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The_Film_That_Changed_My_Life

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27<br />

Neil LaBute<br />

<strong>The</strong> Soft Skin<br />

Neil LaBute’s appreciation for one of François Truffaut’s darker, often overlooked<br />

films makes a kind of sense. <strong>The</strong>re’s LaBute’s penchant for somber<br />

tones, but the influence goes deeper. He points out that In the Company of<br />

Men and Your Friends & Neighbors pay homage to <strong>The</strong> Soft Skin. LaBute says<br />

even <strong>The</strong> Mercy Seat, a play he worked on, also contains clear evidence of<br />

Truffaut’s effect on him.<br />

For LaBute, <strong>The</strong> Soft Skin was a new and different approach to portraying<br />

both reality and New Wave filmmaking. He says, “I’ve never been one<br />

to love the camera or even to be as drawn to it as I am to the human front<br />

of it. . . . I think [<strong>The</strong> Soft Skin] was a film that speaks in a very simple way<br />

of here’s a way that you can tell a story on film in human terms. It was the<br />

kind of film that made me go, ‘I could do this; I want to tell stories that are<br />

like this and told in this way.’ And so it was altering for me in that way, in its<br />

simplicity or deceptive simplicity.”<br />

Neil LaBute, selected filmography:<br />

In the Company of Men (1997)<br />

Your Friends & Neighbors (1998)<br />

Nurse Betty (2000)<br />

Possession (2002)<br />

<strong>The</strong> Shape of Things (2003)<br />

<strong>The</strong> Wicker Man (2006)<br />

Lakeview Terrace (2008)<br />

Death at a Funeral (2010)<br />

245

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