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The_Film_That_Changed_My_Life

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32 Danny Boyle<br />

shooting schedule; he mortgaged his house; Martin Sheen had a heart<br />

attack . . .<br />

Boyle: I heard about that in the run-up to the opening of the film because that<br />

was the baggage that accompanied the film. I think it made it more attractive<br />

to go and see rather than buried it. Because normally, that kind of reputation<br />

would bury a film, but actually—ironically—it made it more attractive.<br />

Well, it helped. Apocalypse Now shared the Palme d’Or with <strong>The</strong> Tin<br />

Drum as well, so it did have acclaim. But it had a rough beginning.<br />

Originally, Steve McQueen was supposed to play Willard, which didn’t<br />

work out. <strong>The</strong>n they filmed a couple weeks with Harvey Keitel in the<br />

lead role. Have you ever dealt with miscasting?<br />

Boyle: I don’t think I’ve ever been through that. Certainly not in a way I’ve<br />

ever done anything about it. I sacked somebody once, but basically for misbehavior.<br />

I think this is the opposite. I think Coppola wanted to hire people<br />

who would misbehave.<br />

Speaking of which, Dennis Hopper was high the whole time. He kept<br />

forgetting his lines.<br />

Boyle: I think sometimes with a film, its persona announces itself. Obviously<br />

because he was a megalomaniac and also a genius, that persona began<br />

to emerge in the film and he just embraced it. So he would not try to stabilize<br />

the film—you can see that—he would just go with the madness of it.<br />

So he would sack Harvey Keitel and get someone else. And if Martin<br />

Sheen does have a heart attack, he does drag him back to work again,<br />

rather than quit. In a tiny, tiny way you can feel where the persona of a<br />

film declares itself, “This is a film and this how you’re going to behave in<br />

it.” This is just the maddest, craziest example of it, I guess.<br />

How much was this film on your mind when you were making your<br />

own jungle picture, <strong>The</strong> Beach?<br />

Boyle: [laughs] Yeah. We had an excerpt from it. I was hoping to find, in the<br />

way that we made the film, I was hoping to find connections with the film,<br />

but we never did. And, I think in a funny way, I was happy that we didn’t<br />

keep trying to. <strong>The</strong>re’s a sequence of Apocalypse Now in the beginning, but

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