can you tell me about when and how you saw the film? Condon: I grew up in Queens in an Irish Catholic neighborhood with a father who was kind of skittish about all things sexual. But my mother was the opposite. My mother would get her friends together and go see Who’s Afraid of Virginia Woolf? because my father wouldn’t go, and she loved going to the theater, and she was very progressive. I always liked movies, but Bonnie and Clyde, I remember, was the first movie my older sisters got me into for the first time when it played at our local theater. I probably had just turned twelve. Part of the movie is that it’s sexual. And this was the first indelible, overwhelming experience I had where I felt myself drawn back over and over again. I saw it easily six, maybe eight times. When it’s all so new to you, everything about the experience becomes powerful. For example, the way that Bonnie and Clyde starts. It starts with these photographs coming up and just the very simple sound of a click of a camera, and then interspersed with titles, white titles, white letters, that fill with red, fill with blood. And just that, the sensual pleasure of that was something that I would always look forward to when seeing the movie again. There’s something mysterious about how you’re in touch with a film without being in touch with a hundred other kids, but you know what’s interesting and new and what isn’t. I didn’t understand on first viewing how revolutionary Bonnie and Clyde was. But one of the things that happened is that because it was so controversial and there was so much written about it, it also became my way into
Page 1 and 2: Danny Boyle on Apocalypse Now Kevin
Page 3 and 4: Library of Congress Cataloging-in-P
Page 5 and 6: Contents Introduction … vi 1 Edga
Page 7 and 8: Introduction Movies are personal to
Page 9 and 10: viii Introduction For me, a sevente
Page 11 and 12: 2 Edgar Wright How would you descri
Page 13 and 14: 4 Edgar Wright an extremely gory Ri
Page 15 and 16: 6 Edgar Wright going on. People are
Page 17 and 18: 8 Edgar Wright Wright: The thing th
Page 19 and 20: 10 Edgar Wright And then the deadpa
Page 21 and 22: 12 Edgar Wright when a director has
Page 23 and 24: 14 Rian Johnson How would you descr
Page 25 and 26: 16 Rian Johnson [laughter] So there
Page 27 and 28: 18 Rian Johnson The Godfather, and
Page 29 and 30: 20 Rian Johnson creates the beauty
Page 31 and 32: 22 Rian Johnson Johnson: Oh God, ar
Page 33 and 34: 24 Rian Johnson As a filmmaker it
Page 35 and 36: 26 Danny Boyle Starring Martin Shee
Page 37 and 38: 28 Danny Boyle Boyle: [laughs] It h
Page 39 and 40: 30 Danny Boyle on the ground, they
Page 41 and 42: 32 Danny Boyle shooting schedule; h
Page 43 and 44: 34 Danny Boyle And, as a filmmaker,
Page 45 and 46: 36 Danny Boyle nonsense. But, it se
Page 47: 38 Danny Boyle Boyle: Oh yeah, it
Page 51 and 52: 42 Bill Condon Condon: Oh, I think
Page 53 and 54: 44 Bill Condon that great ending. I
Page 55 and 56: 46 Bill Condon And then there’s a
Page 57 and 58: 48 Richard Kelly Terry Gilliam call
Page 59 and 60: 50 Richard Kelly access passes to t
Page 61 and 62: 52 Richard Kelly Kelly: It makes it
Page 63 and 64: 54 Richard Kelly they are not seen
Page 65 and 66: 56 Peter Bogdanovich Texasville (19
Page 67 and 68: 58 Peter Bogdanovich How did it cha
Page 69 and 70: 60 Peter Bogdanovich everything the
Page 71 and 72: 62 Peter Bogdanovich And you were p
Page 73 and 74: 7 John Dahl A Clockwork Orange John
Page 75 and 76: 66 John Dahl For example, I would s
Page 77 and 78: 68 John Dahl way around. Art consis
Page 79 and 80: 70 John Dahl Dahl: It’s interesti
Page 81 and 82: 72 John Dahl My only other criticis
Page 83 and 84: 8 Henry Jaglom 8½ Henry Jaglom cha
Page 85 and 86: 76 Henry Jaglom was going through.
Page 87 and 88: 78 Henry Jaglom out of control. A g
Page 89 and 90: 80 Henry Jaglom Over the years, I
Page 91 and 92: 9 Brian Herzlinger E.T.: The Extra-
Page 93 and 94: 84 Brian Herzlinger during the scen
Page 95 and 96: 86 Brian Herzlinger that world brou
Page 97 and 98: 88 Brian Herzlinger You met Spielbe
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90 Brian Herzlinger And he says,
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92 Brian Herzlinger in theaters bec
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10 Alex Gibney The Exterminating An
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96 Alex Gibney one was political in
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98 Alex Gibney There’s one scene
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100 Alex Gibney you’ve had to do
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102 Alex Gibney I would say that th
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11 Kimberly Peirce The Godfather Pe
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106 Kimberly Peirce and he gets him
Page 117 and 118:
108 Kimberly Peirce Have you ever r
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12 Steve James Harlan County U.S.A.
