The_Film_That_Changed_My_Life

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Index 293 Psychedelic Soldier, The, 31 Pulp Fiction, 200 Purab aur Pachhim, 188, 189–192 R Raging Bull, 195–201 Raiders of the Lost Ark, 91 Raising Arizona, 202–209 Rebel Without a Cause, 211–215 Red (Three Colors Trilogy), 157 Red Balloon, The, 149 redemption themes, 198 religious imagery, 218 repeated scenes, 98–99 rereleases, 36–38, 275–276 Return of the Jedi, 275 Ritchard, Cyril, 281 RKO 281, 61 Rocky, 199 Roman Candles, 280 Roman Soldiers Don’t Wear Watches (book), 137–138 Romero, George A., 259–264 Rossellini, Roberto, 160, 162, 163, 165 Rounders, 66 rule-breaking, 17, 22, 217, 272 Rules of the Game, The, 59 S Saddest Music in the World, The, 136 Sade, Marquis de, 141 Sarris, Andrew, 183 satire, 54, 242 Schloss, John, 239 School of Rock, 240 Schoonmacher, Thelma, 262–263 Score, The, 268, 273 Scorsese, Martin, 195, 197, 198–199, 216–220, 262–263 self-consciousness, 21, 23–24, 34, 187 Serial Mom, 282 7th Voyage of Sinbad, The, 222–231 Shampoo, 46 Shaun of the Dead, 5–6 Sheen, Martin, 26, 32, 35 Sheinberg, Sidney, 49, 52 short to feature film transition, 150 Siegel, Joel, 206 Silence, The, 179 silent moments, 173 Silver Streak, 164 Sirk, Douglas, 219 Slacker, 201, 232–240 Sleazy the Wonder Squirrel Goes to France, 243 Sleeper, 14, 16, 17, 241–244 Smith, Kevin, 232–240 social criticism, 51 social responsibility, 67–68 Soft Skin, The as autobiography, 247–248, 252–253 characters, 255–256 credits, 246 description, 246 influence of, 248–250, 256–258 role of language in, 254–255 title interpretation, 253–254 viewing circumstances, 246 Sontag, Susan, 179–180 soundtracks/scores American Werewolf in London, 7–8 Apocalypse Now, 29, 36 cinema verité and, 115 Clockwork Orange, A, 65 influence of, 229 Kings of the Road, 127 operas, 260–261, 263 7th Voyage of Sinbad, The, 229 Tales of Hoffmann, The, 260–261 Touch of Evil, 271–272 and violence, 217–218 and Westerns, 157
294 Index special effects, 223, 224–226, 283 Spider-Man, 226 Spielberg, Steven, 84, 87, 88–90, 92, 93, 229 Spies Like Us, 228 split screens, 22–23 Spy Kids 2, 228 Stallone, Sylvester, 228–229 Star Trek: The Motion Picture, 165 Star Wars, 3, 31, 91–92, 170 Starburst (magazine), 3 State of Things, The, 131 Station Agent, The, 172 Stepford Wives, 276 Stevie, 110, 122 Stewart, James, 193 Stone, Oliver, 220 Stop-Loss, 107 Stoppard, Tom, 50 Stowaway in the Sky (Le voyage en ballon), 145–151 Stranger Than Paradise, 234–235 Straw Dogs, 66 Stupids, The, 229 Sunset Blvd., 78 surrealism, 134–135, 140, 280 suspension of disbelief, 223, 227 symbolism, 96, 140, 262 Time Machine, The, 150 Times of Harvey Milk, The, 122 Tootsie, 192 Toronto International Film Festival, 185 Touch of Evil actors and characters, 266–267, 270–271, 276–277 as B-movie, 267–268 as classic, 63 credits, 265 description and scene selections, 266, 269 directorial style, 265–267, 268–273, 276–277 influence of, 266, 268–269, 277 rereleases, 275 score, 271–272 viewing circumstances, 266, 269 Toy Story, 167, 169 Trainspotting, 38 Trial, The, 63 Truffaut, François, 143, 245, 247, 248–256, 257 Trust, 233, 234, 238 Turan, Kenneth, 236 28 Up, 122 Two English Girls, 251 T Tales of Hoffmann, The, 259–264 Tarantino, Quentin, 200 Tarkovsky, Andrei, 184 Taylor, Dub, 46 Thatcher, Torin, 230 Third Man, The, 35 This Is Orson Welles (Bogdanovich), 57 Thomas, Henry, 83 three-movie theory, 70, 85 Through a Glass Darkly, 179 Time Bandits, 49 U Ullmann, Liv, 182–183, 184 Un chien andalou, 95, 133, 135 universality, 43, 76, 84, 92, 193, 194 Until the End of the World, 127 Up, 167 V Venice/Venice, 78, 79, 80, 81 verité, cinema, 79, 111, 114–115, 119–121 villains as heroes, 280, 282–283
Page 1 and 2:
Danny Boyle on Apocalypse Now Kevin
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Library of Congress Cataloging-in-P
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Contents Introduction … vi 1 Edga
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Introduction Movies are personal to
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viii Introduction For me, a sevente
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2 Edgar Wright How would you descri
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4 Edgar Wright an extremely gory Ri
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6 Edgar Wright going on. People are
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8 Edgar Wright Wright: The thing th
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10 Edgar Wright And then the deadpa
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12 Edgar Wright when a director has
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14 Rian Johnson How would you descr
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16 Rian Johnson [laughter] So there
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18 Rian Johnson The Godfather, and
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20 Rian Johnson creates the beauty
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22 Rian Johnson Johnson: Oh God, ar
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24 Rian Johnson As a filmmaker it
