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The_Film_That_Changed_My_Life

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Annie Hall<br />

21<br />

I don’t think it’s overcome, but appreciate.<br />

Johnson: Appreciate I’d agree with.<br />

It’s a more generous word. Now, you were telling me about what you<br />

think is the saddest part of the movie. I’ll tell you what mine is. It’s a<br />

very quick scene, and it probably tells you more about me than anything<br />

else. It’s the scene in which he’s no longer with Annie and he’s at a<br />

beach house someplace and he’s trying to catch a lobster. He’s trying to<br />

re-create this whimsical moment, and he’s with a woman who just does<br />

not get him. [laughter] To me, that is so sad.<br />

Johnson: Yeah, and the line with the smoking and the woman asking him,<br />

“Are you joking?”<br />

What I love about the writing is it’s so self-conscious. It’s a joke at his<br />

expense that’s extremely sad and revealing.<br />

Johnson: It cuts right to the heart of what we were talking about before: his<br />

inability to change, to the point where he’s actually trying to re-create a specific<br />

moment. Instead of growing forward with her, he’s literally restaging—<br />

which is exactly what he’s doing with the play that he’s writing. Also, if you<br />

want to break these waves, it’s what he’s doing with this film, ostensibly. He’s<br />

reliving it and trying to gain some sort of acceptance on it. Meanwhile, she’s<br />

off in Los Angeles having personally grown.<br />

Also, in terms of connecting with personal experience, anytime you’re<br />

in the immediate aftermath of a breakup and you start dating—for some<br />

reason that scene cuts to the heart of my experience. Every single date you<br />

go on a month or two after a relationship ends, you’re comparing, and they<br />

always pale in comparison.<br />

Or not only that, but you have, “She would have loved this; she would<br />

have appreciated this.” You end up haunting your own house at a certain<br />

point. You mentioned the play Alvy Singer writes, which is one of<br />

the great reveals. <strong>The</strong>re’s a great line, “You know how you’re always trying<br />

to get things to come out perfect in art because it’s real difficult in<br />

life.” I realize you’re still at the beginning of your career, but have you<br />

fallen prey to that in your own work?

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