The_Film_That_Changed_My_Life

288 Index
Coutard, Raoul, 257
Cowards Bend the Knee, 136
critics, roles of, 53
Crowther, Bosley, 44
Cukor, George, 144
D
Dahl, John, 64–73
Daisy Miller, 170
Dalí, Salvador, 133, 135, 139, 140,
142–143
Dawn of the Dead, 261
Day for Night, 251
De Niro, Robert, 156, 158, 200, 216,
273–274
Dead Father, The, 142
Dean, James, 214–215
death
during documentaries, 116–117
filmmakers and, 149
as theme, 149, 193
Desailly, Jean, 247, 257
Desperate Living, 280
dialogue
creativity of, 234
overlapping, 62–63, 272
and meaning of scenes, 173–174
DiCaprio, Leonardo, 33
Dietrich, Marlene, 266, 277
direct address, 23–24
Dirty Rotten Scoundrels, 275
Discreet Charm of the Bourgeoisie, 97,
99, 102–103
Docter, Pete, 167–174
documentaries
cinema verité and, 114–115,
119–121
dangerous situations during, 116
feature films filmed as, 162–163
filmmaker-subject relationships,
116–121
focus shifts, 115–116
Dogma, 237
Donny Darko, 52–53
Doors, the, 36
Dorléac, François, 257
dreamlike effects, 102, 143, 145,
146–147
duality, 31
Dunaway, Faye, 41, 45
Dunne, Griffin, 2, 4, 5, 10–11
Duplass, Jay, 202–209
Duplass, Mark, 203, 204, 205–206,
207
Duvall, Robert, 29
Duvall, Shelley, 15
Dynamation (animation technique),
225
E
East of Eden, 214–215
Easy Rider, 41, 126, 130
Ebert, Roger, 53, 66
economic values, 53–54
Ed Wood, 225
editing, 269
Egoyan, Atom
directorial aspirations, 178
eroticism, 181–182
film selection (see Persona)
on filmmaking and audience
media savvy, 185–186
filmography, 175
nudity search and film discoveries,
134
on state-funded filmmaking,
183–184
8 Femmes, 80
8½, 13, 17, 74–81, 104
8½ Women, 80
emotional verité, 79
Empire Strikes Back, The, 275
“End, The” (song), 36
Enron: The Smartest Guys in the
Room, 101
eroticism, 180–182, 187, 264