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The_Film_That_Changed_My_Life

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Touch of Evil<br />

271<br />

police being authorized to abuse their power?” From the finished film,<br />

do you think he ever reconciles that?<br />

Oz: Boy, that’s a dilemma, isn’t it? I wish I was smart enough to answer<br />

that. I don’t think there’s a yes or no. A complex question needs a complex<br />

answer, and there are shades of gray. I don’t know.<br />

Orson was emphatic. He said better that they go unpunished, because—<br />

Oz: No, I’m sure, I’m sure that Orson said that. <strong>The</strong>re’s no question in<br />

my mind.<br />

Heston would argue that the crux of the story hangs on the line that comes<br />

from Vargas’s mouth, “A policeman’s job is only easy in a police state.”<br />

Oz: It’s interesting. He said to me and Jim Henson that he hated the word professional.<br />

He didn’t like being called a professional because he thought professional<br />

seemed like a soldier’s title, and so he was very much against that police<br />

state and the soldier. But it’s interesting. <strong>That</strong> five-minute scene that just blows<br />

me away, I think—wasn’t there a story there?—the studio was on to him saying,<br />

“You’re gonna be late, you’re gonna be late, you gotta cut.”<br />

It happened a couple of times. He would do a great, five-minute-long<br />

scene and then say, “Okay, wrap and print the last three cuts. We’re<br />

ahead of schedule by two days.”<br />

Oz: <strong>The</strong>re’s the first five-minute scene, then you go away for several scenes,<br />

then you come back to the same room—that room must have inspired him.<br />

Let’s talk about the Henry Mancini score a little bit.<br />

Oz: It was very interesting. Right now it’s very dated, the bongos, a very Beat<br />

thing. At the same time, it’s almost as if it was an ode to B-films because it was<br />

such a melodramatic score. Maybe on purpose, maybe not, but it felt that way<br />

to me. <strong>The</strong>re was a dissonance, and it wasn’t something that was melodic or<br />

very inviting because that tune isn’t very inviting, but it still seemed melodramatic<br />

to me.<br />

I remember the bongos, when Tamiroff is climbing and breaking that<br />

window, and then Quinlan takes him by the neck and Tamiroff is dangling.<br />

<strong>The</strong> bongos were kicking in there like crazy; I felt like I was in a Beat

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