The_Film_That_Changed_My_Life

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21 Richard Linklater Raging Bull Linklater’s career, spanning two decades, has alternated between art house fare (Slacker, Waking Life) and mainstream movies like School of Rock and his Bad News Bears remake. It might be appropriate then, that the movie that changed his life straddles both worlds: Martin Scorsese and Robert De Niro’s boxing masterpiece Raging Bull, often cited as the best film of the 1980s (even though it was released in 1980). “At that point I was an unformed artist. At that moment, something was simmering in me, but Raging Bull brought it to a boil,” says Linklater, paraphrasing Walt Whitman’s praise of Ralph Waldo Emerson. Richard Linklater, selected filmography: Slacker (1991) Dazed and Confused (1993) Before Sunrise (1995) SubUrbia (1996) The Newton Boys (1998) Waking Life (2001) Tape (2001) School of Rock (2003) Before Sunset (2004) Bad News Bears (2005) Fast Food Nation (2006) A Scanner Darkly (2006) Me and Orson Welles (2008) 195
196 Richard Linklater Raging Bull 1980 Directed by Martin Scorsese Starring Robert De Niro, Cathy Moriarty, and Joe Pesci How would you describe Raging Bull to someone who has never seen it? Linklater: On the surface, it looks like a sports biopic. When it came out, that’s what I thought it was. You get into it, and you realize it’s this deep psychological portrait of this troubled, not-so-happy guy and how boxing is really a metaphor for his life. On top of it all, it’s this deadly accurate period piece. Under what circumstances did you see it? Linklater: I remember watching the movie, and I was not a big movie person at this time. I was a writer. But living in East Texas, I had seen just the popular movies. I was more interested in the theater. I was twenty. I was an athlete, a baseball player. More than anything at that time, I really related to Jake. I was an athlete at the time and I agreed with him, even though most people see it and go, “OK, he’s crazy. He’s overly paranoid and he’s suspicious, and he’s out of his mind.” I saw very clearly that his wife was cheating. I thought he was correct in a lot of his assumptions, which seems almost embarrassing to say now. It’s a wild guy’s view of the world. He was inarticulate. It was all feelings. He was this unleashed id. I was an athlete. That’s no small connection. I felt the absolute dedication and focus you have to have to the detriment of everything in your life: normal relations, women in your life. For anybody to be at that level, you have to have made incredible sacrifices. What other effects did it have? Linklater: This film pulled me in so dark and deep. It was the boldness of the movie. In the era of feel-good movies, touchy feely stuff was all over the place, and man, this movie was unafraid. It was so brave to depict such a flawed, unlikable, scary guy. There’s a moment in the film where he’s had a big fight with his brother Joey (Joe Pesci). Joey’s sitting at home watching Jake take a beating from
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Danny Boyle on Apocalypse Now Kevin
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Library of Congress Cataloging-in-P
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Contents Introduction … vi 1 Edga
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Introduction Movies are personal to
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viii Introduction For me, a sevente
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2 Edgar Wright How would you descri
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4 Edgar Wright an extremely gory Ri
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6 Edgar Wright going on. People are
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8 Edgar Wright Wright: The thing th
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10 Edgar Wright And then the deadpa
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12 Edgar Wright when a director has
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14 Rian Johnson How would you descr
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16 Rian Johnson [laughter] So there
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18 Rian Johnson The Godfather, and
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20 Rian Johnson creates the beauty
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22 Rian Johnson Johnson: Oh God, ar
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24 Rian Johnson As a filmmaker it
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26 Danny Boyle Starring Martin Shee
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28 Danny Boyle Boyle: [laughs] It h
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30 Danny Boyle on the ground, they
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32 Danny Boyle shooting schedule; h
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34 Danny Boyle And, as a filmmaker,
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36 Danny Boyle nonsense. But, it se
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38 Danny Boyle Boyle: Oh yeah, it
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40 Bill Condon How would you descri
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42 Bill Condon Condon: Oh, I think
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44 Bill Condon that great ending. I
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46 Bill Condon And then there’s a
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48 Richard Kelly Terry Gilliam call
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50 Richard Kelly access passes to t
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52 Richard Kelly Kelly: It makes it
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54 Richard Kelly they are not seen
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56 Peter Bogdanovich Texasville (19
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58 Peter Bogdanovich How did it cha
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60 Peter Bogdanovich everything the
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62 Peter Bogdanovich And you were p
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7 John Dahl A Clockwork Orange John
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66 John Dahl For example, I would s
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68 John Dahl way around. Art consis
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70 John Dahl Dahl: It’s interesti
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72 John Dahl My only other criticis
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8 Henry Jaglom 8½ Henry Jaglom cha
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76 Henry Jaglom was going through.
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78 Henry Jaglom out of control. A g
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80 Henry Jaglom Over the years, I
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9 Brian Herzlinger E.T.: The Extra-
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84 Brian Herzlinger during the scen
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86 Brian Herzlinger that world brou
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88 Brian Herzlinger You met Spielbe
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90 Brian Herzlinger And he says,
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92 Brian Herzlinger in theaters bec
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10 Alex Gibney The Exterminating An
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96 Alex Gibney one was political in
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98 Alex Gibney There’s one scene
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100 Alex Gibney you’ve had to do
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102 Alex Gibney I would say that th
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11 Kimberly Peirce The Godfather Pe
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106 Kimberly Peirce and he gets him
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108 Kimberly Peirce Have you ever r
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12 Steve James Harlan County U.S.A.
