The_Film_That_Changed_My_Life

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The Film That Changed My Life Robert K. Elder 30 DIRECTORS ON THEIR EPIPHANIES IN THE DARK
Library of Congress Cataloging-in-Publication Data Elder, Robert K. The film that changed my life : 30 directors on their epiphanies in the dark / Robert K. Elder. p. cm. Includes index. ISBN 978-1-55652-825-5 1. Motion pictures. 2. Motion picture producers and directors—Interviews. I. Title. PN1995.E5585 2011 791.43'75—dc22 2010038581 Cover and interior design: Visible Logic, Inc. © 2011 by Robert K. Elder All rights reserved Published by Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-55652-825-5 Printed in the United States of America 5 4 3 2 1
Page 1: Danny Boyle on Apocalypse Now Kevin
Page 5 and 6: Contents Introduction … vi 1 Edga
Page 7 and 8: Introduction Movies are personal to
Page 9 and 10: viii Introduction For me, a sevente
Page 11 and 12: 2 Edgar Wright How would you descri
Page 13 and 14: 4 Edgar Wright an extremely gory Ri
Page 15 and 16: 6 Edgar Wright going on. People are
Page 17 and 18: 8 Edgar Wright Wright: The thing th
Page 19 and 20: 10 Edgar Wright And then the deadpa
Page 21 and 22: 12 Edgar Wright when a director has
Page 23 and 24: 14 Rian Johnson How would you descr
Page 25 and 26: 16 Rian Johnson [laughter] So there
Page 27 and 28: 18 Rian Johnson The Godfather, and
Page 29 and 30: 20 Rian Johnson creates the beauty
Page 31 and 32: 22 Rian Johnson Johnson: Oh God, ar
Page 33 and 34: 24 Rian Johnson As a filmmaker it
Page 35 and 36: 26 Danny Boyle Starring Martin Shee
Page 37 and 38: 28 Danny Boyle Boyle: [laughs] It h
Page 39 and 40: 30 Danny Boyle on the ground, they
Page 41 and 42: 32 Danny Boyle shooting schedule; h
Page 43 and 44: 34 Danny Boyle And, as a filmmaker,
Page 45 and 46: 36 Danny Boyle nonsense. But, it se
Page 47 and 48: 38 Danny Boyle Boyle: Oh yeah, it
Page 49 and 50: 40 Bill Condon How would you descri
Page 51 and 52: 42 Bill Condon Condon: Oh, I think
Page 53 and 54:
44 Bill Condon that great ending. I
Page 55 and 56:
46 Bill Condon And then there’s a
Page 57 and 58:
48 Richard Kelly Terry Gilliam call
Page 59 and 60:
50 Richard Kelly access passes to t
Page 61 and 62:
52 Richard Kelly Kelly: It makes it
Page 63 and 64:
54 Richard Kelly they are not seen
Page 65 and 66:
56 Peter Bogdanovich Texasville (19
Page 67 and 68:
58 Peter Bogdanovich How did it cha
Page 69 and 70:
60 Peter Bogdanovich everything the
Page 71 and 72:
62 Peter Bogdanovich And you were p
Page 73 and 74:
7 John Dahl A Clockwork Orange John
Page 75 and 76:
66 John Dahl For example, I would s
Page 77 and 78:
68 John Dahl way around. Art consis
Page 79 and 80:
70 John Dahl Dahl: It’s interesti
Page 81 and 82:
72 John Dahl My only other criticis
Page 83 and 84:
8 Henry Jaglom 8½ Henry Jaglom cha
Page 85 and 86:
76 Henry Jaglom was going through.
Page 87 and 88:
78 Henry Jaglom out of control. A g
Page 89 and 90:
80 Henry Jaglom Over the years, I
Page 91 and 92:
9 Brian Herzlinger E.T.: The Extra-
Page 93 and 94:
84 Brian Herzlinger during the scen
Page 95 and 96:
86 Brian Herzlinger that world brou
Page 97 and 98:
88 Brian Herzlinger You met Spielbe
Page 99 and 100:
90 Brian Herzlinger And he says,
Page 101 and 102:
92 Brian Herzlinger in theaters bec
Page 103 and 104:
10 Alex Gibney The Exterminating An
Page 105 and 106:
96 Alex Gibney one was political in
Page 107 and 108:
98 Alex Gibney There’s one scene
Page 109 and 110:
100 Alex Gibney you’ve had to do
Page 111 and 112:
102 Alex Gibney I would say that th
Page 113 and 114:
11 Kimberly Peirce The Godfather Pe
Page 115 and 116:
106 Kimberly Peirce and he gets him
Page 117 and 118:
108 Kimberly Peirce Have you ever r
Page 119 and 120:
12 Steve James Harlan County U.S.A.
Page 121 and 122:
112 Steve James later. It’s so tr
Page 123 and 124:
114 Steve James an outsider. She ha
Page 125 and 126:
116 Steve James out there, which wa
Page 127 and 128:
118 Steve James James: Sure. It was
Page 129 and 130:
120 Steve James give-and-take, then
Page 131 and 132:
122 Steve James 28 Up and The Times
Page 133 and 134:
124 Austin Chick Can you tell me ab
Page 135 and 136:
126 Austin Chick Chick: Yeah, I mea
Page 137 and 138:
128 Austin Chick Chick: The very fi
Page 139 and 140:
130 Austin Chick But this does have
Page 141 and 142:
14 Guy Maddin L’âge d’or Guy M
Page 143 and 144:
134 Guy Maddin a movie myself. My m
Page 145 and 146:
136 Guy Maddin It has a great shape
Page 147 and 148:
138 Guy Maddin Maddin: Oh my God, i
Page 149 and 150:
140 Guy Maddin shooting things, I l
Page 151 and 152:
