The_Film_That_Changed_My_Life

290 Index
Hoop Dreams, 117, 118, 120, 122
Hopper, Dennis, 32, 35
horror films, 4–5, 226–228, 263
Hospital, 164
Hot Fuzz, 6
Hour of the Wolf, 179
How I Met Your Mother, 241, 243
Howling, The, 7
human spirit, affirmations of, 164,
192–193
Hunter, Holly, 203
Kieslowski, Krzysztof, 157
Killer, The, 219
King Kong, 226
Kings of the Road, 123–131
Kinsey, 44, 46
Kopple, Barbara, 110, 111–117, 121,
122
Kotlowitz, Alex, 116
Kubrick, Stanley, 64, 67–69, 72–73,
220
Kumar, Manoj, 189, 190–192, 194
I
“I Wonder” (song/music video), 147
In the Company of Men, 245, 256
Incredibles, The, 168
In-Laws, The, 164
Interrupters, The, 116
It’s a Wonderful Life, 93, 188, 192–194
J
Jack and the Giant Killer, 230
Jaglom, Henry, 74–81
James, Steve, 110–122
Jason and the Argonauts, 224, 230
Jenkins, Patty, 53
Johnson, Rian, 13–24
Jules et Jim, 248
Juran, Nathan, 230
Jurassic Park, 225
K
Kael, Pauline, 42–43, 66, 216
“kamikaze” directing, 197
Karloff, Boris, 227
Kaufman, Charlie, 147
Kazan, Elia, 185
Keaton, Diane, 14, 17–18, 244
Keitel, Harvey, 32
Kelly, Pat, 197
Kelly, Richard, 47–54
L
L’ âge d’or
credits, 133
description and scene selections,
133–134, 138, 141
influence of, 136, 139–140,
141–142, 144
modern audiences and, 136–137
production history, 140–141,
142–143
and related films, 135–136
Surrealist Manifesto and, 134–135
viewing circumstances, 134
LaBute, Neil
on autobiographical elements,
252–253
film selection (see Soft Skin, The)
filmography, 245
on physical expression, 253–254
on role of language, 254–255
on subject informing directorial
style, 250–251
on Truffaut themes, 251–252
on women characters in love
stories, 255
Lady from Shanghai, The, 63
Lamorisse, Albert, 145, 146, 148, 149
Land of the Lost, 230
Landis, John, 1–2, 4–5, 6, 8–9, 154,
222–231
Lang, Fritz, 50, 143