The_Film_That_Changed_My_Life

Index
287
Barrymore, Drew, 82, 90–91
Bass, Saul, 150
Battle of Brazil, The (book), 52
Beach, The, 25, 32–33, 34
Beatty, Warren, 41, 45, 46
Before Night Falls, 147
Bend It Like Beckham, 193, 194
Bergamin, Jose, 97
Bergman, Ingmar, 14, 175, 178, 179,
181, 182–184
Better Tomorrow, A, 212
Beverly Hills Cop III, 228
Bhaji on the Beach, 190
biographies, 44
Blue (Three Colors Trilogy), 157
B-movies, 267–268
Bogdanovich, Peter, 55–63, 167, 172,
173
Bollywood films, 188, 189–192
Bonnie and Clyde, 39–47
Boyle, Danny, 25–38
Boys Don’t Cry, 107, 108
Brando, Marlon, 35, 36, 213–214,
273–274
Brazil, 47–54
Breathless, 250
Bresson, Robert, 184
Brick, 13
Buba, Pasquale “Pat,” 262–263
budgets, 238
Bullet in the Head, 212, 216
Buñuel, Luis, 94–103, 133, 135,
139–141, 143
Burgess, Anthony, 67, 70–71, 72
Burton, Tim, 280
C
Caan, James, 109
Cage, Nicholas, 203, 207–208
Canby, Vincent, 66, 206
Capra, Frank, 192, 194
Casino, 218
censorship, 135, 228
CG (computer-generated animation),
225–226
Chadha, Gurinder, 188–194
characters
as cartoons, 208
loathsome protagonists, 199
romanticization of, 199–200
villains as heroes, 280, 282–283
Welles on, 270
Chasing Amy, 237
Chayefsky, Paddy, 165
Cheung, Jackie, 212
Chick, Austin, 123–131
children, working with, 171–172
cinema verité, 79, 111, 114–115,
119–121
Citizen Kane, 55–63, 156, 198, 272
Clash of the Titans, 224
Clerks, 235, 237
Clockwork Orange, A, 64–73
Clone High, 241, 243
Cloudy with a Chance of Meatballs,
241, 243–244
Cocks, Jay, 219
Coen brothers, 205, 206, 208
color symbolism, 262
comedy
cinematographic techniques and,
242
horror-, 4–5
and tragedy, 165–166
without slapstick, 172–173
Condon, Bill, 39–47
Confessions of a Dangerous Mind, 147
Confidentially Yours, 251
Conrad, Joseph, 26, 30
Coppola, Francis Ford
Apocalypse Now cameo, 26
Apocalypse Now director, 25, 27,
30–32, 34–35, 37, 38
Godfather director, 104–109
Cornell, Joseph, 144