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26 Danny Boyle Starring Martin Shee
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28 Danny Boyle Boyle: [laughs] It h
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30 Danny Boyle on the ground, they
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32 Danny Boyle shooting schedule; h
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34 Danny Boyle And, as a filmmaker,
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36 Danny Boyle nonsense. But, it se
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38 Danny Boyle Boyle: Oh yeah, it
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40 Bill Condon How would you descri
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42 Bill Condon Condon: Oh, I think
Page 53 and 54:
44 Bill Condon that great ending. I
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46 Bill Condon And then there’s a
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48 Richard Kelly Terry Gilliam call
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50 Richard Kelly access passes to t
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52 Richard Kelly Kelly: It makes it
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54 Richard Kelly they are not seen
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56 Peter Bogdanovich Texasville (19
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58 Peter Bogdanovich How did it cha
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60 Peter Bogdanovich everything the
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62 Peter Bogdanovich And you were p
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7 John Dahl A Clockwork Orange John
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66 John Dahl For example, I would s
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68 John Dahl way around. Art consis
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70 John Dahl Dahl: It’s interesti
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72 John Dahl My only other criticis
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8 Henry Jaglom 8½ Henry Jaglom cha
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76 Henry Jaglom was going through.
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78 Henry Jaglom out of control. A g
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80 Henry Jaglom Over the years, I
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9 Brian Herzlinger E.T.: The Extra-
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84 Brian Herzlinger during the scen
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86 Brian Herzlinger that world brou
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88 Brian Herzlinger You met Spielbe
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90 Brian Herzlinger And he says,
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92 Brian Herzlinger in theaters bec
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10 Alex Gibney The Exterminating An
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96 Alex Gibney one was political in
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98 Alex Gibney There’s one scene
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100 Alex Gibney you’ve had to do
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102 Alex Gibney I would say that th
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11 Kimberly Peirce The Godfather Pe
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106 Kimberly Peirce and he gets him
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108 Kimberly Peirce Have you ever r
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12 Steve James Harlan County U.S.A.
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112 Steve James later. It’s so tr
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114 Steve James an outsider. She ha
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116 Steve James out there, which wa
Page 127 and 128:
118 Steve James James: Sure. It was
Page 129 and 130:
120 Steve James give-and-take, then
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122 Steve James 28 Up and The Times
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124 Austin Chick Can you tell me ab
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126 Austin Chick Chick: Yeah, I mea
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128 Austin Chick Chick: The very fi
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130 Austin Chick But this does have
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14 Guy Maddin L’âge d’or Guy M
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134 Guy Maddin a movie myself. My m
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136 Guy Maddin It has a great shape
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138 Guy Maddin Maddin: Oh my God, i
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140 Guy Maddin shooting things, I l
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142 Guy Maddin to the way we love.
