The_Film_That_Changed_My_Life

292 Index
My Beautiful Laundrette, 191
My Date with Drew, 90
My Life to Live, 256
N
National Lampoon Goes to the Movies,
80
Naughton, David, 2, 3–4, 7, 9–11
Neeson, Liam, 46
neorealism, 161–162
New Wave, 40, 41, 220, 245, 252
New York, New York, 197
New York Times, 42, 44, 58–59, 179,
236–237, 249
Newman, David, 45
Newton Boys, The, 198
Nichols, Mary, 20
Night of the Living Dead, 259
Nine, 80
Northfork, 152, 154
O
O’Brien, Willis, 226, 230
Offenbach, Jacques, 260, 261
Old Yeller, 85
Once Upon a Time in America,
152–159
Once Upon a Time in the West, 154
O’Neal, Ryan, 168
O’Neal, Tatum, 168, 172
120 Days of Sodom (Marquis de Sade),
141
Open City, 160–166
Oscar, 228–229
Othello, 63
Other Side of the Wind, The, 62
Oz, Frank
on B-movie qualities, 268
on directing actors, 273–274
on editing, 269
film selection (see Touch of Evil)
filmography, 265
on rereleases, 275–276
P
Pacino, Al, 109
Pal, George, 150
Paper Moon, 167–174
Parents’ Hearts (play), 212–213
Paris, Texas, 124, 130
Parsons, Estelle, 41, 46
part-talkies, 138
Passion of Anna, The, 14
Peeping Tom, 263
Peirce, Kimberly, 104–109
Penn, Arthur, 39
Persona
Annie Hall scenes and, 15
artistic freedom and, 183–184
audience relationship with, 178,
185–186
autobiographical elements,
182–183
credits, 175
description and scene selections,
176, 177, 179–180
eroticism and, 181–182
influence of, 175, 178–179
interpretation variations, 186–187
viewing circumstances, 134,
176–177
Peter Pan (1955 television
production), 281
Phase IV, 150
Pingatore, Gene, 118
Plan 9 from Outer Space, 225
plot-free movies, 234, 235
Polish, Michael, 152–159
Pollard, Michael J., 41
Powell, Michael, 259, 261, 262–263,
264
Pressburger, Emeric, 259, 264
protagonists, loathsome, 199–200