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The_Film_That_Changed_My_Life

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Apocalypse Now<br />

29<br />

much. I wanted to proselytize it to him. I remember sitting there, before it<br />

began. I do remember them running the porn trailers for what was going to<br />

be on in the following weeks. I was so embarrassed. [laughs] But then the<br />

film began and all was forgiven and forgotten.<br />

And was your dad a World War II vet?<br />

Boyle: He was.<br />

And what was his reaction?<br />

Boyle: I don’t think he saw it in the way that I saw it. I think it’s a really different<br />

depiction of war. It is about modern pop culture as much as it is about<br />

war and that first excitement and visceral stimulation. It’s as much about<br />

that as it is actually about war. So he would personally find Saving Private<br />

Ryan a more appropriate picture of war, I think.<br />

Whereas for us, that’s why Apocalypse Now is so extraordinary, really.<br />

It’s our war. <strong>The</strong> war we fight now, which is a battle between ourselves—in<br />

ourselves, between stimulation and yet somehow feeling morally you must<br />

condemn it.<br />

Is there a particular scene or sequence that’s remained powerful for you?<br />

Boyle: Well, I suppose, for any director, it’s got to be “Ride of the Valkyries.”<br />

Because it’s too well known in a way; it’s not the subtle one you should<br />

really point out. For me, it’s a great washing machine scene. I call it a<br />

washing machine because he just throws all these ingredients into it: the<br />

savagery of what the Americans did, American culture, the surfing.<br />

<strong>The</strong> Vietcong are holding a beachhead, and U.S. air cavalry raid it with<br />

dozens of helicopters. Robert Duvall commands the unit and plays this<br />

Wagner music to intimidate the Vietcong—which is an extraordinary idea,<br />

this fascist German composer being blasted out at the Vietcong as these<br />

twentieth-century machines ride in with destruction.<br />

Duvall does take the beach, and he takes the beach partly because it’s<br />

military imperative, but principally because on this beachhead the surf is<br />

really good and he loves to see his boys surf. Everybody is suddenly on<br />

the ground in the middle of the washing machine rather than protected<br />

by these swooping insects of destruction. Suddenly, when they are actually

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