142 Guy Maddin to the way we love.
Page 153 and 154:
144 Guy Maddin see that the spicy,
Page 155 and 156:
146 Michel Gondry How you would des
Page 157 and 158:
148 Michel Gondry You’re right. I
Page 159 and 160:
150 Michel Gondry I think they have
Page 161 and 162:
16 Michael Polish Once Upon a Time
Page 163 and 164:
154 Michael Polish because he was u
Page 165 and 166:
156 Michael Polish I’ve heard it
Page 167 and 168:
158 Michael Polish aspects of filmm
Page 169 and 170:
17 Arthur Hiller Open City Roberto
Page 171 and 172:
162 Arthur Hiller movies like that,
Page 173 and 174:
164 Arthur Hiller hope I put in thi
Page 175 and 176:
166 Arthur Hiller Coburn character
Page 177 and 178:
168 Pete Docter How would you descr
Page 179 and 180:
170 Pete Docter Docter: Yeah, I had
Page 181 and 182:
172 Pete Docter Tatum O’Neal was
Page 183 and 184:
174 Pete Docter meaning of the scen
Page 185 and 186:
176 Atom Egoyan How would you descr
Page 187 and 188:
178 Atom Egoyan It’s been suggest
Page 189 and 190:
180 Atom Egoyan old quote about sto
Page 191 and 192:
182 Atom Egoyan That had a huge inf
Page 193 and 194:
184 Atom Egoyan Bergman was working
Page 195 and 196:
186 Atom Egoyan always find that im
Page 197 and 198:
20 Gurinder Chadha Purab aur Pachhi
Page 199 and 200:
190 Gurinder Chadha blond hair and
Page 201 and 202:
192 Gurinder Chadha My films are fr
Page 203 and 204:
194 Gurinder Chadha Even now, as I
Page 205 and 206:
196 Richard Linklater Raging Bull 1
Page 207 and 208:
198 Richard Linklater I’ve been i
Page 209 and 210:
200 Richard Linklater To see someon
Page 211 and 212:
22 Jay Duplass Raising Arizona Jay
Page 213 and 214:
204 Jay Duplass superbly executed
Page 215 and 216:
206 Jay Duplass camera, similar to
Page 217 and 218:
208 Jay Duplass And Moonstruck is t
Page 219 and 220:
23 John Woo Rebel Without a Cause a
Page 221 and 222:
212 John Woo I was pretty strong—
Page 223 and 224:
214 John Woo —but the role went t
Page 225 and 226:
216 John Woo Mean Streets came out
Page 227 and 228:
218 John Woo Scorsese’s violence
Page 229 and 230:
220 John Woo That’s one of the pe
Page 231 and 232:
24 John Landis The 7th Voyage of Si
Page 233 and 234:
224 John Landis That’s funny, bec
Page 235 and 236:
226 John Landis People have a misun
Page 237 and 238:
228 John Landis completely dazzles
Page 239 and 240:
230 John Landis Casablanca or Citiz
Page 241 and 242:
25 Kevin Smith Slacker For director
Page 243 and 244:
234 Kevin Smith very clever, very f
Page 245 and 246:
236 Kevin Smith place I’d really
Page 247 and 248:
238 Kevin Smith Smith: The benefit
Page 249 and 250:
240 Kevin Smith What was your react
Page 251 and 252:
242 Chris Miller When did you first
Page 253 and 254:
244 Chris Miller at the same time.
Page 255 and 256:
246 Neil LaBute The Soft Skin 1964
Page 257 and 258:
248 Neil LaBute if anyone, is short
Page 259 and 260:
250 Neil LaBute most passionate mom
Page 261 and 262:
252 Neil LaBute LaBute: Yeah, well,
Page 263 and 264:
254 Neil LaBute Such a small portio
Page 265 and 266:
256 Neil LaBute If I remember right
Page 267 and 268:
258 Neil LaBute Lachenay moves arou
Page 269 and 270:
260 George A. Romero The Dark Half
Page 271 and 272:
262 George A. Romero I’ve never h
Page 273 and 274:
264 George A. Romero Pressburger an
Page 275 and 276:
266 Frank Oz How would you describe
Page 277 and 278:
268 Frank Oz Tell me about that dis
Page 279 and 280:
270 Frank Oz There’s a story abou
Page 281 and 282:
272 Frank Oz coffeehouse. That was
Page 283 and 284:
274 Frank Oz know what I’m doing.
Page 285 and 286:
276 Frank Oz It’s amazing how you
Page 287 and 288:
30 John Waters The Wizard of Oz The
Page 289 and 290:
280 John Waters And then, the seldo
Page 291 and 292:
282 John Waters countries—maybe t
Page 293 and 294:
Acknowledgments First, thanks to th
Page 295 and 296:
Index A accidents, on-set, 148-149
Page 297 and 298:
288 Index Coutard, Raoul, 257 Cowar
Page 299 and 300:
290 Index Hoop Dreams, 117, 118, 12
Page 301 and 302:
292 Index My Beautiful Laundrette,
Page 303 and 304:
294 Index special effects, 223, 224
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