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144 Guy Maddin see that the spicy,
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146 Michel Gondry How you would des
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148 Michel Gondry You’re right. I
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150 Michel Gondry I think they have
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16 Michael Polish Once Upon a Time
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154 Michael Polish because he was u
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156 Michael Polish I’ve heard it
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158 Michael Polish aspects of filmm
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17 Arthur Hiller Open City Roberto
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162 Arthur Hiller movies like that,
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164 Arthur Hiller hope I put in thi
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166 Arthur Hiller Coburn character
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168 Pete Docter How would you descr
Page 179 and 180:
170 Pete Docter Docter: Yeah, I had
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172 Pete Docter Tatum O’Neal was
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174 Pete Docter meaning of the scen
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176 Atom Egoyan How would you descr
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178 Atom Egoyan It’s been suggest
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180 Atom Egoyan old quote about sto
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182 Atom Egoyan That had a huge inf
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184 Atom Egoyan Bergman was working
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186 Atom Egoyan always find that im
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20 Gurinder Chadha Purab aur Pachhi
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190 Gurinder Chadha blond hair and
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192 Gurinder Chadha My films are fr
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194 Gurinder Chadha Even now, as I
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196 Richard Linklater Raging Bull 1
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198 Richard Linklater I’ve been i
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200 Richard Linklater To see someon
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22 Jay Duplass Raising Arizona Jay
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204 Jay Duplass superbly executed
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206 Jay Duplass camera, similar to
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208 Jay Duplass And Moonstruck is t
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23 John Woo Rebel Without a Cause a
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212 John Woo I was pretty strong—
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214 John Woo —but the role went t
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216 John Woo Mean Streets came out
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218 John Woo Scorsese’s violence
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220 John Woo That’s one of the pe
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24 John Landis The 7th Voyage of Si
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224 John Landis That’s funny, bec
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226 John Landis People have a misun
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228 John Landis completely dazzles
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230 John Landis Casablanca or Citiz
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25 Kevin Smith Slacker For director
Page 243 and 244:
234 Kevin Smith very clever, very f
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236 Kevin Smith place I’d really
Page 247 and 248:
238 Kevin Smith Smith: The benefit
Page 249 and 250:
240 Kevin Smith What was your react
Page 251 and 252: 242 Chris Miller When did you first
Page 253 and 254: 244 Chris Miller at the same time.
Page 255 and 256: 246 Neil LaBute The Soft Skin 1964
Page 257 and 258: 248 Neil LaBute if anyone, is short
Page 259 and 260: 250 Neil LaBute most passionate mom
Page 261 and 262: 252 Neil LaBute LaBute: Yeah, well,
Page 263 and 264: 254 Neil LaBute Such a small portio
Page 265 and 266: 256 Neil LaBute If I remember right
Page 267 and 268: 258 Neil LaBute Lachenay moves arou
Page 269 and 270: 260 George A. Romero The Dark Half
Page 271 and 272: 262 George A. Romero I’ve never h
Page 273 and 274: 264 George A. Romero Pressburger an
Page 275 and 276: 266 Frank Oz How would you describe
Page 277 and 278: 268 Frank Oz Tell me about that dis
Page 279 and 280: 270 Frank Oz There’s a story abou
Page 281 and 282: 272 Frank Oz coffeehouse. That was
Page 283 and 284: 274 Frank Oz know what I’m doing.
Page 285 and 286: 276 Frank Oz It’s amazing how you
Page 287 and 288: 30 John Waters The Wizard of Oz The
Page 289 and 290: 280 John Waters And then, the seldo
Page 291 and 292: 282 John Waters countries—maybe t
Page 293 and 294: Acknowledgments First, thanks to th
Page 295 and 296: Index A accidents, on-set, 148-149
Page 297 and 298: 288 Index Coutard, Raoul, 257 Cowar
Page 299 and 300: 290 Index Hoop Dreams, 117, 118, 12
Page 301: 292 Index My Beautiful Laundrette,
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