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The_Film_That_Changed_My_Life

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2<br />

Rian Johnson<br />

Annie Hall<br />

Writer and director Rian Johnson is a romantic. A softy. But, like most of us,<br />

he’s a slightly cynical softy—which is why Annie Hall seemed like the perfect<br />

film to spur him to cinematic action.<br />

“It’s magical to me,” he says. “To this day, I can watch the film and try to<br />

analyze it and try to figure out how this little movie works, and it’s almost<br />

impossible. I just end up getting lost. . . . For me, watching the film is like a<br />

kid watching a magic trick.”<br />

Johnson also has an affinity for playing with—and sometimes breaking—<br />

cinematic forms, which explains why he cast his first feature, Brick, as a noir<br />

murder mystery set in a high school. This, perhaps, explains why Annie Hall<br />

has been so attractive to him in its playfulness with (and outright disregard<br />

for) movie conventions.<br />

“I’d put it up there with 8½ in terms of a film that personally redefined<br />

for me what film was capable of,” Johnson says. “This was one of the first<br />

films I saw that played with form in a brave way, and it paid off.”<br />

Rian Johnson, selected filmography:<br />

Brick (2005)<br />

<strong>The</strong> Brothers Bloom (2008)<br />

Annie Hall<br />

1977<br />

Directed by Woody Allen<br />

Starring Woody Allen, Diane Keaton, Tony Roberts, Carol<br />

Kane, Paul Simon, and Shelley Duvall<br />

13

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