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112 Steve James later. It’s so tr
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114 Steve James an outsider. She ha
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116 Steve James out there, which wa
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118 Steve James James: Sure. It was
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120 Steve James give-and-take, then
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122 Steve James 28 Up and The Times
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124 Austin Chick Can you tell me ab
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126 Austin Chick Chick: Yeah, I mea
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128 Austin Chick Chick: The very fi
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130 Austin Chick But this does have
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14 Guy Maddin L’âge d’or Guy M
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134 Guy Maddin a movie myself. My m
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136 Guy Maddin It has a great shape
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138 Guy Maddin Maddin: Oh my God, i
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140 Guy Maddin shooting things, I l
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142 Guy Maddin to the way we love.
Page 153 and 154: 144 Guy Maddin see that the spicy,
Page 155 and 156: 146 Michel Gondry How you would des
Page 157 and 158: 148 Michel Gondry You’re right. I
Page 159 and 160: 150 Michel Gondry I think they have
Page 161 and 162: 16 Michael Polish Once Upon a Time
Page 163 and 164: 154 Michael Polish because he was u
Page 165 and 166: 156 Michael Polish I’ve heard it
Page 167 and 168: 158 Michael Polish aspects of filmm
Page 169 and 170: 17 Arthur Hiller Open City Roberto
Page 171 and 172: 162 Arthur Hiller movies like that,
Page 173 and 174: 164 Arthur Hiller hope I put in thi
Page 175 and 176: 166 Arthur Hiller Coburn character
Page 177 and 178: 168 Pete Docter How would you descr
Page 179 and 180: 170 Pete Docter Docter: Yeah, I had
Page 181 and 182: 172 Pete Docter Tatum O’Neal was
Page 183 and 184: 174 Pete Docter meaning of the scen
Page 185 and 186: 176 Atom Egoyan How would you descr
Page 187 and 188: 178 Atom Egoyan It’s been suggest
Page 189 and 190: 180 Atom Egoyan old quote about sto
Page 191 and 192: 182 Atom Egoyan That had a huge inf
Page 193 and 194: 184 Atom Egoyan Bergman was working
Page 195 and 196: 186 Atom Egoyan always find that im
Page 197 and 198: 20 Gurinder Chadha Purab aur Pachhi
Page 199 and 200: 190 Gurinder Chadha blond hair and
Page 201 and 202: 192 Gurinder Chadha My films are fr
Page 203: 194 Gurinder Chadha Even now, as I
Page 207 and 208: 198 Richard Linklater I’ve been i
Page 209 and 210: 200 Richard Linklater To see someon
Page 211 and 212: 22 Jay Duplass Raising Arizona Jay
Page 213 and 214: 204 Jay Duplass superbly executed
Page 215 and 216: 206 Jay Duplass camera, similar to
Page 217 and 218: 208 Jay Duplass And Moonstruck is t
Page 219 and 220: 23 John Woo Rebel Without a Cause a
Page 221 and 222: 212 John Woo I was pretty strong—
Page 223 and 224: 214 John Woo —but the role went t
Page 225 and 226: 216 John Woo Mean Streets came out
Page 227 and 228: 218 John Woo Scorsese’s violence
Page 229 and 230: 220 John Woo That’s one of the pe
Page 231 and 232: 24 John Landis The 7th Voyage of Si
Page 233 and 234: 224 John Landis That’s funny, bec
Page 235 and 236: 226 John Landis People have a misun
Page 237 and 238: 228 John Landis completely dazzles
Page 239 and 240: 230 John Landis Casablanca or Citiz
Page 241 and 242: 25 Kevin Smith Slacker For director
Page 243 and 244: 234 Kevin Smith very clever, very f
Page 245 and 246: 236 Kevin Smith place I’d really
Page 247 and 248: 238 Kevin Smith Smith: The benefit
Page 249 and 250: 240 Kevin Smith What was your react
Page 251 and 252: 242 Chris Miller When did you first
Page 253 and 254: 244 Chris Miller at the same time.
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246 Neil LaBute The Soft Skin 1964
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248 Neil LaBute if anyone, is short
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250 Neil LaBute most passionate mom
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252 Neil LaBute LaBute: Yeah, well,
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254 Neil LaBute Such a small portio
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256 Neil LaBute If I remember right
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258 Neil LaBute Lachenay moves arou
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260 George A. Romero The Dark Half
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262 George A. Romero I’ve never h
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264 George A. Romero Pressburger an
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266 Frank Oz How would you describe
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268 Frank Oz Tell me about that dis
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270 Frank Oz There’s a story abou
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272 Frank Oz coffeehouse. That was
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274 Frank Oz know what I’m doing.
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276 Frank Oz It’s amazing how you
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30 John Waters The Wizard of Oz The
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280 John Waters And then, the seldo
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282 John Waters countries—maybe t
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Acknowledgments First, thanks to th
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Index A accidents, on-set, 148-149
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288 Index Coutard, Raoul, 257 Cowar
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290 Index Hoop Dreams, 117, 118, 12
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292 Index My Beautiful Laundrette,
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294 Index special effects, 223, 224
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