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The_Film_That_Changed_My_Life

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216 John Woo<br />

Mean Streets came out in 1973, so you were already in movies.<br />

Woo: Yeah, but I saw this film before I directed my first movie. Even after<br />

I directed my first movie, I didn’t have much confidence. I must confess, I<br />

think I started a little too young. I should have learned more. I started with<br />

some kung-fu movies and comedies. After I watched Mean Streets, it made<br />

me feel ashamed—“Why don’t I make a movie like that? Tell a true story?”<br />

But at that time, not many people liked to see true stories. Even in Hong<br />

Kong, they only liked kung-fu movies. <strong>That</strong> made me feel that I should make<br />

a movie like Mean Streets.<br />

And you’ve said your character Jacky Cheung in Bullet in the Head was<br />

inspired by Robert De Niro’s character in Mean Streets.<br />

Woo: Yeah, that’s true. Originally, Bullet in the Head was set up as a sequel<br />

for A Better Tomorrow, but the story didn’t work. But I kept the idea, and I<br />

kept Mean Streets as a sample. I tried to tell part of my story. In the movie,<br />

Tony Leung Chiu Wai portrayed me. And Jacky Cheung’s character was an<br />

homage to Robert De Niro in Mean Streets. At the end of the movie, when<br />

he goes crazy and gets a bullet in the head—he holds his head walking in<br />

the dark alley—he was just like Robert De Niro at the end when he gets shot<br />

in Mean Streets.<br />

Just to be clear, he gets shot in the neck.<br />

Woo: Yeah, in the neck. He’s holding his head, walking in the dark alley, and<br />

in the background they are playing opera. <strong>That</strong> kind of strong image was<br />

always in my mind, and I used it in Bullet in the Head.<br />

About the friendship, Tony Leung Chiu Wai is just like Harvey Keitel,<br />

and the young guy who got so greedy was like the other friend who betrayed<br />

him. When I watched Mean Streets, it looked just like a Greek tragedy. Of<br />

course, in Mean Streets there are strong themes of friendship, like people<br />

in my life and people in my movies. When you really love a friend, and he<br />

betrays you, it becomes tragic.<br />

Critic Pauline Kael suggested that Charlie is the good side of Martin<br />

Scorsese, and Johnny Boy is the negative part.<br />

Woo: [laughing] Oh yeah, that’s interesting!

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