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112 Steve James later. It’s so tr
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114 Steve James an outsider. She ha
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116 Steve James out there, which wa
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118 Steve James James: Sure. It was
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120 Steve James give-and-take, then
Page 131 and 132:
122 Steve James 28 Up and The Times
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124 Austin Chick Can you tell me ab
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126 Austin Chick Chick: Yeah, I mea
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128 Austin Chick Chick: The very fi
Page 139 and 140:
130 Austin Chick But this does have
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14 Guy Maddin L’âge d’or Guy M
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134 Guy Maddin a movie myself. My m
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136 Guy Maddin It has a great shape
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138 Guy Maddin Maddin: Oh my God, i
Page 149 and 150:
140 Guy Maddin shooting things, I l
Page 151 and 152:
142 Guy Maddin to the way we love.
Page 153 and 154:
144 Guy Maddin see that the spicy,
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146 Michel Gondry How you would des
Page 157 and 158:
148 Michel Gondry You’re right. I
Page 159 and 160:
150 Michel Gondry I think they have
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16 Michael Polish Once Upon a Time
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154 Michael Polish because he was u
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156 Michael Polish I’ve heard it
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158 Michael Polish aspects of filmm
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17 Arthur Hiller Open City Roberto
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162 Arthur Hiller movies like that,
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164 Arthur Hiller hope I put in thi
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166 Arthur Hiller Coburn character
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168 Pete Docter How would you descr
Page 179 and 180:
170 Pete Docter Docter: Yeah, I had
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172 Pete Docter Tatum O’Neal was
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174 Pete Docter meaning of the scen
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176 Atom Egoyan How would you descr
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178 Atom Egoyan It’s been suggest
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180 Atom Egoyan old quote about sto
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182 Atom Egoyan That had a huge inf
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184 Atom Egoyan Bergman was working
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186 Atom Egoyan always find that im
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20 Gurinder Chadha Purab aur Pachhi
Page 199 and 200:
190 Gurinder Chadha blond hair and
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192 Gurinder Chadha My films are fr
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194 Gurinder Chadha Even now, as I
Page 205 and 206:
196 Richard Linklater Raging Bull 1
Page 207 and 208:
198 Richard Linklater I’ve been i
Page 209 and 210:
200 Richard Linklater To see someon
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22 Jay Duplass Raising Arizona Jay
Page 213 and 214:
204 Jay Duplass superbly executed
Page 215 and 216:
206 Jay Duplass camera, similar to
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208 Jay Duplass And Moonstruck is t
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23 John Woo Rebel Without a Cause a
Page 221 and 222:
212 John Woo I was pretty strong—
Page 223 and 224:
214 John Woo —but the role went t
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216 John Woo Mean Streets came out
Page 227 and 228:
218 John Woo Scorsese’s violence
Page 229 and 230:
220 John Woo That’s one of the pe
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24 John Landis The 7th Voyage of Si
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224 John Landis That’s funny, bec
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226 John Landis People have a misun
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228 John Landis completely dazzles
Page 239 and 240:
230 John Landis Casablanca or Citiz
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25 Kevin Smith Slacker For director
Page 243 and 244:
234 Kevin Smith very clever, very f
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236 Kevin Smith place I’d really
Page 247 and 248:
238 Kevin Smith Smith: The benefit
Page 249 and 250:
240 Kevin Smith What was your react
Page 251 and 252:
242 Chris Miller When did you first
Page 253 and 254:
244 Chris Miller at the same time.
Page 255 and 256:
246 Neil LaBute The Soft Skin 1964
Page 257 and 258:
248 Neil LaBute if anyone, is short
Page 259 and 260:
250 Neil LaBute most passionate mom
Page 261 and 262:
252 Neil LaBute LaBute: Yeah, well,
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254 Neil LaBute Such a small portio
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256 Neil LaBute If I remember right
Page 267 and 268:
258 Neil LaBute Lachenay moves arou
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260 George A. Romero The Dark Half
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262 George A. Romero I’ve never h
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264 George A. Romero Pressburger an
Page 275 and 276:
266 Frank Oz How would you describe
Page 277 and 278:
268 Frank Oz Tell me about that dis
Page 279 and 280:
270 Frank Oz There’s a story abou
Page 281 and 282:
272 Frank Oz coffeehouse. That was
Page 283 and 284:
274 Frank Oz know what I’m doing.
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276 Frank Oz It’s amazing how you
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30 John Waters The Wizard of Oz The
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280 John Waters And then, the seldo
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282 John Waters countries—maybe t
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Acknowledgments First, thanks to th
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Index A accidents, on-set, 148-149
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288 Index Coutard, Raoul, 257 Cowar
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290 Index Hoop Dreams, 117, 118, 12
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292 Index My Beautiful Laundrette,
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294 Index special effects, 223, 224
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