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The_Film_That_Changed_My_Life

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Apocalypse Now<br />

33<br />

apart from that it doesn’t really stand up in any kind of comparison. I’m<br />

modest enough to admit that.<br />

Well, there is an homage to Apocalypse Now, when Leonardo DiCaprio<br />

becomes one with the jungle.<br />

Boyle: Yeah, there’s a bit of that in it. But in terms of comparisons to the<br />

original, it will not stand up. It will not stand up.<br />

<strong>My</strong> interest is in not so much comparing the two. But while you were<br />

in the jungle making this movie and facing the various difficulties you<br />

had, was the ghost of Apocalypse Now in the back of your mind?<br />

Boyle: I was never able to use it in a way that would have been useful, really<br />

useful. I think also the danger is that you try and deliberately repeat it in<br />

some way. You know, not just copy it, but you do try and reinvoke it.<br />

What I meant about the persona of the film—something natural occurs<br />

in the film. Something organic and natural that emerges as the personality<br />

of the film that says, “This is what it’s gonna be, guys. It doesn’t matter what<br />

you do technically; this is what it’s gonna be.”<br />

Its source of light wiggles about, and it emerges and it’s a very weird phenomena.<br />

Once you’re shooting, you can’t do much about it in a way, other<br />

than try and obey it. You can try and contradict it, but it’s pretty pointless—<br />

and I think what he did was go with the flow, because he clearly just went<br />

with it, even though it was driving him insane.<br />

His sets were being blown away. He would just rebuild them. <strong>The</strong> helicopters<br />

would disappear to fight a war or to fight rebels. He would just wait<br />

to get more of them.<br />

Here’s the other thing. Whenever I talk about this film with other directors,<br />

it’s often in passing, and it’s always become symbolic for the vanity<br />

product that goes horribly awry. It’s your baby that you’ve put your life<br />

and family and livelihood and career and ego and everything into. Can<br />

you ever foresee a project for which you do that?<br />

Boyle: I think because it’s become more of a producer’s art form now; I<br />

don’t think they’ll let you get into that position anymore. It’s much more<br />

difficult to get yourself into that position I think.

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