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The_Film_That_Changed_My_Life

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26 Danny Boyle<br />

Starring Martin Sheen, Marlon Brando, Robert Duvall, Dennis<br />

Hopper, Frederic Forrest, Sam Bottoms, Laurence Fishburne,<br />

Albert Hall, and Harrison Ford<br />

How would you describe this film to someone who has never seen it?<br />

Boyle: This movie is impossible to pigeonhole. It’s the greatest war movie<br />

ever made. <strong>The</strong>re are greater movies that condemn war, but no film captures<br />

our abhorrence of war and yet the pleasure we get from seeing it depicted in<br />

the movies. <strong>That</strong>’s what’s extraordinary about it. It’s not just a war movie, it’s<br />

about the nature of cinema and why we go and watch it—that journey we<br />

want to make in the cinema.<br />

It’s summed up obviously by Coppola, who appears in it himself, screaming<br />

at the guys to “keep going!” so he can get better pictures.<br />

He plays a war documentarian and yells at the soldiers, “It’s for television,<br />

just go through, go through!”<br />

Boyle: [laughs] And so it’s not just a war movie. People make war movies<br />

and you feel the horror and the pity, but this is also about moviemaking<br />

because he went through such an extraordinary passage in order to make<br />

the film. And so to encapsulate it is virtually self-defeating in a way. <strong>That</strong>’s<br />

what’s extraordinary about it.<br />

It is a master film. It’s my own personal favorite; if I had to nail one film<br />

on my heart, this would the one. This would be it because it is unclassifiable.<br />

Let’s start with the basics, then. Preliminarily, it’s based on Joseph<br />

Conrad’s novella Heart of Darkness, and it’s about Willard, played by<br />

Martin Sheen, who is sent to hunt down a rogue colonel, played by<br />

Marlon Brando. Existentially, it’s about a guy sent to kill his darker<br />

self. Is that simplifying it too much?<br />

Boyle: I guess that’s it, yeah. <strong>That</strong>’s a good summation of it, really.<br />

<strong>My</strong> relationship with it, and my relationship with most films that I love,<br />

is not really an intellectual one at all. It’s a passionate, visceral, emotional<br />

one, and in a funny kind of way I learned to value and appreciate that more<br />

as I go on, really, rather than try to ever understand the films.

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